Maud Gonne & Yeats talk

This weekend at Thoor Ballylee, columnist and author Anthony J. Jordan gives us his views on an interesting and controversial topic.

Maud Gonne’s Men

Anthony J. Jordan

Thoor Ballylee

3pm Saturday 13th July 2019

Biographer of Arthur Griffith, W.T. Cosgrave and Sean MacBride, Anthony J. Jordan is a native of Ballyhuinis, Co. Mayo, educated at NUI Maynooth, UCD, and St Patrick’s College, Drumcondra. He has wide interests in Irish culture and politics, and in particular the complicated repatriation of the bodies of Irish writers like W. B. Yeats and James Joyce.

His talk this weekend delves into the thorny thickets of Maud Gonne’s life, loves, and nationalist activities following his own book on the topic (see above). Gonne’s long affair with the right-wing French nationalist Lucien Millevoye produced two children, one who would die tragically young, and an agreement to take on the British Empire in any form. This entanglement overlapped with her spiritual marriage with W.B. Yeats, and prefigured a disastrous marriage with the revolutionary John MacBride which ended with abuse allegations and a fraught separation case. Even then after his execution in 1916 she wore black in honour of a man who Yeats’s ‘Easter 1916’ says he ‘dreamed / A drunken vainglorious lout’. Amid renewed interest in the subject stimulated by new work such as Adrian Frazier’s The Adulterous Muse: Maud Gonne, Lucien Millevoye and W.B. Yeats (Lilliput, 2016), Anthony J. Jordan gives us his considered opinion and answers questions.

Join us for an engrossing talk, a cup of tea, and a unique view of Yeats’s tower.

Artist at Thoor Ballylee

In our newly renovated studio space artists can exhibit and conduct workshops and residencies. This week Thoor Ballylee hosts Cindy Lund as artist in residence.

Cindy Lund ‘Come Away’

From Monday July 1st till Saturday 6th , from 11am-2pm, the newly renovated Studio at Thoor Ballylee will  host artist-in residence Cindy Lund. Originally from West Cork, Cindy has been a professional artist for over 30 years. She attended art school in London, then completed a degree in ceramics in NCAD Dublin. She worked as a decorative artist for many years during which time she learnt many of the techniques she now uses in her distinctive paintings including the use of gold and silver leaf.

Her work is inspired by the unique landscape of the Burren, by the marks and textures created by time and by the language of symbolism. The paintings ultimately describe both outer world and the inner landscapes of the unconscious, or as Yeats so eloquently described it: “the rich, far-wandering, many-imaged life of the half-seen world beyond”.

Cindy sells her work to private and corporate clients both in Ireland and abroad, and she also enjoys sharing her experience and enthusiasm for the creative process with others, running regular art classes and creative workshops from The Art Room studio, in Ardrahan village.

Do come along and visit her at work in the beautiful and creative surroundings of Thoor Ballylee. Paintings and prints, some of them inspired by Yeats’ poetry, will be available to view and purchase.

Contact Cindy on 087 7567988 or email cindylundartist@gmail.com

www.cindylundartist.com

 

Yeats’s birthday celebrations

W.B. Yeats was born on the 13th June 1865: on this day in 2019 that makes him a notional 154 years young, entering his 155th year. Though he complained loudly in verse about old age he did so from a very young age – and when approaching seniority retained a youthful vigour. Young, old, and somewhere in between gathered in Thoor Ballylee to read poems, sing songs, and share birthday cake for the grand old ever-young poet.

Rena McAllen, Tiana Fischer, Stephen O’Neill, and Melinda Szüts

Poems written early and late in life, from ‘Down By the Salley Gardens’ and ‘The Lake Isle of Innisfree’ to ‘The Tower’ and ‘Blood and the Moon’ were sung or read out loud (the way Yeats believed poetry should be performed) at our newly opened studio.

Colm Farrell and the Doolan family: Lelia Doolan about to read

Poems were read putting blessings on the tower, and expressing a wish to leave the country, or the body: “That is no country for old men”, declares ‘Sailing to Byzantium’. With the young jackdaws nesting in the tower having just flown their nest, reading ‘The Stare’s Nest By My Window’ from ‘Meditations in Time of Civil War’ was particularly poignant.

‘The Stare’s Nest By My Window’

The bees build in the crevices
Of loosening masonry, and there
The mother birds bring grubs and flies.
My wall is loosening; honey-bees,
Come build in the empty house of the stare.

We are closed in, and the key is turned
On our uncertainty; somewhere
A man is killed, or a house burned.
Yet no clear fact to be discerned:
Come build in the empty house of the stare.

A barricade of stone or of wood;
Some fourteen days of civil war:
Last night they trundled down the road
That dead young soldier in his blood:
Come build in the empty house of the stare.

We had fed the heart on fantasies,
The heart’s grown brutal from the fare,
More substance in our enmities
Than in our love; O honey-bees,
Come build in the empty house of the stare.

The Nobel prize medal for Literature he won pictured a young fellow listening to a beautiful muse. “I was good-looking once like that young man”, exclaimed Yeats, “but my unpractised verse was full of infirmity, my Muse old as it were. Now I am old and rheumatic, and nothing to look at, but my Muse is young.”

A horse joins the celebrations

In celebration this piece of music and reading by Ciaran Cannon features recent footage of Thoor Ballylee.

When You Are Old – WB Yeats from Ciaran Cannon on Vimeo.

Melinda Szüts reads from the opening song of the play ‘The Only Jealousy of Emer’.

Happy Birthday to W.B. Yeats from all at Thoor Ballylee, County Galway!

 

 

Invitation to Studio opening

The Studio at Thoor Ballylee

A new space for making and thinking

You are warmly invited to the opening of The Studio at Thoor Ballylee.

 Sunday 28th April 2019 at 3pm

Studio opened by Sister Mary deLourdes Fahy, local historian.

Special Guest Mrs Sabina Higgins.

Featuring Kathy Mooney, weaver; Áine Ní Shioradáin, harpist, Mary O’Malley, poet.

With an exhibition of artwork and craft by Lily and Elizabeth Yeats, with work by Jack B. Yeats, John Butler Yeats, and W.B. Yeats.

Elizabeth Rivers, from Stranger in Aran, Cuala Press (1946)

The new studio, intended as a meeting and workplace for today’s artists and craftworkers, honours Lily and Elizabeth Yeats, their creation of the Dun Emer Guild and Cuala Industries.

We gratefully acknowledge the support of the Department of Heritage, Culture, and the Gaeltacht and the generosity of our private donors.

Please join us as a new studio space opens at the Galway home of the poet W.B. Yeats!

Designed for workshops, exhibitions, craft sessions, youth groups, special events, talks, and discussion forums, it combines work space for artists with educational and workshop facilities. The Studio at Thoor Ballylee forms a cultural hub in the west of Ireland that matches the commitment of Lily and Elizabeth Yeats to art and education.

Thoor Ballylee is now open for the 2019 season 10am-2pm weekdays, 11am-5pm weekends. See our events page for more, including Leaving Cert lectures Tuesday 23rd and Wednesday 24th April.

Stonemason Jetro Sheen of Sheen Stone Works, Gort putting finishing touches to the new slate sign for the Studio. Design probably by Elizabeth Yeats, adapted from the Cuala Press. 

 

The Studio at Thoor Ballylee

The studio is inspired by two extraordinary examples: the work and legacy of the Yeats sisters. As a designer and embroiderer Lily Yeats (born Susan Mary Yeats) studied with May Morris, before setting up as an independent artist and maker of textiles with apprentices of her own. Her sister, artist and educator Elizabeth Yeats (known to the family as Lolly), pioneered the arts in the classroom, creating new watercolour brushwork techniques as a teaching method for children, and coaching young artists from Louis Le Brocquy to Anne Yeats. She became a hand-press printer and maker of books, publishing fine editions of art and literary works including by her brothers the poet W.B. Yeats and the artist Jack B. Yeats. Together the Yeats sisters were the founders of the Dun Emer workshop and then Cuala Industries, a groundbreaking nationalist and feminist collective producing art and providing skills, training, and apprenticeships across a range of applied artistic fields. Determined to revive, improve, and expand the reach of all the arts in Ireland, the example of the Yeats sisters stands behind the vision of the studio, with its emphasis on making of all kinds.

Originally an outbuilding converted to a garage by the Yeats family, the studio faces the Hiberno-Norman tower of Thoor Ballylee made famous by the poetry of W.B. Yeats, who lived and worked there with his wife George Yeats, also an artist and researcher of great ability, and their young family. Its transformation into a studio was made possible by generous private sponsorship and matching competitive funding from the Government of Ireland’s Department of Culture, Heritage, and the Gaeltacht.

To find out more – or see how you can help – see our website donate page  or contact yeatsthoorballyleesociety@gmail.

 

 

The Studio at Thoor Ballylee opens

Today thanks to the sterling work of our volunteers and helpers, Thoor Ballylee is now open for the 2019 season 10am-2pm weekdays, 11am-5pm weekends. There are an exciting line up of events planned throughout the year. We kick off in grand style with the launch of our new studio space.

The Studio at Thoor Ballylee

A new space for making and thinking

On Sunday 28th April 2019 at 3pm a new studio space opens at the Galway home of the poet W.B. Yeats. Designed for workshops, exhibitions, craft sessions, youth groups, special events, talks, and discussion forums, it combines work space for artists with educational and workshop facilities. The Studio at Thoor Ballylee forms a cultural hub in the west of Ireland that matches the commitment of Lily and Elizabeth Yeats to art and education.

The studio is inspired by two extraordinary examples: the work and legacy of the Yeats sisters. As a designer and embroiderer Lily Yeats (born Susan Mary Yeats) studied with May Morris, before setting up as an independent artist and maker of textiles with apprentices of her own. Her sister, artist and educator Elizabeth Yeats (known to the family as Lolly), pioneered the arts in the classroom, creating new watercolour brushwork techniques as a teaching method for children, and coaching young artists from Louis Le Brocquy to Anne Yeats. She became a hand-press printer and maker of books, publishing fine editions of art and literary works including by her brothers the poet W.B. Yeats and the artist Jack B. Yeats. Together the Yeats sisters were the founders of the Dun Emer workshop and then Cuala Industries, a groundbreaking nationalist and feminist collective producing art and providing skills, training, and apprenticeships across a range of applied artistic fields. Determined to revive, improve, and expand the reach of all the arts in Ireland, the example of the Yeats sisters stands behind the vision of the studio, with its emphasis on making of all kinds.

Saint Colman, design by Jack B. Yeats, embroidery by Lily Yeats and the Dun Emer workshop (1903) (image courtesy of St Brendan’s Cathedral Loughrea)

Originally an outbuilding converted to a garage by the Yeats family, the studio faces the Hiberno-Norman tower of Thoor Ballylee made famous by the poetry of W.B. Yeats, who lived and worked there with his wife George Yeats, also an artist and researcher of great ability, and their young family. Its transformation into a studio was made possible by generous private sponsorship and matching competitive funding from the Government of Ireland’s Department of Culture, Heritage, and the Gaeltacht.

With a variety of configurations and uses the studio is designed to host artists, workshops, and young people. A series of craft workshops is planned throughout the year featuring textiles, printmaking, spinning, poetry, drama, storytelling, and more.

Dr Catherine Morris and Dr Barry Houlihan with Cuala Industries handpainted banner (NUI Galway)

The 2019 opening by local historian Sister Mary De Lourdes Fahy at 3pm Sunday 28th April features as special guest Mrs Sabina Higgins, with poet Mary O’Malley, weaver Kathy Mooney and harpist Áine Ní Shioradáin, plus other important artists and visitors. The studio hosts a special exhibition featuring work by Lily, Elizabeth, Jack and W.B. Yeats and the Cuala Industries workshop.

from Elizabeth Rivers, Stranger in Aran (Cuala Press, 1946)

To find out more – or see how you can help – see our website donate page  or contact yeatsthoorballyleesociety@gmail.

John Butler Yeats, Musician

 

 

 

Macbeth & Poetry: Leaving Certificate lectures

Leaving Certificate 2019 

Macbeth & Poetry Lectures

at Thoor Ballylee

12 noon Tues 23 & Wed 24 April 2019

Booking: yeatsthoorballylee@gmail.com — 086 8552124

€30 or €50 for both days, with a tour of the Yeats tower and coffee included.

Would you like help preparing for your English Literature exams? More information and ideas about plays and poetry? Have a wider interest in theatre and verse? There is no better time than St George’s Day (also Shakespeare’s birthday) to come to Yeats’s tower at Thoor Ballylee to hear more.

Ralph Richardson as Macbeth (RSC 1952)

Denis Creaven, English teacher at The Institute of Education, Dublin, prepares lectures and notes focused on Leaving Certificate examination requirements. Complimentary handouts of the lectures will be distributed.

Macbeth Preparation Day 1

Tuesday 23rd April 2019

Deals with topics in Macbeth including the roles of the main characters.

Poetry Preparation Day 2

Wednesday 24th April 2019

Concerning the poetry of Seamus Heaney, WB Yeats, Brendan Kennelly, DH Lawrence, Sylvia Plath. (Notes on Gerard Manley Hopkins will also be distributed).

WB Yeats himself had endless arguments with his father about the merits of various Shakespeare plays, and founded the Abbey Theatre in honour of Shakespeare’s Globe theatre in London. As he wrote in 1906,  “every national dramatic movement or theatre in countries like Bohemia and Hungary, as in Elizabethan England, has arisen out of a study of the common people, and out of an imaginative re-creation of national history or legend.” From Scottish history Shakespeare plucked the story of Macbeth, and produced some of the finest and strangest scenes in theatrical history.

Life’s but a walking shadow, a poor player
That struts and frets his hour upon the stage,
And then is heard no more. It is a tale
Told by an idiot, full of sound and fury,
Signifying nothing.

Come and hear more, and enjoy and inclusive tea and tour around the storied building of Thoor Ballylee. Proudly supported by the Institute of Education, Dublin.

In Memory of W.B. Yeats

It is eighty years, a lifetime and no time at all, since W.B. Yeats died and was laid to rest at Roquebrune in the south of France. Far from home, friends and energies surrounded him, and he left life still busy working and thinking: “I know for certain my time will not be long. I have put away everything that can be put away that I may speak what I have to speak, & I find my expression is a part of study […]. It seems to me that I have found what I wanted. When I try to put all into a phrase I say, ‘Man can embody truth but he cannot know it’. I must embody it in the completion of my life.”

France, Var, Roquebrune sur Argens, snow in winter on the cliffs of the Rocher de Roquebrune

When his death was announced, the wires hummed with tributes from around the world. Most interesting perhaps were responses from his younger contemporaries, Louis MacNeice and W.H. Auden. They had differed politically from Yeats in the ‘low dishonest decade’ of the 1930s, and yet both were moved to respond handsomely. Louis MacNeice would write a one of the earliest and finest books of criticism about the poet, published in 1941, and W.H. Auden wrote several essays and a poem among the finest in the language.

Thoor Ballylee, Galway, March 2018 (from Connacht Tribune)

Auden’s poem is sombre, strangely moral, and reflective, as he works out a strong sense of difference amidst his admiration (in its final version below, the poem was revised to leave out any need for forgiveness: ‘Time […] pardons him for writing well’). It records the effect of the poet’s death on the world, but the world’s impress on all he left behind, including those last to know about his passing, his poems. Yeats had been seeking warm weather for his health, but through Auden’s eyes it was marked indelibly by a symbolically cold winter: ‘What instruments we have agree / The day of his death was a dark cold day.’ With the current cold snap across these islands and in North America it is hard not to recall the words of this probing, bracing tribute, first published later in 1939 as the flames of World War Two were rising.

Chicago and Lake Minnesota, January 2019

In Memory of W.B. Yeats

I
He disappeared in the dead of winter:
The brooks were frozen, the airports almost deserted,
And snow disfigured the public statues;
The mercury sank in the mouth of the dying day.
What instruments we have agree
The day of his death was a dark cold day.

Far from his illness
The wolves ran on through the evergreen forests,
The peasant river was untempted by the fashionable quays;
By mourning tongues
The death of the poet was kept from his poems.

But for him it was his last afternoon as himself,
An afternoon of nurses and rumours;
The provinces of his body revolted,
The squares of his mind were empty,
Silence invaded the suburbs,
The current of his feeling failed; he became his admirers.

Now he is scattered among a hundred cities
And wholly given over to unfamiliar affections,
To find his happiness in another kind of wood
And be punished under a foreign code of conscience.

The words of a dead man
Are modified in the guts of the living.
But in the importance and noise of to-morrow
When the brokers are roaring like beasts on the floor of the
Bourse,
And the poor have the sufferings to which they are fairly
accustomed,
And each in the cell of himself is almost convinced of his
freedom,
A few thousand will think of this day
As one thinks of a day when one did something slightly unusual.

What instruments we have agree
The day of his death was a dark cold day.

II
You were silly like us; your gift survived it all:
The parish of rich women, physical decay,
Yourself. Mad Ireland hurt you into poetry.
Now Ireland has her madness and her weather still,
For poetry makes nothing happen: it survives
In the valley of its making where executives
Would never want to tamper, flows on south
From ranches of isolation and the busy griefs,
Raw towns that we believe and die in; it survives,
A way of happening, a mouth.

III
Earth, receive an honoured guest:
William Yeats is laid to rest.
Let the Irish vessel lie
Emptied of its poetry.

In the nightmare of the dark
All the dogs of Europe bark,
And the living nations wait,
Each sequestered in its hate;

Intellectual disgrace
Stares from every human face,
And the seas of pity lie
Locked and frozen in each eye.

Follow, poet, follow right
To the bottom of the night,
With your unconstraining voice
Still persuade us to rejoice;

With the farming of a verse
Make a vineyard of the curse,
Sing of human unsuccess
In a rapture of distress;

In the deserts of the heart
Let the healing fountain start,
In the prison of his days
Teach the free man how to praise.

From Another Time by W. H. Auden, published by Random House. Copyright © 1940 W. H. Auden, renewed by the Estate of W. H. Auden.

 

Ben Bulben, Sligo, January 2018

Happy New Year 2019!

Season’s Greetings and a Happy New Year for 2019!

With our Season’s Greetings, Yeats Thoor Ballylee Society has great pleasure in sending you news of everything you have helped to support during the past year at Yeats’s tower in County Galway.

We hope you are as pleased as we are with all the varied cultural events associated with the tower, and welcome your continued support for an equally ambitious programme of performances, tours, talks, and exhibitions in 2019. These are exciting times at Thoor Ballylee: work is in progress converting the old garage over the road into a magnificent new artist’s studio and residence.

So we welcome your support! If you would like to donate, become a Friend of Thoor Ballylee (or renew your Friend of Thoor Ballylee subscription), we gladly invite you to visit our website donation page

Many thanks and all the best for the Festive Season.

 

 

Songbirds

The final event of 2018 at Thoor Ballylee is a concert of music by The Songbirds.

The Songbirds

7.30pm Saturday 6th October

Thoor Ballylee EU12/10 entry

Tickets available on 091 631436 or email yeatsthoorballylee@gmail.com

It’s the last chance to hear music at Thoor this year: come along and visit the tower in an atmosphere of celebration!

The Songbirds feature musicians from around the globe: John Cooper from the Red Dirt Rangers California, Maria Burns from the Burns Sisters Band, Ithaca New York, and Kate Purcell from down the road in County Clare. With classic singers and expert musicians this concert promising to be a fine send-off to a wonderful 2018 season.

 

 

Galway Film Fleadh comes to Thoor Ballylee

This year, the celebrated Galway Film Fleadh takes to the road with a programme of films from the IFI Irish Film Archive, celebrating the life and legacy of WB Yeats’s great friend and co-founder of Ireland’s national theatre, Lady Augusta Gregory.

Entitled ‘Local Films for Local People’, a special screening of these films is presented at Thoor Ballylee, at 3pm Thursday 12th July.

The range of Lady Gregory’s talents was considerable: co-founder of the Abbey Theatre, translator, folklorist, theatre producer and Yeats’s collaborator.  She was also an important, resolutely experimental dramatist in her own right.

And, although at times she tried to dissuade him from living there, it was she who found the tower at Thoor Ballylee for Yeats and his new wife, George, where he and his family spent many summers. Close by is Coole Park where, under Lady Gregory’s steadfast and welcoming spirit, poets, playwrights, painters and artists from every background – Yeats, Shaw, Synge, Hyde, O’Casey – created a renaissance of Irish literary, artistic, and political thinking and action.

This exclusive programme of short films includes Coole Park and Ballyee and Cradle of Genius, films about Gregory and Yeats’s connection to the local landscape and the cultural revival they inspired. It also includes a rare screening of a movie adaptation of Gregory’s one-act play The Workhouse Ward with the Abbey Theatre players. Featuring a pair of down-at-heel men arguing in a hospital ward, the comedy anticipates Beckett’s Waiting for Godot in exploring the strange co-dependencies of Irish masculine culture.

The screening is a wonderful chance to see these rare films in a site-specific setting. The programme is introduced by Sunniva O’Flynn, Head of Irish Film Programming, IFI, and by Lelia Doolan, Yeats Thoor Ballylee board member and former Artistic Director of the Abbey Theatre. There will be time afterwards for discussion and tea.

Galway Film Fleadh Screening

Local Films for Local People

Thoor Ballylee, 3pm Thursday 12th July

COOLE PARK AND BALLYLEE
This short documentary celebrates the cultural heritage of Coole Park and Thoor Ballylee and the serene landscape which inspired its visitors.

Producer: Queen’s University Belfast

1976 / 20 mins / Colour

THE WORKHOUSE WARD
This film recently acquired by the IFI Irish Film Archive is an adaptation of Lady Gregory’s one-act comedy which centers on two bickering paupers confined to adjacent hospital beds until the arrival of the Widow Donohue (Eileen Crowe).

Director: Ria Mooney

1950/ 25 mins/ Black and White

CRADLE OF GENIUS
This Academy Award-nominated film, written by Frank O’Connor and produced by Tom Hayes, presents a history of the Abbey Theatre and a record of Irish theatre culture in the late 1950s as fondly remembered by leading lights Siobhán McKenna, Maureen Delaney, Harry Brogan, Eithne Dunne, Barry Fitzgerald and Seán O’Casey.

Director: Paul Rotha

1959/ 42 mins/Black and White

Followed by questions, discussion, and tea.