The Only Jealousy of Emer: Yeats play at Thoor Ballylee

Yeats’s tower this spring hosts the theatre event of the season, as WB Yeats’s play The Only Jealousy of Emer receives its Thoor Ballylee premiere in a spectacular production by Galway-based theatre group DancePlayers.

Fresh from a highly-acclaimed run at Galway Theatre Festival, this new production, featuring resonant music, dance, acting, and design is re-imagined especially for  Yeats’s tower. As a moving site-specific piece in a historic venue numbers are limited so get in fast!

DancePlayers presents

The Only Jealousy of Emer

By WB Yeats

8pm Sat 26 and Sun 27 May 2018

Thoor Ballylee, Yeats’s Tower, Gort, Galway

Tickets: €14/12 Concession

Booking:  Places are limited. Booking required by phone 091 631 436 (weekdays 10am to 2pm, weekends 11am to 5pm) or by email to yeatsthoorballyleesociety@gmail.com

The performance begins outdoors so we highly recommend outdoor shoes and appropriate comfortable clothing. Seating is available but only for some scenes.

The great hero Cuchulain is on his deathbed. His body was washed up by the shore after a long and senseless fight with the sea. There are three women around him: his wife, Emer, his lover, Eithne Inguba, and Fand, an evil creature of the Sidhe. His fate is in their hands. Yeats’s poetic dance-drama focuses exclusively on the feelings and motivations of the female characters, and portrays the emotional turmoil that Emer has to suffer when she has to face her own jealousy to save her husband’s life.

The Only Jealousy of Emer is a one-act dance piece by W.B. Yeats. Written in 1918, it is one of the earliest plays by an Irish writer for physical theatre, with dance, masks and music. Inspired by the Japanese Noh theatre tradition, Yeats wrote this piece for an empty stage, where movement, gesture, posture, masks, spatial relations and dance all contribute to act of storytelling. Physicality speaks it its own language in these plays, so the performers’ task is to elevate this form of expression to the standard of Yeats’s verse and create a piece of total theatre.

This production is an attempt to prove that Yeats’s Noh-inspired dance plays have every right to be presented in front of a heterogeneous audience, in any part of the world, even 100 years after their composition. The notion that these pieces are only accessible for scholars and those “select few” that have an interest in oriental theatre, poetry or Irish mythology is widespread, and is rooted in the absence of professional Yeats productions on the world’s stages. This production aims at exploiting the qualities of the dance play to the full to show the availability of Yeats’s play texts for contemporary audiences within and outside Ireland. It thus features original masks, costumes, live music, dance, design, as well as newly imagined acting, speaking, and movement.

The show is a world premiere: the first ever fully staged theatre production of Yeats’s play The Only Jealousy of Emer taking place in his own tower. Fresh from a highly acclaimed run at the Galway Theatre Festival this production has been entirely re-imagined for this historic space.

Cast and crew after rehearsals at Thoor Ballylee

Because of the unique arrangements of the venue, the audience move with the performers during the show and seating is only available for certain important scenes. The performance begins outdoors so we highly recommend outdoor shoes and appropriate comfortable clothing.

Running time: 50 mins without interval.

DancePlayers is a new ensemble founded in Galway in 2018. It is a group of professional theatre makers and musicians who produce collaborative pieces for physical theatre.

Funded by The Galway City Council, NUI Galway, The Embassy of Hungary in Dublin and the Yeats Thoor Ballylee Society.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.