Happy New Year 2019!

Season’s Greetings and a Happy New Year for 2019!

With our Season’s Greetings, Yeats Thoor Ballylee Society has great pleasure in sending you news of everything you have helped to support during the past year at Yeats’s tower in County Galway.

We hope you are as pleased as we are with all the varied cultural events associated with the tower, and welcome your continued support for an equally ambitious programme of performances, tours, talks, and exhibitions in 2019. These are exciting times at Thoor Ballylee: work is in progress converting the old garage over the road into a magnificent new artist’s studio and residence.

So we welcome your support! If you would like to donate, become a Friend of Thoor Ballylee (or renew your Friend of Thoor Ballylee subscription), we gladly invite you to visit our website donation page

Many thanks and all the best for the Festive Season.

 

 

Highlights of 2018

The curtain has come down on another successful season at Thoor Ballylee.
Around 4,400 appreciative visitors came to Thoor Ballylee during from April to October 2018.

Many also came to our programme of special events.

The Songbirds with their wonderful harmony and lyrics proved to be a popular public closing event, performing to a full house. This year the season was extended to facilitate the Architecture at the Edge festival 2018. Many first-time visitors from the locality and afar, took advantage of our open house day to visit the home of W.B. Yeats, and even began with an hour of Architectural Yoga conducted by Sarah from the Gallery Café. With his eastern and esoteric interests W.B.Y. might well have approved.

Other successful events held during the year include two Talks for Leaving Certificate students courtesy of Denis Creavan, and a riveting production of The Only Jealousy of Emer by Galway based DancePlayers, including members of NUI Galway’s Drama department.

As a special treat for W.B.Y’s birthday we enjoyed a Sunday afternoon of medieval music in the medieval tower, with the talented & delightful Coole Music troupe, dressed in medieval costume. We even had a birthday cake. A second celebration of the birthday featured wine and amazing food, provided by the very talented Anna and featured poetry reading by the mill. Thanks again to Anna O Donnell and to Brendan Murphy, for their demonstration of Lady Gregory’s brack cake and stories from the Abbey. This was our nod to Heritage Week.

For Culture Night, the composer and sound artist Francis Heery brought poetry to Thoor Ballylee and an immersive sound installation in his presentation of A Vision.  Supported by the Arts Council, this, one of the main events in County Galway, was unquestionably a memorable night, quite out of the ordinary for lots of reasons. Francis even proposed to his fiancée on the battlements just before the show & she said ‘yes’. It all happens at Thoor Ballylee! Indeed two local wedding parties chose Thoor Ballylee and its beautiful, tranquil, surrounds for their wedding photographs. We were joined also by the Professor Roy Foster, distinguished historian and biographer of W.B. Yeats, prior to his lecture on Thoor Ballylee for the Galway International Arts Festival first thought talks.

The Galway Film Fleadh came on tour in a special event to Thoor Ballylee. Three films from the archives of the Irish Film Institute about Yeats and Lady Gregory, Coole Park and one of Gregory’s plays from the Abbey Theatre were screened in our spectacular audiovisual room in July.

Lovers of the art of spinning and weaving enjoyed an afternoon trying their hands at the spinning wheel, thanks to the Irish Spinners and Weavers Guild from Clare and Galway. Our appreciation goes also to Coole Music Junior Quartet who entertained spinners and visitors alike. Kate and Ruth our local intrepid Headford Bat Rangers put together an interpretive piece on Thoor Ballylee and the Lesser Horseshoe bats which nest in the tower. We had any number of visitor groups throughout the summer from locals like Gort ICA to the Yeats International Summer School, and many individual and family visitors from all around the world. The final day of the Yeats and Lady Gregory Autumn Gathering brought September to a close with a lecture and a film about the life and loves of Lady Gregory. That was also the day that W.B.Y.’s candlesticks, handsome brass altar pieces came home to Thoor Ballylee, proudly standing by the hearth after ninety years away. Our heartfelt thanks go to our wonderful benefactors.

None of this would be possible without a great number of helpers, volunteers, artists, gardeners, skilled craftspeople, and a host of supporters from here and abroad. Our esteem and appreciation goes to our dedicated staff, led by the wonderful Rena McAllen: Nichola, Frank, Gary, and Krzysztof. And to our knowledgeable, enthusiastic, and most generous volunteers: Phil, Pat O L., Rose, Tonii, Karen, Pat F., Rosemary, Anna C. Dominic. A special thank you also to intern Gerry who generously offered to cover every Saturday up until now. Thanks to JJ for manning the car park and lighting our way in the dark during events.

This is the fantastic team that has kept the home of W. B. Yeats open to the public for all six months of the summer, for seven days a week during the height of the season and for eight hours (and more) a day.

Our visitor book records the appreciation, delight, and gratitude of the thousands of people who came and experienced the atmosphere and spirit of Thoor Ballylee. They enjoyed discussing the Yeats family over a cup of tea with staff, viewed our exhibitions and AV presentation, climbed the winding stair, lingered in the many original rooms, admired the spectacular 360 degree view, read poetry, sang, played music, or took selfies on the battlements (and not one fell off).

Thanks in particular to Failte Ireland for continued help with maintenance and repairs. Work has already begun on the conversion of the garage into a studio for artists in residence so we look forward to exciting times at Thoor Ballylee.

Most of all our thanks and appreciation to our wonderful friends and benefactors, whose generosity and financial support enables us to keep the spirit of Yeats and his extraordinarily talented family alive.

Go fada buan sibh.

Bloomsday & Birthday updates

Happy Bloomsday, and happy birthday to WB Yeats, who earlier this week was 153 years young!

The message might be slightly late, but not nearly as late as the new ship from Irish Ferries, the WB Yeats, still immersed in deep revisions at a shipyard in Germany.

This is a rich time of cultural activity in the west of Ireland and Thoor Ballylee. Contemporary Irish writing here is evidently in rude health. Mayo novelist Mike McCormack, currently director of NUI Galway’s BA with Creative Writing in the Department of English, has won the prestigious 2018 International Dublin Literary Award for Solar Bones. This is just the latest recognition for his fifth novel  which has won a series of awards and plaudits since its publication by Tramp Press.

Mike McCormack with the 2018 International Dublin Literary Award

Probably Mayo’s finest ever writer the novelist and memoirist George Moore was also celebrated this week. The Ninth International George Moore Conference, George Moore: Transnational And Cosmopolitan Networks On The Page And Canvas, hosted by Dr Mark Corcoran and Dr Muireann O’Cinneide took place in the Moore Institute at NUI Galway over the last two days with the generous aid of the School of Humanities’s Research Support Scheme.

George Moore by John Butler Yeats

This coincides with the release of the biopic of George Moore’s friend Hugh Lane, nephew of Lady Augusta Gregory and Ireland’s greatest art dealer, whose exhibitions of Irish art and collections of old master and impressionist enrich the country to this day. Citizen Lane, directed by Thaddeus OSullivan and starring Tom Vaughan-Lawlor and Gemma-Leah Devereux is on general release, with a screening at Galway’s brand-new Palas Cinema on Sunday 17 June at 6pm. WB Yeats, Augusta Gregory, and George Moore all make an appearance on screen in this docudrama, which is also graced by expert talking heads Caitriona Crowe and Roy Foster.

In the coming weeks film comes directly to Thoor Ballylee. On Thursday 12 July at 3pm the Galway Film Fleadh holds a special screening of short films at Thoor Ballylee. It promises to be a special atmosphere and a unique experience to watch period short films associated with Augusta Gregory and the cultural revival she initiated in a old stone cottage attached to a fourteenth-century stone tower.

Thoor Ballylee itself is celebrated in this summer’s Galway International Arts Festival. The acclaimed biographer of WB Yeats for Oxford University Press, Professor Roy Foster, speaks on Sunday 22 July at 1pm about Yeats’s tower at the Aula Maxima in NUI Galway. Ezra Pound was notably sceptical about what he called ‘Ballyphallus, Yeats’s phallic symbol on the bogs’. Nevertheless Foster explores the central importance of the tower to Yeats’s life and work, and in a talk entitled ‘When All Is Ruin Once Again’ affirms Thoor Ballylee as his favourite dwelling.

Thanks to our volunteers, friends, and supporters, Yeats’s tower is far from in ruins. Thoor Ballylee recently hosted a special performance by Coole Music in honour of Yeats’s birthday, and a spectacular production of Yeats’s play The Only Jealousy of Emer by Galway theatre group DancePlayers.

Eithne Inguba (Orla Turbridy) comforts the hero Cuchulain (Oisin Porter) as his wife Emer (Catherine Denning) and musicians look on

The tower is also open throughout the summer for visits from all comers. Our exhibitions are open and a warm welcome is promised. Do come and join us!

The Only Jealousy of Emer: tickets selling fast!

This new production of WB Yeats’s play of The Only Jealousy of Emer is a world premiere: the first ever fully staged theatre production of Yeats’s play taking place in his own tower. Fresh from a highly acclaimed run at the Galway Theatre Festival this production has been entirely re-imagined for this historic space. As a site-specific movement piece in a resonant venue numbers are limited so get in fast!

DancePlayers presents

The Only Jealousy of Emer

By WB Yeats

8pm Sat 26 and Sun 27 May 2018

Thoor Ballylee, Yeats’s Tower, Gort, Galway

Tickets: €14/12 Concession

Booking:  Places are limited. Booking required by phone 091 631 436 (weekdays 10am to 2pm, weekends 11am to 5pm) or by email to yeatsthoorballyleesociety@gmail.com

The performance begins outdoors so we highly recommend outdoor shoes and appropriate comfortable clothing. Seating is available but only for some scenes.

The great hero Cuchulain is on his deathbed. His body was washed up by the shore after a long and senseless fight with the sea. There are three women around him: his wife, Emer, his lover, Eithne Inguba, and Fand, an evil creature of the Sidhe. His fate is in their hands. Yeats’s poetic dance-drama focuses exclusively on the feelings and motivations of the female characters, and portrays the emotional turmoil that Emer has to suffer when she has to face her own jealousy to save her husband’s life.

DancePlayers is a new ensemble founded in Galway in 2018. It is a group of professional theatre makers and musicians who produce collaborative pieces for physical theatre.

This production aims at exploiting the qualities of the dance play to the full to show the availability of Yeats’s play texts for contemporary audiences within and outside Ireland. It thus features original masks, costumes, live music, dance, design, as well as newly imagined acting, speaking, and movement. Because of the unique arrangements of the venue, the audience move with the performers during the show and seating is only available for certain important scenes. The performance begins outdoors so we highly recommend outdoor shoes and appropriate comfortable clothing.

Funded by The Galway City Council, NUI Galway, The Embassy of Hungary in Dublin and the Yeats Thoor Ballylee Society.

Running time: 50 mins without interval.

As featured in the London Times, Galway Bay FM, and many other media outlets – this production promises to be theatre event of the season!

Jeremie Cyr-Cooke (Ghost of Cuchulain) and Orlaith Ni Chearra (Fand/Woman of the Sidhe) work on choreography

 

 

 

 

 

The Only Jealousy of Emer: Yeats play at Thoor Ballylee

Yeats’s tower this spring hosts the theatre event of the season, as WB Yeats’s play The Only Jealousy of Emer receives its Thoor Ballylee premiere in a spectacular production by Galway-based theatre group DancePlayers.

Fresh from a highly-acclaimed run at Galway Theatre Festival, this new production, featuring resonant music, dance, acting, and design is re-imagined especially for  Yeats’s tower. As a moving site-specific piece in a historic venue numbers are limited so get in fast!

DancePlayers presents

The Only Jealousy of Emer

By WB Yeats

8pm Sat 26 and Sun 27 May 2018

Thoor Ballylee, Yeats’s Tower, Gort, Galway

Tickets: €14/12 Concession

Booking:  Places are limited. Booking required by phone 091 631 436 (weekdays 10am to 2pm, weekends 11am to 5pm) or by email to yeatsthoorballyleesociety@gmail.com

The performance begins outdoors so we highly recommend outdoor shoes and appropriate comfortable clothing. Seating is available but only for some scenes.

The great hero Cuchulain is on his deathbed. His body was washed up by the shore after a long and senseless fight with the sea. There are three women around him: his wife, Emer, his lover, Eithne Inguba, and Fand, an evil creature of the Sidhe. His fate is in their hands. Yeats’s poetic dance-drama focuses exclusively on the feelings and motivations of the female characters, and portrays the emotional turmoil that Emer has to suffer when she has to face her own jealousy to save her husband’s life.

The Only Jealousy of Emer is a one-act dance piece by W.B. Yeats. Written in 1918, it is one of the earliest plays by an Irish writer for physical theatre, with dance, masks and music. Inspired by the Japanese Noh theatre tradition, Yeats wrote this piece for an empty stage, where movement, gesture, posture, masks, spatial relations and dance all contribute to act of storytelling. Physicality speaks it its own language in these plays, so the performers’ task is to elevate this form of expression to the standard of Yeats’s verse and create a piece of total theatre.

This production is an attempt to prove that Yeats’s Noh-inspired dance plays have every right to be presented in front of a heterogeneous audience, in any part of the world, even 100 years after their composition. The notion that these pieces are only accessible for scholars and those “select few” that have an interest in oriental theatre, poetry or Irish mythology is widespread, and is rooted in the absence of professional Yeats productions on the world’s stages. This production aims at exploiting the qualities of the dance play to the full to show the availability of Yeats’s play texts for contemporary audiences within and outside Ireland. It thus features original masks, costumes, live music, dance, design, as well as newly imagined acting, speaking, and movement.

The show is a world premiere: the first ever fully staged theatre production of Yeats’s play The Only Jealousy of Emer taking place in his own tower. Fresh from a highly acclaimed run at the Galway Theatre Festival this production has been entirely re-imagined for this historic space.

Cast and crew after rehearsals at Thoor Ballylee

Because of the unique arrangements of the venue, the audience move with the performers during the show and seating is only available for certain important scenes. The performance begins outdoors so we highly recommend outdoor shoes and appropriate comfortable clothing.

Running time: 50 mins without interval.

DancePlayers is a new ensemble founded in Galway in 2018. It is a group of professional theatre makers and musicians who produce collaborative pieces for physical theatre.

Funded by The Galway City Council, NUI Galway, The Embassy of Hungary in Dublin and the Yeats Thoor Ballylee Society.

Thoor Closing Night 2017

Thoor Ballylee Closing Night 2017

New writers write back to Yeats

Come and join the excitement as Sarah Clancy, Lisa McInerny, and our Thoor ‘write back to Yeats’ competition winners perform.  Mingle with our indomitable songsters and new warblers.
Saturday 7th October 2017
€10 – & refreshments
This is Thoor Ballylee’s season closing event of 2017. Don’t miss out!

Thoor Ballylee extended an open invitation to new (or old) poets for a poem in response to Yeats’s lines a hundred years ago (1938) in his poem ‘Under Ben Bulben’ (edited a little, from Stanza V):

Irish poets, learn your trade
Sing the peasantry and then
Hard-riding country gentlemen…
Sing the lords and ladies gay
That were beaten into the clay
Through seven heroic centuries;
Cast your mind on other days
That we in coming days may be
Still the indomitable Irishry
 W.B. Yeats, from ‘Under Ben Bulben’ (1938)
There will be a modest award for the poem which, in the opinion of the audience, best responds to Yeats’s poem.

Closing Night Saturday 7th October 2017 also features:

Sarah Clancy, author of The Truth and Other Stories. This is Sarah’s third collection of poetry. In it she excavates the personal and psychological wreckage caused by an unrelenting recession in her native Ireland and further afield – with sacrificing the warmth, wit, or linguistic extremity for which she is known.
Lisa McInerney’s first novel The Glorious Heresies won the 2016 Baileys Women’s Prize for Fiction and the 2016 Desmond Elliott Prize. Her second novel, The Blood Miracles, was published in April 2017 and she is just finishing her third.  She lives in Gort.

Thoor Poetry Competition

Thoor Ballylee Poetry Competition

 Write back to Yeats!

Thoor Ballylee extends an open invitation to new (or old) poets for a poem in response to Yeats’s lines a hundred years ago (1938) in his poem ‘Under Ben Bulben’ (edited a little, from Stanza V):

Irish poets, learn your trade
Sing the peasantry and then
Hard-riding country gentlemen…
Sing the lords and ladies gay
That were beaten into the clay
Through seven heroic centuries;
Cast your mind on other days
That we in coming days may be
Still the indomitable Irishry
 W.B. Yeats, from ‘Under Ben Bulben’ (1938)
So. Are we still the indomitable Irishry??
One poem only per poet — no pseudonyms.
Add name and address/email/phone to  submitted poem.
Poems should  be under three minutes to say and must reach Galway Bay FM  (arts@galwaybayfm.ie) by Friday 29th September.
Up to three poets may be chosen.
The chosen poet or poets  must be available to come and say or read the poem 7.30 on Saturday October 7th in Thoor Ballylee!
There will be a modest award for the poem which, in the opinion of the audience, best responds to Yeats’s poem.

Poetry Night Saturday 7th October 2017 also features:

Sarah Clancy, author of The Truth and Other Stories. This is Sarah’s third collection of poetry. In it she excavates the personal and psychological wreckage caused by an unrelenting recession in her native Ireland and further afield – with sacrificing the warmth, wit, or linguistic extremity for which she is known.
Lisa McInerney’s first novel The Glorious Heresies won the 2016 Baileys Women’s Prize for Fiction and the 2016 Desmond Elliott Prize. Her second novel, The Blood Miracles, was published in April 2017 and she is just finishing her third.  She lives in Gort.

Thoor Ballylee Culture Night!

For Culture Night this Friday Yeats Thoor Ballylee Society hosts an evening of traditional music, song  and dance at Thoor Ballylee.

Oiche Ceoil at Thoor Ballylee 

Culture Night Friday September 22nd 2017

7.00 pm to 9.30 pm

Refreshments served. All welcome. Free event!


 For Ireland’s nationwide festival of the arts, Culture Night,  Yeats Thoor Ballylee Society hosts an evening of traditional music, song  and dance at W.B. Yeats’s Norman stone tower. 

Performing on the evening will be Gaillimh Theas Comhaltas, Gavin Dance Academy, renowned violinist Claire Egan, accordionist Eoin O Neill and guests.

Come along and join the excitement and witness the cultural richness of Galway’s finest performers, in a unique stone fireside setting restored and honoured by Ireland’s greatest poet.

The event is supported by Galway County Council, Oireachtas na Gaeilge & Arts. Culture night is brought to you by the Department of Culture, Heritage & the Gaeltacht & the  Creative Ireland Programme in partnership with Galway County Council.

Look out also for our closing season writers event 3pm Saturday 7th October with poet Sarah Clancy, novelist Lisa McInerney and performing poets..!

Jennifer Johnston & Rita Ann Higgins at Thoor!

Join us for an exciting Saturday afternoon in which two of Ireland’s best-loved writers come to Thoor Ballylee to give us the benefit their words, wit, and wisdom.

Grand Dames at Thoor

Jennifer Johnston

& Rita Ann Higgins

with readings and discussion

3pm Saturday 9th September 2017

Tickets on the door €10 (concessions available)

These two storied writers give an afternoon’s entertainment talking over and reading from their work, and thinking about history, politics, and culture in Ireland and beyond.

Irish novelist and playwright Jennifer Johnston is the author of almost thirty books and plays, including The Old Jest (1979), recipient of the Whitbread Book Award, The Invisible Worm (1991), The Gingerbread Woman (2000), and recently Fathers and Son (2012), A Sixpenny Song (2013), and The Christmas Tree: A Play in Two Acts (2015). Her novels range in theme from depictions of the decline of Ascendancy Ireland and the events of the First World War and the Troubles to evocations of personal and familial sorrow in what Penelope Lively calls her ‘hallmark style … economic and staccato’. She also joined other Irish novelists like Roddy Doyle and Anne Enright as a key contributor to Dermot Bolger’s group of linked stories Finbar’s Hotel (1997). Born in Dublin, she is a member of Aosdana and in 2012 received the Irish Book Awards Lifetime Achievement Award.

Rita Ann Higgins is a poet and playwright born in Ballybrit, Galway, and the recipient of numerous prizes and fellowships for her work. Her poetry collections include Goddess on the Mervue Bus (1986) and Higher Purchase (1996) (both Salmon Poetry), An Awful Racket (2001), Ireland Is Changing Mother (2013), and most recently Tongulish (2016) (all Bloodaxe), as well as a recent excoriating and energizing poem about Galway’s City of Culture bid. She has been writer in residence at NUI Galway, received several Arts Council bursaries, and been visiting Professor and Honorary Fellow in institutions around the world from Texas to Hong Kong. A member of Aosdana, she is especially known for the empathetic undercurrent running through her verse and plays, her evocation of voices, and the power of her public readings, all drawn from her close connection to Galway city and county.

 

 

 

Yeats in Bloom!

Thoor Ballylee wishes Happy Birthday to William Butler Yeats!

Thoor Ballylee celebrates W.B. Yeats’s one hundred and fifty second birthday this weekend with the performance of Joe Hassett’s Two Stars, a play for voices featuring WB and James Joyce in conversation, directed by Ian Walsh and starring Fionnuala Flanagan as Molly Bloom and students from NUI Galway.

Two Stars

An Imaginary Conversation between WB Yeats and James Joyce

by Joe Hassett

2pm Saturday 12 June 2017

Music and refreshments

Admission Free

TWO STARS
An Imaginary Conversation between WB Yeats and James Joyce
Joyce             Cathal Ryan
Yeats.             Shane McCormick
Narrator         Fiona Buckley
Nora/Molly.    Fionnula Flanagan
Directed by Ian Walsh
Musical accompaniment and performance       Úna Ní Fhlannagáin
The Yeats Thoor Ballylee Society welcomes this collaboration with NUI Galway’s Centre for Drama, Theatre and Performance.

From the Playwright Joe Hassett:

The 20 year- old Joyce famously told the 37 year-old Yeats: “you are too old for me to help you.” Despite the younger man’s  arrogance, Yeats recognized that Joyce had a contribution to make to  Irish literature and  generously helped him to do so. In one of fate’s twists, the relationship resulted in Joyce’s helping his elder. As Yeats defended the candor of Joyce’s writing on sexual matters, his own poetry took on a more erotic tone. The differing views of Yeats and Joyce on the proper subject of literature, particularly the role of the sordid in the creation of the beautiful, are as vibrant today as they were when these two stars in the Irish constellation struggled to launch their pioneering work.
The idea of presenting the two  stars in conversation arose from Ambassador Anne Anderson’s idea of recognizing Yeats’s 150th birthday  on June 13, 2015  as part of the Washington Embassy’s June 16th Bloomsday celebration. I put the play for voices together, and cultural officer Claire Fitzgibbon oversaw the production.
I’m delighted that the Yeats Thoor Ballylee Society is bringing the conversation home to the place where Yeats first read and admired the  ground-breaking prose of Ulysses and commented that, “I am making a setting for my old age, a place to influence lawless youth with its severity  and antiquity.  If I had had this tower of mine when Joyce began to write I daresay I might have been of use to him, and got him to meet those who might have helped him.”