Lady Gregory-Yeats Autumn Gathering video available now

Lady Gregory-Yeats Autumn Gathering 2020 

Join Garry Hynes, James Pethica, Joseph Hassett, and Ronnie O’Gorman for discussion of Lady Gregory and Yeats: with song from Maighread Ní Dhomhnaill. 

Due to COVID-19 and government health restrictions this year’s programme of events was streamlined, and is viewable here for remote audiences.

Now available below!

Or see Lady Gregory Yeats Autumn Gathering 2020: youtube

Hosted by Ronnie O’Gorman (Galway Advertiser)

Garry Hynes (Druid Theatre) on staging Lady Gregory’s plays for Galway 2020

James Pethica (Williams College) on All This Mine Alone – the New York Public Library Exhibition curated by Professor Pethica with Colm Toibin.

Joseph Hassett (Buffalo) on his new book Yeats Now: Echoing into Life (2020)

with poetry readings, and music from renowned singer Maighread Ní Dhomhnaill

For more see interviews with Druid cast and Irish Times review for DruidGregory’s 2020 events.

For more on the Lady Gregory-Yeats Autumn Gathering and its annual programme of events see the website autumngathering.ie

Augusta, Lady Gregory, by John Butler Yeats

Coole Park live concert

 

Lady Gregory-Yeats Autumn Gathering 2020 

and

Coole Culture

present

What is the Stars

An outdoor concert at Coole Park honouring the 200th birthday of the Royal Astronomical Society and the celestial spirits of Wolfgang Amadeus Mozart and Augusta, Lady Gregory with world premieres of newly commissioned pieces. Featuring David Brophy and the Coole Park Band.

 

Play on website or stream on vimeo

What Is The Stars

“The heavens declare the glory of God, and the firmament proclaims his handiwork” Psalm 19.1.

Timothy Ethan Doyle: Lente

Anselm McDonnell: Liniakea

Wolfgang Amadeus Mozart: ‘Jupiter’ Symphony 41 in C – K551

with conductor David Brophy (Choir of Ages, High Hopes) and the Coole Park Band

All these pieces explore the heavens: Liniakea is Hawaiian for immense heaven (our Milky Way), Lente ‘imagines a fragment of Sibelius’s 7th Symphony in a black hole’, and Mozart’s 41st Symphony (1788) is named after Jupiter and his thunderbolts.

Presented by the Lady Gregory-Yeats Autumn Gathering and Coole Culture.

Due to COVID-19 and government health restrictions this year’s programme of events were streamlined, and indeed streamed and recorded for remote audiences, as well as available live to select invited guests. For more on the gathering’s annual events visit:

autumngathering.ie

Autumn Gathering goes online!

 

Lady Gregory-Yeats Autumn Gathering 2020 

Saturday 26 September 2020 (and after)

live and online!

autumngathering.ie

Join Garry Hynes, James Pethica, Joseph Hassett, Ronnie O’Gorman for discussion of Lady Gregory and Yeats: with music from Maighread Ní Dhomhnaill and a special concert Coole Celebrations featuring world premieres with James Brophy and the Coole Park Band!

Due to COVID-19 and government health restrictions this year’s programme of events is streamlined, and indeed streamed for remote audiences, as well as available live to select invited guests.

Augusta, Lady Gregory, drawn by John Butler Yeats

7pm Saturday 26 September  (via ZOOM livestream)

autumngathering.ie

James Pethica (Williams College) on ‘All This Mine Alone’ – the New York Public Library Exhibition curated by Professor Pethica with Colm Toibin.

Garry Hynes (Druid Theatre) on staging Lady Gregory’s plays for Galway 2020

Joseph Hassett (Buffalo) on his new book Yeats Now: Echoing into Life (2020)

with music from renowned singer Maighread Ní Dhomhnaill

and hosted by Ronnie O’Gorman (Galway Advertiser)

To Join Zoom Meeting:

see interviews with Druid cast and Irish Times review for DruidGregory’s 2020 events

and earlier

5pm Saturday 26 September  (for a live invited audience)

(available online from Tuesday 29 September @ Thoor Ballylee facebook)

Coole Celebrations

An outdoor concert at Coole Park honouring the celestial spirits of Wolfgang Amadeus Mozart and Augusta, Lady Gregory with world premieres of newly commissioned pieces

Anselm McDonnell: Liniakea

Timothy Ethan Doyle: Lente

Wolfgang Amadeus Mozart: ‘Jupiter’ Symphony 41 in C – K551

with conductor James Brophy (Choir of Ages, High Hopes) and the Coole Park Band

All these pieces explore the heavens: Liniakea is Hawaiian for immense heaven (our Milky Way), Lente ‘imagines a fragment of Sibelius’s 7th Symphony in a black hole’, and Mozart’s 41st Symphony (1788) is named after Jupiter and his thunderbolts.

Presented by the Autumn Gathering and Coole Culture.

autumngathering.ie

Then and Now: stories and folklore at Kiltartan and Thoor

THEN AND NOW

our intangible culture in South Galway

 

Celebrating folklore & storytelling for Heritage Week

with playwright Marina Carr

storyteller Rory O’ Shaughnessy 

folklorist and musician PJ Curtis

and the children of Kiltartan

 

Saturday 15 August 2-5pm Kiltartan Gregory Museum

Saturday 22 August 2-5pm Thoor Ballylee

On Saturday, 15 August 2-5pm  children are invited to come to the Kiltartan Museum  2pm-5pm to see the copybooks of the children who visited their grandparents, parents and elderly neighbours a hundred years ago, and wrote down their customs and beliefs in the copybooks which will be on view in the museum.  The children of today can see the museum and embark on a similar project: to visit their older relations and neighbours and to record in notebooks or on their phones, over the months until Christmas, the ways and practices of today in beliefs, customs, cures, stories  and so on. The storyteller, Rory O’ Shaughnessy, will be on hand to help, and there will be other talks outdoors,  and a picnic in the museum grounds.

On the following Saturday, 22 August 2 -5pm pm,  we will follow up, outdoors at Thoor Ballylee, with the children who have decided to take on the project,  as well as their families and any interested people. The playwright Marina Carr will talk about Lady Gregory’s folklore collections, and about myths and legends of old  – and the folklore and musical expert and historian, PJ Curtis will be present with others to picnic and to share stories and knowledge to get this enjoyable heritage project started with gusto!

Notebooks and support will be provided during this winter and we plan a booklet and recording of the findings and an award celebration in 2021.

For more contact Lelia Doolan, Yvonne Nolan, Nichola Baverstock, Rena McAllen – try  086 825 2164!

 

 

Thoor Ballylee blooms for Yeats’s birthday

Every year a Poet’s Picnic is held in celebration of the birthday of WB Yeats. This year is no different. On afternoon of Saturday 13 June 2020 from 2 pm, the poet’s tower in Galway hosts a video event of poetry, music, and memories. This is the first in a series of events held all summer long at Thoor Ballylee, as the tower opens virtually and for outdoor visitors in compliance with COVID-19 restrictions.

WB Yeats Poet’s Picnic 2pm 13 June 2020

Visit Yeats Thoor Ballylee Society Facebook Page

Livestream on

https://www.facebook.com/yeatsthoorballylee/live/

or go to

https://www.facebook.com/events/317595142567428/

We are delighted to say the waters have long gone, our volunteers and staff have removed all sand bags, tidied away all flotsam, and the gardens are thriving: these are all recent photographs! Though due to current restrictions we have not been yet allowed inside, the grounds are spectacular for visitors. And this weekend Thoor Ballylee blooms again to celebrate the 155th birthday of WB Yeats.

First, a reminder of our story.

WB Yeats bought the old Norman tower at Ballylee for a song in 1916, and had it renovated by local builder Michael Rafferty under the direction of architect William A. Scott, with whom Yeats had a lively relationship, describing him on one occasion as a ‘drunken genius’. With its attached thatched cottage it became a comfortable summer home for his wife George and their two children, Michael and Anne, and the Yeats family returned year after year.

Living there inspired Yeats to write some of his best poetry. Fruits of this work were published in two volumes considered by critics among his best: The Tower (1928) and The Winding Stair (1933). They contain such poems as ‘The Tower’, ‘Meditations in Time of Civil War’, ‘Coole Park 1929’, ‘Blood and the Moon’, and many others, some featured in this weekend’s birthday celebrations.

The Winding Stair (1933) cover by Thomas Sturge Moore

The tower, which Yeats named Thoor Ballylee, fell into disrepair after the poet’s death in 1939. It was given by the children of the poet to Board Failte, who opened it as a tourist information office, while offering tours showing its extraordinary literary heritage.

Built by the de Burgo family in the 14th century as a Hiberno-Norman stronghold, the tower stands beside the Streamstown River and is subject to sporadic winter flooding. It truly is a livestream: the floods have been severe in recent years, so in 2009 the tower was shut by Failte Ireland who decided that it was no longer economically viable. It remained closed until a group of volunteers, with the grand-sounding name of Yeats Thoor Ballylee Society, appealed to Failte Ireland to let them re-open the Tower as a visitor centre once again. This was granted, and after restoration and repair work the tower was opened with music and song in June 2015, the 150th anniversary of Yeats’s birth. Exhibitions, tours, and all kinds of cultural events have attracted thousands of visitors. His birthday has been celebrated there ever since.

This summer, these events are set to continue. Yeats Thoor Ballylee Society continues to adhere to all the COVID-19 guidelines from the Government of Ireland. While this does not currently allow for visitors inside the tower, the Society continues to host special events with social distancing in place in the grounds, by the mill wheel, by the river, and online.

In addition to the Poet’s Picnic taking place this Saturday 13 June 2020, there are ambitious plans in the coming year to hold the type of events the tower has become famous for: poetry readings, plays, musical get-togethers, talks of historical, natural, and literary interest, including virtual multimedia tours, talks, and readings from WB Yeats’s inspirational home, and from our new studio space dedicated to art and cultural workshops which opened just last year.

This summer the magic of the tower can thus be experienced in a number of ways. The grounds remain open to visitors practising social distancing, while the tower hosts small gatherings for invited attendees, and an exciting series of events broadcast to the world by video or audio link.

WB Yeats Poet’s Picnic 2pm 13 June 2020

Visit Yeats Thoor Ballylee Society Facebook Page

Livestream on

https://www.facebook.com/yeatsthoorballylee/live/

https://www.facebook.com/events/317595142567428/

To donate to this voluntary group, our webpage yeatsthoorballylee.org has updates, and see also the Yeats Thoor Ballylee Society facebook page. Visitors this summer still be able to enjoy the charm of Ballylee, and perhaps agree that it is the perfect place for a poet to rest and write.

 

Still singing: folksinger and friend of Thoor Mary McPartlan dies

Yesterday we heard the sad news of the death of Mary McPartlan. Leitrim-born McPartlan was a singer, actor, director, promotor and well-known cultural activist for music and the arts in Galway and nationally. She was also a force of nature: despite spending significant energy over a number of years battling with cancer, she always came back stronger, full of new ideas and collaborations; and still singing.

Throughout a varied career, Mary McPartlan worked with Druid theatre, TG4, and RTÉ, as well as helping to found Galway theatre company Skehana, the Galway singers club Riabhóg, the Galway Youth Theatre and Glór, the national Irish music centre in Ennis. With TG4 she founded the thriving Gradam Ceoil National Traditional Music Awards and produced and presented the music show FLOSC.

Working at the National University of Ireland Galway she set up Arts in Action sparking new art projects and bringing together artists, musicians, actors, writers and performers from around the world. Even in these restricted times the series continues to find an audience online.

Her first love though was music. She founded folk duo Calypso in the 1970s, and more recently she received a Fulbright award for her work collecting and editing folksong from Ireland and Scotland to America and beyond. Her debut album The Holland Handkerchief (2004) was heralded as folk album of the year by MOJO Magazine, follow-up Petticoat Loose (2008) featured more of her award-winning solo singing, and she continued to record and tour.

As a longstanding friend of Thoor Ballylee she took a leading role in the last concert held here in October 2019.

Mary McP

As tributes came in from around the world, from RTÉ, Breakingnews.ie and the Irish Times, President of Ireland Michael D. Higgins released a statement:

“It is with deep sadness that Sabina and I have heard of the death of a dear friend, Mary McPartlan, musical director, broadcaster, and one of Ireland’s great folk singers.

She leaves a legacy of achievement for the arts that will endure. […]

Her invocation of place, history and feeling was unique. Sabina and I were among the many who were privileged to call her our friend, and we will all miss her so much.

For myself, I will always hold wonderful memories of being on tour with her and of her singing her tribute to Victor Jara at those five gigs we did together in 2011 in Leitrim, Donegal, Wicklow and Kerry; the wonderful company she was; and later I often admired how brave she was, indomitable, transcending loss and adversity with a nobility of heart and a powerful reach of humanity that was of course always there in her singing and in her life.”

Mary McParlan is featured in many fine performances and live recordings, too many to name here. Her solo version of ‘Lord Gregory’ (also known as ‘The Lass of Aughrim’) from The Holland Handkerchief expresses the strange grief that so inspired James Joyce’s story ‘The Dead’, where a rendition of the song ‘in the old Irish tonality’, ‘made plaintive by distance’ reminds Gretta Conroy of her Galway youth and precipitates the story’s climax.

Mary McPartlan is survived by her husband, Paddy, and daughters Mairéad and Meabh. All at Thoor Ballylee remember well her courage, vivacity and spirit, which continues wherever music is played in Galway.

 

Thoor Ballylee rises again

In these trying times it is a pleasure to report some good news.

The recent spell of dry weather has enabled Thoor Ballylee once more to stand proud of the waters. Here is Yeats’s tower yesterday morning in spring sunshine.

IMG_2200

We have come a long way.

At their height, floodwaters reached nearly to the top of the windows.

Earlier in the month, what Yeats called ‘the road by my door’ was a river.

cof_vivid

And the bridge was invisible from view.

oznor_vivid

Even on St Patrick’s Day there was still waters surrounding the tower:

Thoor low flood

Now the flood waters have finally begun to pass, the job can begin of recovery and cleaning. As soon as social distancing guidelines allow.

In the meantime, stay well and stay safe. Remember poetry and art in these times: Thoor Ballylee will still be here for visits when we get back to normal. If you wish to help with our clean up and recovery effort, join us or donate: go to our Donate page.

In case you missed it, a reminder of why Thoor Ballylee is so important to Ireland and to all admirers of WB Yeats and his family: Roy Foster in the Irish Times on Thoor Ballylee.

Update: Thoor Ballylee flooding

Thoor Ballylee, the fifteenth-century home of W.B. Yeats and his family, has recently faced serious flooding. As with much of South Galway, recent storms and heavy rainfall have raised the water table to unusually high levels and caused rivers to burst their banks.

Thoor Ballylee was regarded by the poet and fellow Nobel laureate Seamus Heaney as perhaps the most important building in Ireland because of its association with Yeats. Since 2015 a local voluntary group, the Yeats Thoor Ballylee Society, has opened and run this historic building as an important visitor centre.

Unfortunately, for the second time since reopening in 2015, the tower and associated cottages and buildings have suffered yet another major flooding. The event has been extensively reported in the Irish Times and around the world.

Undaunted, this voluntary group is determined that the tower and the newly refurbished Studio at Thoor Ballylee will open again to the public for the 2020 season. Recent major investment and work at the tower cannot fully protect it from flooding but we hope it has helped to make this ambitious target achievable.

To make this happen a major clean up operation will have to take place before fully reinstating interior furnishings.

YOU CAN HELP US. Any donation little or large would be most appreciated by the Yeats Thoor Ballylee Society and the wider community.

To donate securely with peace of mind via paypal or credit/debit card visit our DONATE page.

For more details and news visit our website or for quick updates please visit our Facebook page Yeats Thoor Ballylee Society.

Please click on the link below to see what we are facing.

https://m.facebook.com/story.php?story_fbid=2784937464926651&id=781297711957313

 

With thanks to Colm Farrell and his horse.

Thoor Ballylee year in review

The last year represents one of our most successful years ever here at Yeats’s Tower. The opening of the Studio at Thoor Ballylee represented 2019’s biggest achievement, and one that will keep giving for many years to come. With generous support, we completed in double-quick time the conversion of the Yeats family’s old garage into a new vibrant space for workshops, events, education, art, and community, further enriching this place full of poetry and creativity.

By October 2019, when the curtain came down on our fifth season open at Thoor Ballylee, an estimated 4, 580 visitors had come and experienced the magic of Yeats’s tower. With your help we hope 2020 can be even better! Your continuing support is much appreciated.

The season at Thoor Ballylee opened on Easter Saturday in late April, with spring springing and with tea and Easter Bunny cake kindly provided by our generous and longest serving volunteer, Tonii. This was just the warm up for our regular readings and celebrations for Yeats’s birthday party, held every year (with cake!) on or around 13 June.

‘Sailing to Byzantium’

Launching the Studio at Thoor Ballylee was our first major event of the season.  Guest of honour and speaker of a fine welcoming address was the inimitable Sabina Higgins. Spoken poetry came from poet Mary O Malloy, and was followed by a  fluid rendition of ‘The Salley Gardens’ by soprano, Helen Hancock. Doing the honours of the official opening in cutting the ribbon was our very own esteemed author and educator Sr Mary de Lourdes Fahy.

The exhibition, assembled from materials from our own and NUI Galway’s archives, featured women artists like Elizabeth Rivers and especially the work of Elizabeth and Lily Yeats, in arts and crafts, printing and embroidery, after whom the studio is dedicated. Pride of place went to exquisite embroidered banners designed and made by the Yeats family and female workforce at Dun Emer workshop, rarely seen outside their home St Brendan’s Cathedral Loughrea, woven under the direction of Lily Yeats and featuring saints designed by Jack B. Yeats and his wife Mary Cottenham Yeats. Presiding over the studio space and presenting an expert weaving demonstration was Kathy Mooney. Later in the year the Studio at Thoor Ballylee was the venue for a day of spinning and weaving, now becoming a very popular annual event.

Elizabeth Rivers, from Stranger in Aran, Cuala Press (1946)

So already the Studio at Thoor Ballylee has been put to good use. Local artist, Cindy Lund, came to reside in there  for a week, creating some amazing original work, attracting other artists, giving local children an opportunity to draw in Yeats’s garage, while generating great interest in Thoor.

The studio was also the venue for weekly evening classes with Jackie Quelly, a lecture on Maud Gonne’s Men, by Anthony J. Jordan, an embroidery workshop with Sandra from Sacra King Irish Fibre Crafters and an exhibition and various artistic activities by the wonderful Kinvara Sanctuary group. Later as part of the Yeats Lady Gregory Autumn gathering Marina Carr came to give an expert playwrighting workshop here.

Marion Cox in conversation with Marina Carr

We are indeed indebted to Denis Creaven, from the Institute of Education, who has faithfully, year after year, given his two day mid-term lectures to Leaving Cert students, free gratis, with all proceeds going to Thoor Ballylee.

The mill by the river, on a sunny summer’s day in June, was the setting for a joint recital by Coole Music and an incredible youth orchestra from Norway, conducted by Katherina Baker. Two weeks later we were treated to an afternoon of medieval music by the junior members of Coole Music, fittingly attired in medieval costumes, performing in our medieval tower house.

To mark Heritage week, field archaeologist Dr Christy Cunniffe gave a talk and presentation on vernacular houses. Anna O Donnell gave an fascinating demonstration on the story of butter and butter making while soprano Helen Hancock delighted us with an evening of opera and the story of song. On Culture Night two rare performances occurred at Thoor of Yeats’s and Augusta Gregory’s The Pot of Broth  by a pioneering local theatre group. This was followed by Anna O Donnell‘s own broth tasting, and with Lelia Doolan’s insights into the family life of the Yeatses, audiences went away fully satisfied.

In September we were, once again, honoured to host The Lady Gregory and Yeats Autumn Gathering, and the studio and tower was the host for important sessions on women’s writing and creativity. As noted, internationally renowned playwright Marina Carr with Head of Drama at Trinity College, Dublin, Melissa Sihra, conducted a workshop for playwrights in the studio. Film producer Lelia Doolan gave an enlightening lecture on the actress and artistic director Ria Mooney and the Abbey Theatre, while the local Wild Swan Theatre group brought the weekend to a close with their premiere production of a new play, Lady Gregory’s Ingredients.

World renowned storyteller, Martin Shaw (Cista Mystica) chose Thoor Ballylee as the Irish venue for his sold-out story telling workshop and evening performance. This event attracted participants from as far afield as Germany and New Zealand, and proved a most successful event in terms of enjoyment and publicity. A film made by Grant Thompson around the event with Martin Shaw at Thoor Ballylee discussing Yeats  was featured on social media and widely viewed.

Thoor Ballylee ended the year as it began as a hub for the arts and for community: the many musical events in the series included expert local group The Burren Bandits while Máirtín O Connor, Garry O Brien and singer Mary McPartlan brought another busy season to a close.

Thoor Ballylee would like to give thanks for the generosity of our amazing 2019 volunteers: Rosemary, Rose, Tonii, Karen, Liam, Gus, Pat O Looney, Pat Farrell.For their never-ending help, our Tús members: Khrystof , Dominic, Joe, and Frank (CE scheme).  To JJ and family members for manning the car park, controlling the traffic, lighting our way in the dark and helping where needed. And to our never-failing staff  Eoghan MacDonagh and the dedicated Nichola.

All this hard work, dedication, and passion for W.B. Yeats, for Thoor Ballylee, and for the arts and Galway culture, was fittingly rewarded in when we were awarded the prestigious Cathaoirleach’s (Mayor’s) Award for Arts and Culture 2019.

Marion Cox, Rena McAllen, Colm Farrell, Anna O Donnell, Lelia Doolan of the Yeats Thoor Ballylee Society

All this, and we couldn’t have done it all without you!  Despite our recent success in winning a competitive Government of Ireland grant to help open the studio, we rely entirely on volunteers and private donations to keep going, and making sure Yeats’s legacy is preserved and open for worldwide visitors and new generations. Please come and visit us in the new season, and if you can become a friend or donate to our fund!

Yeats dance play comes to Galway

The year is 1916. A young man arrives to the hills of County Clare by night. He is on the run, looking for refuge after his part in the Eastern Rising in Dublin. After some time trying to find his way on the mountain side, two strange figures emerge from the dark, and offer him guidance. It soon turns out that they are not ordinary people, but the ghosts of that infamous twelfth century couple, Dermot and Dervorgilla, who have been held responsible for the first invasion of Ireland by foreign armies. They need the young man’s help.

With Thoor Ballylee is now closed for the winter season (though visitors to exterior and grounds are welcome), Yeats enthusiasts must find their fun elsewhere.

Thankfully, with this dramatic staging, DancePlayers returns to Galway with another astonishing production of a rarely seen Yeats play. Their highly acclaimed performance of The Only Jealousy of Emer was a highpoint in Thoor Ballylee’s 2018 season and the Galway Theatre Festival. With original music, movement, and staging, this new imagining of Yeats’s play about violence and history promises to be even better. Set in the Burren, as the ghosts circle Corcomroe Abbey, Co. Clare, near Thoor Ballylee, The Dreaming of the Bones is in this production coming home to the west.

DancePlayers presents

The Dreaming of the Bones

By W. B. Yeats

Thurs-Sat 7-9 November at 8pm 

Sunday 10 November at 1pm with performer Q&A

O’Donoghue Theatre, NUI Galway

Running Time: 40 mins without interval

Tickets: €5 Concession / €10 Standard

Booking and more information:

https://the-dreaming-of-the-bones.eventbrite.ie/
https://www.facebook.com/DancePlayersCompany/

The Dreaming of the Bones is a one-act dance piece by W. B. Yeats. Written in 1918, it is one of the earliest plays by an Irish writer for physical theatre, with dance, masks and music. With its topical subject and completion only two years after the Rising, it was deemed too problematic for the public stage for more than a decade, hence no attempt was made to produce it until its belated premiere in the Abbey Theatre in 1931. Since then, it has become one of Yeats’s most frequently played dance dramas both in Ireland and abroad. Inspired by the Japanese Noh theatre tradition, Yeats wrote this piece for an empty stage, where movement, gesture, masks, spatial relations and dance all contribute to act of storytelling.

After their acclaimed debut at the Galway Theatre Festival with The Only Jealousy of Emer in 2018, DancePlayers Company returns with a new staging of The Dreaming of the Bones in an attempt to exhibit the qualities of dance plays to the full, thus showing the availability of Yeats’s play texts for contemporary audiences. The play will be staged with movement and live music, composed exclusively for the performance.

View the on site Burren video promo here

Listings Information

The Dreaming of the Bones

Venue: O’Donoghue Theatre, NUI Galway
Dates: 7 – 10 November 2019

Time: 8pm on Thursday 7th, Friday 8th and Saturday 9th  November 2019, 1pm on Sunday 10th with open Question and Answer session from the director and performers.

Running Time: 40 mins without interval

Tickets: €5 Concession / €10 Standard

Booking and more information:

https://the-dreaming-of-the-bones.eventbrite.ie/
https://www.facebook.com/DancePlayersCompany/

Credits

Directed by              Melinda Szuts
Music                           Akos Lustyik
Choreography        Jeremie Cyr-Cooke

Lighting design         Sarah Timmins
Stage manager           Aisling Fitzsimons
Masks and design       Yvette Picque

Gergely Kuklis            violin
Nicola Geddes            cello
Gilles Dupouy             harp

Cast: Aimee Banks, Kashi Cepeda, Jeremie Cyr-Cooke, Conor Gormley, John Rice, Una Valaine

Melinda Szuts is a Galway-based director and researcher at the O’Donoghue Centre for Drama, Theatre and Performance at NUIG. Melinda has been involved in many theatre productions both in Ireland and her home country, Hungary in previous years. Her theatre credits include many Yeats productions, both as actor and as director.

DancePlayers is an ensemble newly founded in Galway in 2018. It is a group of professional theatre makers and musicians who produce collaborative pieces for physical theatre. Their production of Yeats’s The Only Jealousy of Emer had a successful series of performances at Galway Theatre Festival and in Yeats’s tower, Thoor Ballylee in Gort, Co. Galway