Invitation to Studio opening

The Studio at Thoor Ballylee

A new space for making and thinking

You are warmly invited to the opening of The Studio at Thoor Ballylee.

 Sunday 28th April 2019 at 3pm

Studio opened by Sister Mary deLourdes Fahy, local historian.

Special Guest Mrs Sabina Higgins.

Featuring Kathy Mooney, weaver; Áine Ní Shioradáin, harpist, Mary O’Malley, poet.

With an exhibition of artwork and craft by Lily and Elizabeth Yeats, with work by Jack B. Yeats, John Butler Yeats, and W.B. Yeats.

Elizabeth Rivers, from Stranger in Aran, Cuala Press (1946)

The new studio, intended as a meeting and workplace for today’s artists and craftworkers, honours Lily and Elizabeth Yeats, their creation of the Dun Emer Guild and Cuala Industries.

We gratefully acknowledge the support of the Department of Heritage, Culture, and the Gaeltacht and the generosity of our private donors.

Please join us as a new studio space opens at the Galway home of the poet W.B. Yeats!

Designed for workshops, exhibitions, craft sessions, youth groups, special events, talks, and discussion forums, it combines work space for artists with educational and workshop facilities. The Studio at Thoor Ballylee forms a cultural hub in the west of Ireland that matches the commitment of Lily and Elizabeth Yeats to art and education.

Thoor Ballylee is now open for the 2019 season 10am-2pm weekdays, 11am-5pm weekends. See our events page for more, including Leaving Cert lectures Tuesday 23rd and Wednesday 24th April.

Stonemason Jetro Sheen of Sheen Stone Works, Gort putting finishing touches to the new slate sign for the Studio. Design probably by Elizabeth Yeats, adapted from the Cuala Press. 

 

The Studio at Thoor Ballylee

The studio is inspired by two extraordinary examples: the work and legacy of the Yeats sisters. As a designer and embroiderer Lily Yeats (born Susan Mary Yeats) studied with May Morris, before setting up as an independent artist and maker of textiles with apprentices of her own. Her sister, artist and educator Elizabeth Yeats (known to the family as Lolly), pioneered the arts in the classroom, creating new watercolour brushwork techniques as a teaching method for children, and coaching young artists from Louis Le Brocquy to Anne Yeats. She became a hand-press printer and maker of books, publishing fine editions of art and literary works including by her brothers the poet W.B. Yeats and the artist Jack B. Yeats. Together the Yeats sisters were the founders of the Dun Emer workshop and then Cuala Industries, a groundbreaking nationalist and feminist collective producing art and providing skills, training, and apprenticeships across a range of applied artistic fields. Determined to revive, improve, and expand the reach of all the arts in Ireland, the example of the Yeats sisters stands behind the vision of the studio, with its emphasis on making of all kinds.

Originally an outbuilding converted to a garage by the Yeats family, the studio faces the Hiberno-Norman tower of Thoor Ballylee made famous by the poetry of W.B. Yeats, who lived and worked there with his wife George Yeats, also an artist and researcher of great ability, and their young family. Its transformation into a studio was made possible by generous private sponsorship and matching competitive funding from the Government of Ireland’s Department of Culture, Heritage, and the Gaeltacht.

To find out more – or see how you can help – see our website donate page  or contact yeatsthoorballyleesociety@gmail.

 

 

The Studio at Thoor Ballylee opens

Today thanks to the sterling work of our volunteers and helpers, Thoor Ballylee is now open for the 2019 season 10am-2pm weekdays, 11am-5pm weekends. There are an exciting line up of events planned throughout the year. We kick off in grand style with the launch of our new studio space.

The Studio at Thoor Ballylee

A new space for making and thinking

On Sunday 28th April 2019 at 3pm a new studio space opens at the Galway home of the poet W.B. Yeats. Designed for workshops, exhibitions, craft sessions, youth groups, special events, talks, and discussion forums, it combines work space for artists with educational and workshop facilities. The Studio at Thoor Ballylee forms a cultural hub in the west of Ireland that matches the commitment of Lily and Elizabeth Yeats to art and education.

The studio is inspired by two extraordinary examples: the work and legacy of the Yeats sisters. As a designer and embroiderer Lily Yeats (born Susan Mary Yeats) studied with May Morris, before setting up as an independent artist and maker of textiles with apprentices of her own. Her sister, artist and educator Elizabeth Yeats (known to the family as Lolly), pioneered the arts in the classroom, creating new watercolour brushwork techniques as a teaching method for children, and coaching young artists from Louis Le Brocquy to Anne Yeats. She became a hand-press printer and maker of books, publishing fine editions of art and literary works including by her brothers the poet W.B. Yeats and the artist Jack B. Yeats. Together the Yeats sisters were the founders of the Dun Emer workshop and then Cuala Industries, a groundbreaking nationalist and feminist collective producing art and providing skills, training, and apprenticeships across a range of applied artistic fields. Determined to revive, improve, and expand the reach of all the arts in Ireland, the example of the Yeats sisters stands behind the vision of the studio, with its emphasis on making of all kinds.

Saint Colman, design by Jack B. Yeats, embroidery by Lily Yeats and the Dun Emer workshop (1903) (image courtesy of St Brendan’s Cathedral Loughrea)

Originally an outbuilding converted to a garage by the Yeats family, the studio faces the Hiberno-Norman tower of Thoor Ballylee made famous by the poetry of W.B. Yeats, who lived and worked there with his wife George Yeats, also an artist and researcher of great ability, and their young family. Its transformation into a studio was made possible by generous private sponsorship and matching competitive funding from the Government of Ireland’s Department of Culture, Heritage, and the Gaeltacht.

With a variety of configurations and uses the studio is designed to host artists, workshops, and young people. A series of craft workshops is planned throughout the year featuring textiles, printmaking, spinning, poetry, drama, storytelling, and more.

Dr Catherine Morris and Dr Barry Houlihan with Cuala Industries handpainted banner (NUI Galway)

The 2019 opening by local historian Sister Mary De Lourdes Fahy at 3pm Sunday 28th April features as special guest Mrs Sabina Higgins, with poet Mary O’Malley, weaver Kathy Mooney and harpist Áine Ní Shioradáin, plus other important artists and visitors. The studio hosts a special exhibition featuring work by Lily, Elizabeth, Jack and W.B. Yeats and the Cuala Industries workshop.

from Elizabeth Rivers, Stranger in Aran (Cuala Press, 1946)

To find out more – or see how you can help – see our website donate page  or contact yeatsthoorballyleesociety@gmail.

John Butler Yeats, Musician

 

 

 

Macbeth & Poetry: Leaving Certificate lectures

Leaving Certificate 2019 

Macbeth & Poetry Lectures

at Thoor Ballylee

12 noon Tues 23 & Wed 24 April 2019

Booking: yeatsthoorballylee@gmail.com — 086 8552124

€30 or €50 for both days, with a tour of the Yeats tower and coffee included.

Would you like help preparing for your English Literature exams? More information and ideas about plays and poetry? Have a wider interest in theatre and verse? There is no better time than St George’s Day (also Shakespeare’s birthday) to come to Yeats’s tower at Thoor Ballylee to hear more.

Ralph Richardson as Macbeth (RSC 1952)

Denis Creaven, English teacher at The Institute of Education, Dublin, prepares lectures and notes focused on Leaving Certificate examination requirements. Complimentary handouts of the lectures will be distributed.

Macbeth Preparation Day 1

Tuesday 23rd April 2019

Deals with topics in Macbeth including the roles of the main characters.

Poetry Preparation Day 2

Wednesday 24th April 2019

Concerning the poetry of Seamus Heaney, WB Yeats, Brendan Kennelly, DH Lawrence, Sylvia Plath. (Notes on Gerard Manley Hopkins will also be distributed).

WB Yeats himself had endless arguments with his father about the merits of various Shakespeare plays, and founded the Abbey Theatre in honour of Shakespeare’s Globe theatre in London. As he wrote in 1906,  “every national dramatic movement or theatre in countries like Bohemia and Hungary, as in Elizabethan England, has arisen out of a study of the common people, and out of an imaginative re-creation of national history or legend.” From Scottish history Shakespeare plucked the story of Macbeth, and produced some of the finest and strangest scenes in theatrical history.

Life’s but a walking shadow, a poor player
That struts and frets his hour upon the stage,
And then is heard no more. It is a tale
Told by an idiot, full of sound and fury,
Signifying nothing.

Come and hear more, and enjoy and inclusive tea and tour around the storied building of Thoor Ballylee. Proudly supported by the Institute of Education, Dublin.

In Memory of W.B. Yeats

It is eighty years, a lifetime and no time at all, since W.B. Yeats died and was laid to rest at Roquebrune in the south of France. Far from home, friends and energies surrounded him, and he left life still busy working and thinking: “I know for certain my time will not be long. I have put away everything that can be put away that I may speak what I have to speak, & I find my expression is a part of study […]. It seems to me that I have found what I wanted. When I try to put all into a phrase I say, ‘Man can embody truth but he cannot know it’. I must embody it in the completion of my life.”

France, Var, Roquebrune sur Argens, snow in winter on the cliffs of the Rocher de Roquebrune

When his death was announced, the wires hummed with tributes from around the world. Most interesting perhaps were responses from his younger contemporaries, Louis MacNeice and W.H. Auden. They had differed politically from Yeats in the ‘low dishonest decade’ of the 1930s, and yet both were moved to respond handsomely. Louis MacNeice would write a one of the earliest and finest books of criticism about the poet, published in 1941, and W.H. Auden wrote several essays and a poem among the finest in the language.

Thoor Ballylee, Galway, March 2018 (from Connacht Tribune)

Auden’s poem is sombre, strangely moral, and reflective, as he works out a strong sense of difference amidst his admiration (in its final version below, the poem was revised to leave out any need for forgiveness: ‘Time […] pardons him for writing well’). It records the effect of the poet’s death on the world, but the world’s impress on all he left behind, including those last to know about his passing, his poems. Yeats had been seeking warm weather for his health, but through Auden’s eyes it was marked indelibly by a symbolically cold winter: ‘What instruments we have agree / The day of his death was a dark cold day.’ With the current cold snap across these islands and in North America it is hard not to recall the words of this probing, bracing tribute, first published later in 1939 as the flames of World War Two were rising.

Chicago and Lake Minnesota, January 2019

In Memory of W.B. Yeats

I
He disappeared in the dead of winter:
The brooks were frozen, the airports almost deserted,
And snow disfigured the public statues;
The mercury sank in the mouth of the dying day.
What instruments we have agree
The day of his death was a dark cold day.

Far from his illness
The wolves ran on through the evergreen forests,
The peasant river was untempted by the fashionable quays;
By mourning tongues
The death of the poet was kept from his poems.

But for him it was his last afternoon as himself,
An afternoon of nurses and rumours;
The provinces of his body revolted,
The squares of his mind were empty,
Silence invaded the suburbs,
The current of his feeling failed; he became his admirers.

Now he is scattered among a hundred cities
And wholly given over to unfamiliar affections,
To find his happiness in another kind of wood
And be punished under a foreign code of conscience.

The words of a dead man
Are modified in the guts of the living.
But in the importance and noise of to-morrow
When the brokers are roaring like beasts on the floor of the
Bourse,
And the poor have the sufferings to which they are fairly
accustomed,
And each in the cell of himself is almost convinced of his
freedom,
A few thousand will think of this day
As one thinks of a day when one did something slightly unusual.

What instruments we have agree
The day of his death was a dark cold day.

II
You were silly like us; your gift survived it all:
The parish of rich women, physical decay,
Yourself. Mad Ireland hurt you into poetry.
Now Ireland has her madness and her weather still,
For poetry makes nothing happen: it survives
In the valley of its making where executives
Would never want to tamper, flows on south
From ranches of isolation and the busy griefs,
Raw towns that we believe and die in; it survives,
A way of happening, a mouth.

III
Earth, receive an honoured guest:
William Yeats is laid to rest.
Let the Irish vessel lie
Emptied of its poetry.

In the nightmare of the dark
All the dogs of Europe bark,
And the living nations wait,
Each sequestered in its hate;

Intellectual disgrace
Stares from every human face,
And the seas of pity lie
Locked and frozen in each eye.

Follow, poet, follow right
To the bottom of the night,
With your unconstraining voice
Still persuade us to rejoice;

With the farming of a verse
Make a vineyard of the curse,
Sing of human unsuccess
In a rapture of distress;

In the deserts of the heart
Let the healing fountain start,
In the prison of his days
Teach the free man how to praise.

From Another Time by W. H. Auden, published by Random House. Copyright © 1940 W. H. Auden, renewed by the Estate of W. H. Auden.

 

Ben Bulben, Sligo, January 2018

Happy New Year 2019!

Season’s Greetings and a Happy New Year for 2019!

With our Season’s Greetings, Yeats Thoor Ballylee Society has great pleasure in sending you news of everything you have helped to support during the past year at Yeats’s tower in County Galway.

We hope you are as pleased as we are with all the varied cultural events associated with the tower, and welcome your continued support for an equally ambitious programme of performances, tours, talks, and exhibitions in 2019. These are exciting times at Thoor Ballylee: work is in progress converting the old garage over the road into a magnificent new artist’s studio and residence.

So we welcome your support! If you would like to donate, become a Friend of Thoor Ballylee (or renew your Friend of Thoor Ballylee subscription), we gladly invite you to visit our website donation page

Many thanks and all the best for the Festive Season.

 

 

Songbirds

The final event of 2018 at Thoor Ballylee is a concert of music by The Songbirds.

The Songbirds

7.30pm Saturday 6th October

Thoor Ballylee EU12/10 entry

Tickets available on 091 631436 or email yeatsthoorballylee@gmail.com

It’s the last chance to hear music at Thoor this year: come along and visit the tower in an atmosphere of celebration!

The Songbirds feature musicians from around the globe: John Cooper from the Red Dirt Rangers California, Maria Burns from the Burns Sisters Band, Ithaca New York, and Kate Purcell from down the road in County Clare. With classic singers and expert musicians this concert promising to be a fine send-off to a wonderful 2018 season.

 

 

Galway Film Fleadh comes to Thoor Ballylee

This year, the celebrated Galway Film Fleadh takes to the road with a programme of films from the IFI Irish Film Archive, celebrating the life and legacy of WB Yeats’s great friend and co-founder of Ireland’s national theatre, Lady Augusta Gregory.

Entitled ‘Local Films for Local People’, a special screening of these films is presented at Thoor Ballylee, at 3pm Thursday 12th July.

The range of Lady Gregory’s talents was considerable: co-founder of the Abbey Theatre, translator, folklorist, theatre producer and Yeats’s collaborator.  She was also an important, resolutely experimental dramatist in her own right.

And, although at times she tried to dissuade him from living there, it was she who found the tower at Thoor Ballylee for Yeats and his new wife, George, where he and his family spent many summers. Close by is Coole Park where, under Lady Gregory’s steadfast and welcoming spirit, poets, playwrights, painters and artists from every background – Yeats, Shaw, Synge, Hyde, O’Casey – created a renaissance of Irish literary, artistic, and political thinking and action.

This exclusive programme of short films includes Coole Park and Ballyee and Cradle of Genius, films about Gregory and Yeats’s connection to the local landscape and the cultural revival they inspired. It also includes a rare screening of a movie adaptation of Gregory’s one-act play The Workhouse Ward with the Abbey Theatre players. Featuring a pair of down-at-heel men arguing in a hospital ward, the comedy anticipates Beckett’s Waiting for Godot in exploring the strange co-dependencies of Irish masculine culture.

The screening is a wonderful chance to see these rare films in a site-specific setting. The programme is introduced by Sunniva O’Flynn, Head of Irish Film Programming, IFI, and by Lelia Doolan, Yeats Thoor Ballylee board member and former Artistic Director of the Abbey Theatre. There will be time afterwards for discussion and tea.

Galway Film Fleadh Screening

Local Films for Local People

Thoor Ballylee, 3pm Thursday 12th July

COOLE PARK AND BALLYLEE
This short documentary celebrates the cultural heritage of Coole Park and Thoor Ballylee and the serene landscape which inspired its visitors.

Producer: Queen’s University Belfast

1976 / 20 mins / Colour

THE WORKHOUSE WARD
This film recently acquired by the IFI Irish Film Archive is an adaptation of Lady Gregory’s one-act comedy which centers on two bickering paupers confined to adjacent hospital beds until the arrival of the Widow Donohue (Eileen Crowe).

Director: Ria Mooney

1950/ 25 mins/ Black and White

CRADLE OF GENIUS
This Academy Award-nominated film, written by Frank O’Connor and produced by Tom Hayes, presents a history of the Abbey Theatre and a record of Irish theatre culture in the late 1950s as fondly remembered by leading lights Siobhán McKenna, Maureen Delaney, Harry Brogan, Eithne Dunne, Barry Fitzgerald and Seán O’Casey.

Director: Paul Rotha

1959/ 42 mins/Black and White

Followed by questions, discussion, and tea.

 

Bloomsday & Birthday updates

Happy Bloomsday, and happy birthday to WB Yeats, who earlier this week was 153 years young!

The message might be slightly late, but not nearly as late as the new ship from Irish Ferries, the WB Yeats, still immersed in deep revisions at a shipyard in Germany.

This is a rich time of cultural activity in the west of Ireland and Thoor Ballylee. Contemporary Irish writing here is evidently in rude health. Mayo novelist Mike McCormack, currently director of NUI Galway’s BA with Creative Writing in the Department of English, has won the prestigious 2018 International Dublin Literary Award for Solar Bones. This is just the latest recognition for his fifth novel  which has won a series of awards and plaudits since its publication by Tramp Press.

Mike McCormack with the 2018 International Dublin Literary Award

Probably Mayo’s finest ever writer the novelist and memoirist George Moore was also celebrated this week. The Ninth International George Moore Conference, George Moore: Transnational And Cosmopolitan Networks On The Page And Canvas, hosted by Dr Mark Corcoran and Dr Muireann O’Cinneide took place in the Moore Institute at NUI Galway over the last two days with the generous aid of the School of Humanities’s Research Support Scheme.

George Moore by John Butler Yeats

This coincides with the release of the biopic of George Moore’s friend Hugh Lane, nephew of Lady Augusta Gregory and Ireland’s greatest art dealer, whose exhibitions of Irish art and collections of old master and impressionist enrich the country to this day. Citizen Lane, directed by Thaddeus OSullivan and starring Tom Vaughan-Lawlor and Gemma-Leah Devereux is on general release, with a screening at Galway’s brand-new Palas Cinema on Sunday 17 June at 6pm. WB Yeats, Augusta Gregory, and George Moore all make an appearance on screen in this docudrama, which is also graced by expert talking heads Caitriona Crowe and Roy Foster.

In the coming weeks film comes directly to Thoor Ballylee. On Thursday 12 July at 3pm the Galway Film Fleadh holds a special screening of short films at Thoor Ballylee. It promises to be a special atmosphere and a unique experience to watch period short films associated with Augusta Gregory and the cultural revival she initiated in a old stone cottage attached to a fourteenth-century stone tower.

Thoor Ballylee itself is celebrated in this summer’s Galway International Arts Festival. The acclaimed biographer of WB Yeats for Oxford University Press, Professor Roy Foster, speaks on Sunday 22 July at 1pm about Yeats’s tower at the Aula Maxima in NUI Galway. Ezra Pound was notably sceptical about what he called ‘Ballyphallus, Yeats’s phallic symbol on the bogs’. Nevertheless Foster explores the central importance of the tower to Yeats’s life and work, and in a talk entitled ‘When All Is Ruin Once Again’ affirms Thoor Ballylee as his favourite dwelling.

Thanks to our volunteers, friends, and supporters, Yeats’s tower is far from in ruins. Thoor Ballylee recently hosted a special performance by Coole Music in honour of Yeats’s birthday, and a spectacular production of Yeats’s play The Only Jealousy of Emer by Galway theatre group DancePlayers.

Eithne Inguba (Orla Turbridy) comforts the hero Cuchulain (Oisin Porter) as his wife Emer (Catherine Denning) and musicians look on

The tower is also open throughout the summer for visits from all comers. Our exhibitions are open and a warm welcome is promised. Do come and join us!

The Only Jealousy of Emer: tickets selling fast!

This new production of WB Yeats’s play of The Only Jealousy of Emer is a world premiere: the first ever fully staged theatre production of Yeats’s play taking place in his own tower. Fresh from a highly acclaimed run at the Galway Theatre Festival this production has been entirely re-imagined for this historic space. As a site-specific movement piece in a resonant venue numbers are limited so get in fast!

DancePlayers presents

The Only Jealousy of Emer

By WB Yeats

8pm Sat 26 and Sun 27 May 2018

Thoor Ballylee, Yeats’s Tower, Gort, Galway

Tickets: €14/12 Concession

Booking:  Places are limited. Booking required by phone 091 631 436 (weekdays 10am to 2pm, weekends 11am to 5pm) or by email to yeatsthoorballyleesociety@gmail.com

The performance begins outdoors so we highly recommend outdoor shoes and appropriate comfortable clothing. Seating is available but only for some scenes.

The great hero Cuchulain is on his deathbed. His body was washed up by the shore after a long and senseless fight with the sea. There are three women around him: his wife, Emer, his lover, Eithne Inguba, and Fand, an evil creature of the Sidhe. His fate is in their hands. Yeats’s poetic dance-drama focuses exclusively on the feelings and motivations of the female characters, and portrays the emotional turmoil that Emer has to suffer when she has to face her own jealousy to save her husband’s life.

DancePlayers is a new ensemble founded in Galway in 2018. It is a group of professional theatre makers and musicians who produce collaborative pieces for physical theatre.

This production aims at exploiting the qualities of the dance play to the full to show the availability of Yeats’s play texts for contemporary audiences within and outside Ireland. It thus features original masks, costumes, live music, dance, design, as well as newly imagined acting, speaking, and movement. Because of the unique arrangements of the venue, the audience move with the performers during the show and seating is only available for certain important scenes. The performance begins outdoors so we highly recommend outdoor shoes and appropriate comfortable clothing.

Funded by The Galway City Council, NUI Galway, The Embassy of Hungary in Dublin and the Yeats Thoor Ballylee Society.

Running time: 50 mins without interval.

As featured in the London Times, Galway Bay FM, and many other media outlets – this production promises to be theatre event of the season!

Jeremie Cyr-Cooke (Ghost of Cuchulain) and Orlaith Ni Chearra (Fand/Woman of the Sidhe) work on choreography

 

 

 

 

 

The Only Jealousy of Emer: Yeats play at Thoor Ballylee

Yeats’s tower this spring hosts the theatre event of the season, as WB Yeats’s play The Only Jealousy of Emer receives its Thoor Ballylee premiere in a spectacular production by Galway-based theatre group DancePlayers.

Fresh from a highly-acclaimed run at Galway Theatre Festival, this new production, featuring resonant music, dance, acting, and design is re-imagined especially for  Yeats’s tower. As a moving site-specific piece in a historic venue numbers are limited so get in fast!

DancePlayers presents

The Only Jealousy of Emer

By WB Yeats

8pm Sat 26 and Sun 27 May 2018

Thoor Ballylee, Yeats’s Tower, Gort, Galway

Tickets: €14/12 Concession

Booking:  Places are limited. Booking required by phone 091 631 436 (weekdays 10am to 2pm, weekends 11am to 5pm) or by email to yeatsthoorballyleesociety@gmail.com

The performance begins outdoors so we highly recommend outdoor shoes and appropriate comfortable clothing. Seating is available but only for some scenes.

The great hero Cuchulain is on his deathbed. His body was washed up by the shore after a long and senseless fight with the sea. There are three women around him: his wife, Emer, his lover, Eithne Inguba, and Fand, an evil creature of the Sidhe. His fate is in their hands. Yeats’s poetic dance-drama focuses exclusively on the feelings and motivations of the female characters, and portrays the emotional turmoil that Emer has to suffer when she has to face her own jealousy to save her husband’s life.

The Only Jealousy of Emer is a one-act dance piece by W.B. Yeats. Written in 1918, it is one of the earliest plays by an Irish writer for physical theatre, with dance, masks and music. Inspired by the Japanese Noh theatre tradition, Yeats wrote this piece for an empty stage, where movement, gesture, posture, masks, spatial relations and dance all contribute to act of storytelling. Physicality speaks it its own language in these plays, so the performers’ task is to elevate this form of expression to the standard of Yeats’s verse and create a piece of total theatre.

This production is an attempt to prove that Yeats’s Noh-inspired dance plays have every right to be presented in front of a heterogeneous audience, in any part of the world, even 100 years after their composition. The notion that these pieces are only accessible for scholars and those “select few” that have an interest in oriental theatre, poetry or Irish mythology is widespread, and is rooted in the absence of professional Yeats productions on the world’s stages. This production aims at exploiting the qualities of the dance play to the full to show the availability of Yeats’s play texts for contemporary audiences within and outside Ireland. It thus features original masks, costumes, live music, dance, design, as well as newly imagined acting, speaking, and movement.

The show is a world premiere: the first ever fully staged theatre production of Yeats’s play The Only Jealousy of Emer taking place in his own tower. Fresh from a highly acclaimed run at the Galway Theatre Festival this production has been entirely re-imagined for this historic space.

Cast and crew after rehearsals at Thoor Ballylee

Because of the unique arrangements of the venue, the audience move with the performers during the show and seating is only available for certain important scenes. The performance begins outdoors so we highly recommend outdoor shoes and appropriate comfortable clothing.

Running time: 50 mins without interval.

DancePlayers is a new ensemble founded in Galway in 2018. It is a group of professional theatre makers and musicians who produce collaborative pieces for physical theatre.

Funded by The Galway City Council, NUI Galway, The Embassy of Hungary in Dublin and the Yeats Thoor Ballylee Society.