Yeats brothers lecture in Sligo

Nora Niland Lecture 2016

‘Horsemen for companions’: the Yeats brothers

Adrian Paterson, NUI Galway

7.30 Friday 10 June

The Model Sligo

Free event followed by wine and bites

8 Saint Colman

Dun Emer Industries: Banner for St Brendan’s Cathedral Loughrea (1903). Design by Jack B. Yeats, execution by Lily Yeats and workers of the Dun Emer.

‘Without contraries is no progression’, W.B. Yeats liked to repeat, following William Blake. Born to the most influential artistic family ever to come out of Ireland, the Yeats brothers, the poet W.B. and Jack B. the painter, are contrary characters and contrary artists, but share many things: a deep feeling for place, a delight in idiosyncracy, a gift for expression, and utter artistic seriousness. Thinking about them together sheds new light on both. Their lifelong connection survived disagreements political, artistic, familial, and temperamental, and produced a fascinating series of artistic collaborations from early days around kitchen table with their talented sisters, through a fascination with Irish stories and characters, to the later, magnificent series of Broadsides. It is sometimes forgotten that Jack B.Yeats was also a writer, while his brother started life as a visual artist, while the interest of both in theatre and in song never wavered. Alongside its A Broadside exhibition which features Jack B. Yeats’s prints and ballads, and a new display of the irreplaceable Niland Collection, The Model Sligo hosts the 2016 inaugural Nora Niland Lecture exploring their artistic connections and collaborations.

Dr Adrian Paterson is a Lecturer in English at the National University of Ireland, Galway. A graduate of Worcester College, Oxford, and Trinity College, Dublin, he is the author of the forthcoming Words for Music: W.B. Yeats and Musical Sense and the curator of Yeats & the West, an exhibition hosted by the James Hardiman Library at NUI Galway, The Model, Sligo, and shortly to open at Thoor Ballylee. A member of the steering group for Yeats2015, he has published widely on nineteenth and twentieth century art and literature with a particular interest in the artistic interactions of modernism and the fin-de-siècle.

yeatsandthewest.org

About Nora Niland 

Inaugural Nora Niland Lecture 2016

For the first time Nora Niland will be publicly honoured at a special event which will take place during the Yeats Day celebrations this year.  Born in 1913 in the townland of Ballinastak near Tuam, Co Galway, Nora was a graduate of English and Irish literature from NUI Galway.

She moved to Sligo in 1945 where she took up the position of Sligo County Librarian. It was then that she began to draw greater attention to the links between Sligo and the influential Yeats family.  In 1959 Nora borrowed five paintings by Jack Butler Yeats to exhibit for the first Yeats Summer School. During the exhibition, Niland began to feel that the paintings should remain in Sligo and so she set about raising the £3,000 needed to purchase them in the hope of establishing a public art collection for the county. Two years later her determination paid off, and The Niland Collection was born.

Through her efforts Sligo Corporation acquired significant holdings of material relating to the Yeats family and it is now one of Ireland’s most substantial public art collections.  The Jack B. Yeats paintings were then housed, together with other Yeats family material and artworks, in a special room in Sligo County Library.

Paintings by the Yeats family feature prominently in the Niland collection with almost fifty works by Jack B. Yeats, nineteen portraits by his father John Butler Yeats, as well as works by Jack’s wife Mary Cottenham Yeats, and his sister Elizabeth Yeats.  The collection has an emphasis on the northwest of Ireland and features many artists who are linked to the area including Patrick Collins, Sean McSweeney, Patrick Hall and Nick Miller.mIt also features pieces of work by Norah McGuinness, Mary Swanzy, Sean Keating, Gerard Dillon, Paul Henry and Louis le Brocquy.

In 2002 a further 30 works of Irish art were generously lent on a long-term basis by the collector Jobst Graeve. The Niland Collection has now grown to over 300 works and is cared for by, and displayed at, The Model Niland Gallery on the Mall in Sligo.
Nora Niland never married and when she retired she returned to live in her native Ballinastack.  She died in 1988 and sadly failed to get to see her dreams of a gallery to house her pictures come to fruition.

To celebrate her contribution in creating this prestigious art collection for Sligo, The Inaugural Nora Niland Lecture in association with NUIG, will take place on Friday, June 10th at 7.30pm in the Model Niland Gallery.  It will be presented by Dr Adrian Paterson, a lecturer in English at NUI Galway and a member of the Yeats2015 committee.

He will be joined by renowned Jack B. Yeats scholar Dr Hilary Pyle at a special Yeats Salon from 9.30pm.

Yeats & the West Closing Event @ The Model: Pearse, MacNeill, the Revival & the Rising

Romanticism & Realism: 

Pearse, MacNeill, the Revival & the Rising

Public Talk 

with

Mary Harris, NUI Galway

6pm Thursday 12 May

The Model Theatre, Sligo

followed by

Exhibition closing wine reception

All welcome!

May 1935 Rose Tree

This talk observes how a cultural revolution became a real revolution. It also examines  personalities and politics that more than any others shaped Irish history. Patrick Pearse and Eoin MacNeill were collaborators in the Gaelic League, writers, thinkers and educators working together on An Claidheamh Soluis; fatally, they disagreed over the preparation and timing for armed rebellion. Pearse’s plays drew upon ancient myth to openly demand revolution; MacNeill’s historical studies produced Phases of Irish History and Celtic Ireland. Was it simply romanticism vs realism? Looking back on the Easter Rising and the foundation of the Free State, W.B. Yeats suggested that ‘the modern literature of Ireland, and indeed all that stir of thought which prepared for the Anglo-Irish war, began when Parnell fell from power in 1891. A disillusioned and embittered Ireland turned from parliamentary politics; an event was conceived; and the race began, as I think, to be troubled by that event’s long gestation’. Looking back from one hundred years on, this talk considers the period’s complex interconnections of culture, literature and history, and asks how that ‘stir of thought’ at once created and limited the gestation and flowering of the decisive events of 1916.

Mary Harris pic

Dr Mary Harris is Senior Lecturer in History at the National University of Ireland, Galway. She was born in Cork and is a graduate of UCC, proceeding to Cambridge for her PhD which led to her monograph The Catholic Church and the Foundation of the Northern Irish State (Cork University Press, 1993).

Mary has worked as a secondary school teacher in Cork and Grenada, West Indies.  From 1992-6 she taught Irish Studies at the University of North London.  Since 1996 she has been in the discipline of History at the National University of Ireland, Galway.  Her teaching and research focus is on modern Irish history, and she has published widely in this area. She is currently working on a book on Eoin MacNeill.

Mary is co-ordinator of NUI Galway’s programme commemorating the 1916 Rising and is a member of the Irish government’s expert advisory group on commemoration.

Dr Mary Harris appears in conversation with the curator of Yeats & the West, and Lecturer in English at NUI Galway, Dr Adrian Paterson. The talk is followed by a wine reception for the exhibition closing at the Model, honouring NUI Galway alumni, who include the illustrious collector and donor to the Model Nora Niland.

Donal Tinney – Chairperson of The Model, Dr Adrian Paterson – NUI Galway and curator of the exhibition and Senator Susan O'Keeffe, at the NUI Galway Launch of Yeats & the West Exhibition at The Model, Sligo. Photo: James Connolly 24MAR16

Donal Tinney – Chairperson of The Model, Dr Adrian Paterson – NUI Galway and curator of the exhibition and Senator Susan O’Keeffe, at the NUI Galway Launch of Yeats & the West Exhibition at The Model, Sligo.
Photo: James Connolly
24MAR16

Yeats and the West logo

Yeats & the West Exhibition Tours & Talks

Curators Tours 1pm. Public Talks 6pm.

Free entry

 The Model, Sligo

Tours Thursday at 1pm

Tours of the exhibition from the curators take place every Thursday at 1pm.  Find out what makes art and poetry so close, and observe the connection of books, and music, drama, and discover never before seen rare books and fine art from the collections of NUI Galway and The Model. Come and get an inside view of the crafts and cultures that made a western revolution.

Emer McGarry, Acting Director, The Model, Cllr. Thomas Healy, Dr Jim Browne , President of NUI Galway, Martin Enright, President of Yeats Society, Sligo, Dr Adrian Paterson, NUI Galway, and curator of the exhibition, Senator Susan O'Keeffe, Ciaran Hayes, Sligo County Manager, Barry Houlihan, NUIG, Donal Tinney, Chairperson of The Model, and John Cox, NUIG, at the NUI Galway Launch of Yeats & the West Exhibition at The Model, Sligo. Photo: James Connolly 24MAR16

Emer McGarry, Acting Director, The Model, Cllr. Thomas Healy, Dr Jim Browne , President of NUI Galway, Martin Enright, President of Yeats Society, Sligo, Dr Adrian Paterson, NUI Galway, and curator of the exhibition, Senator Susan O’Keeffe, Ciaran Hayes, Sligo County Manager, Barry Houlihan, NUIG, Donal Tinney, Chairperson of The Model, and John Cox, NUIG, at the NUI Galway Launch of Yeats & the West Exhibition at The Model, Sligo.
Photo: James Connolly
24MAR16

Talks Thursdays at 6pm

This series of talks on Yeats’s connection to the west and beyond takes us inside the makings of a western cultural revolution. Talks from experts in the field range from exploring the pioneering art and craftwork of the Yeats family to W.B.Yeats’s own life and loves, considering his some of his most controversial and sexy poems; they reveal the extraordinary plays of his brother, the artist Jack B. Yeats, and alongside the Model Gallery’s newly unveiled Broadside collection, showcase his design and print work; and they weigh the wider forces that turned a cultural revolution into a real one.

Speakers include the curators of the exhibition Dr Adrian Paterson and Barry Houlihan (NUI Galway), Professor Adrian Frazier (NUI Galway), Professor Margaret Mills Harper (University of Limerick and outgoing Director of the Yeats International Summer School), Dr Hilary Pyle (former Yeats Curator at National Gallery of Ireland), Dr Ian Walsh (NUI Galway), Dr Mary Harris (NUI Galway).

Yeats and the West logo

All talks take place every Thursday at 6pm in the Model Theatre.

7 April – ‘Lake Isles, River Eyots: making Innisfree with the Yeats family’

Adrian Paterson, English, NUI Galway

14 April – ‘A Disturbing Influence: Maud Gonne in the life of W.B. Yeats’

Adrian Frazier, English, NUI Galway

21 April – ‘Jack B. Yeats’s A Broadside: a sheaf of ballads or a battery of guns?’

Hilary Pyle, former Yeats Curator at the National Gallery of Ireland

28 April – ‘W.B. Yeats and the Problem of Crazy Jane’

Margaret Mills Harper, University of Limerick, & outgoing Director of the Yeats International Summer School

5 May – ‘A Vaudeville of Frustration: The Theatre of Jack B. Yeats’.

Ian Walsh, Centre for Drama Theatre and Performance, NUI Galway

12 May – ‘Romanticism and Realism: Pearse, MacNeill, the Revival and the Rising’

Mary Harris, History, NUI Galway

For schools events Thursdays  enquire schoolvisits@nuigalway.ie

The Model opening hours

Tues-Sat: 10am – 5.30pm

Thurs: 10am – 8pm

Sun: 12 – 5pm

Mon: Closed

Yeats and the West logo

Talk at Yeats & the West: The Theatre of Jack B. Yeats

A Vaudeville of Frustration: The Theatre of Jack B. Yeats

Public Talk

with

Dr Ian Walsh, NUI Galway

6pm Thursday 5 May

The Model Theatre, Sligo

La La Noo (2)

Alongside The Model’s Niland collection, and the exhibitions Yeats & the West and A Broadside this talk uncovers the rarely-read and even more rarely-performed plays of Jack B. Yeats, Ireland’s greatest painter. Beginning with children’s miniature theatre productions, voiced and written by the artist and for which he drew and designed stage, set, and characters with piratical cast, Jack B. Yeats always aimed athwart at conventional theatre. He developed an idiosyncratic theatrical voice that was both distinctive, and distinctively modernist, not quite like anything ever seen or heard in or out of the theatre. Despite Jack Yeats’s earlier close association with J.M.Synge, plays that were not accepted by his brother’s Abbey Theatre found a further life alongside his brother’s at Mary O’Malley’s Lyric Theatre Belfast. From Harlequin’s Positions and In Sand to The Green Wave and La La Noo, Jack Yeats’s drama engages directly with his artistic practice, often referencing his paintings and broadsides, and directly influenced Beckett’s absurdist dramaturgy.

Lyric Yeats brothers copy

Ian Walsh is Lecturer in Drama, Theatre, and Performance at NUI Galway. His monograph Experimental Irish Theatre After W.B Yeats was published in 2012 by Palgrave Macmillan. In 2015 his collection The Theatre of Enda Walsh co-edited with Mary Caulfield was released, the first critical collection on the plays and films of Enda Walsh. He has published widely on Irish theatre and has given invited talks across Ireland, Germany and the United States. Ian is also preparing a monograph on Popular Irish Theatre. Professional directing credits include Purple Path to the Poppy Field ( Hora Prima, 2006) and The Magic Flute (2011), Orfeo Ed Eurydice (2010), Riders to the Sea and The Wandering Scholar (2009) all for DLR Glasthule Opera.

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Ian Walsh appears in conversation with the curator of Yeats & the West, and Archivist in the James Hardiman Library at NUI Galway, Barry Houlihan.

Dr Adrian Paterson, NUI Galway, and curator of the exhibition, Donal Tinney, Chairperson of The Model, John Cox, NUIG, and Barry Houlihan, NUIG, at the NUI Galway Launch of Yeats & the West Exhibition at The Model, Sligo. Photo: James Connolly 24MAR16

Dr Adrian Paterson, NUI Galway, and curator of the exhibition, Donal Tinney, Chairperson of The Model, John Cox, NUIG, and Barry Houlihan, NUIG, at the NUI Galway Launch of Yeats & the West Exhibition at The Model, Sligo.
Photo: James Connolly
24MAR16

Yeats and the West logo

Yeats & the West Exhibition Tours & Talks

Curators Tours 1pm. Public Talks 6pm.

Free entry

 The Model, Sligo

Tours Thursday at 1pm

Tours of the exhibition from the curators take place every Thursday at 1pm.  Find out what makes art and poetry so close, and observe the connection of books, and music, drama, and discover never before seen rare books and fine art from the collections of NUI Galway and The Model. Come and get an inside view of the crafts and cultures that made a western revolution.

Emer McGarry, Acting Director, The Model, Cllr. Thomas Healy, Dr Jim Browne , President of NUI Galway, Martin Enright, President of Yeats Society, Sligo, Dr Adrian Paterson, NUI Galway, and curator of the exhibition, Senator Susan O'Keeffe, Ciaran Hayes, Sligo County Manager, Barry Houlihan, NUIG, Donal Tinney, Chairperson of The Model, and John Cox, NUIG, at the NUI Galway Launch of Yeats & the West Exhibition at The Model, Sligo. Photo: James Connolly 24MAR16

Emer McGarry, Acting Director, The Model, Cllr. Thomas Healy, Dr Jim Browne , President of NUI Galway, Martin Enright, President of Yeats Society, Sligo, Dr Adrian Paterson, NUI Galway, and curator of the exhibition, Senator Susan O’Keeffe, Ciaran Hayes, Sligo County Manager, Barry Houlihan, NUIG, Donal Tinney, Chairperson of The Model, and John Cox, NUIG, at the NUI Galway Launch of Yeats & the West Exhibition at The Model, Sligo.
Photo: James Connolly
24MAR16

Talks Thursdays at 6pm

This series of talks on Yeats’s connection to the west and beyond takes us inside the makings of a western cultural revolution. Talks from experts in the field range from exploring the pioneering art and craftwork of the Yeats family to W.B.Yeats’s own life and loves, considering his some of his most controversial and sexy poems; they reveal the extraordinary plays of his brother, the artist Jack B. Yeats, and alongside the Model Gallery’s newly unveiled Broadside collection, showcase his design and print work; and they weigh the wider forces that turned a cultural revolution into a real one.

Speakers include the curators of the exhibition Dr Adrian Paterson and Barry Houlihan (NUI Galway), Professor Adrian Frazier (NUI Galway), Professor Margaret Mills Harper (University of Limerick and outgoing Director of the Yeats International Summer School), Dr Hilary Pyle (former Yeats Curator at National Gallery of Ireland), Dr Ian Walsh (NUI Galway), Dr Mary Harris (NUI Galway).

Yeats and the West logo

All talks take place every Thursday at 6pm in the Model Theatre.

7 April – ‘Lake Isles, River Eyots: making Innisfree with the Yeats family’

Adrian Paterson, English, NUI Galway

14 April – ‘A Disturbing Influence: Maud Gonne in the life of W.B. Yeats’

Adrian Frazier, English, NUI Galway

21 April – ‘Jack B. Yeats’s A Broadside: a sheaf of ballads or a battery of guns?’

Hilary Pyle, former Yeats Curator at the National Gallery of Ireland

28 April – ‘W.B. Yeats and the Problem of Crazy Jane’

Margaret Mills Harper, University of Limerick, & outgoing Director of the Yeats International Summer School

5 May – ‘A Vaudeville of Frustration: The Theatre of Jack B. Yeats’.

Ian Walsh, Centre for Drama Theatre and Performance, NUI Galway

12 May – ‘Romanticism and Realism: Pearse, MacNeill, the Revival and the Rising’

Mary Harris, History, NUI Galway

For schools events Thursdays  enquire schoolvisits@nuigalway.ie

The Model opening hours

Tues-Sat: 10am – 5.30pm

Thurs: 10am – 8pm

Sun: 12 – 5pm

Mon: Closed

Yeats and the West logo

Talk at Yeats & the West: Yeats & the Problem of Crazy Jane

Yeats & the Problem of Crazy Jane

Public Talk

with

Professor Margaret Mills Harper

6pm Thursday 28 April

The Model Theatre, Sligo

Fergus Bourke: Hawthorn Tree, Connemara

Fergus Bourke: Hawthorn Tree, Connemara

This talk considers Yeats’s late 1930s flowering in poetry that is randy, raucous, rampaging, but possessing also a rare subtlety and rhythmic feeling.  The talk opens up discussion of poetics, censorship, balladry, sexuality, the fascinating western figures of Cracked Mary and Crazy Jane, what you can get up to beneath trees, and even a type of herbal substance named ‘Warlock’.  Professor Harper’s scholarship is both engaging and profound, and this is a talk not to be missed.

Margaret Mills Harper is Glucksman Professor of Contemporary Writing in English at the University of Limerick. She is the author of The Aristocracy of Art: Joyce and Wolfe (1990), and Wisdom of Two: The Spiritual and Literary Collaboration of George and W. B. Yeats ( 2006). She has co-edited two of the four volumes of Yeats’s “Vision” Papers (1992 and 2001) and both the 1925 and 1937 versions of Yeats’s A Vision (2008, 2015).

Meg Harper

Crazy Jane and the Bishop
Bring me to the blasted oak
That I, midnight upon the stroke,
(All find safety in the tomb.)
May call down curses on his head
Because of my dear Jack that’s dead.
Coxcomb was the least he said:
The solid man and the coxcomb.

Nor was he Bishop when his ban
Banished Jack the Journeyman,
(All find safety in the tomb.)
Nor so much as parish priest,
Yet he, an old book in his fist,
Cried that we lived like beast and beast:
The solid man and the coxcomb.

The Bishop has a skin, God knows,
Wrinkled like the foot of a goose,
(All find safety in the tomb.)
Nor can he hide in holy black
The heron’s hunch upon his back,
But a birch-tree stood my Jack:
The solid man and the coxcomb.

Jack had my virginity,
And bids me to the oak, for he
(All find safety in the tomb.)
Wanders out into the night
And there is shelter under it,
But should that other come, I spit:
The solid man and the coxcomb.

from Words for Music Perhaps (1931)

Professor Margaret Mills Harper appears in conversation with the curator of Yeats & the West, and Lecturer in English at NUI Galway, Dr Adrian Paterson.

Dr Adrian Paterson – NUI Galway and curator of the exhibition, speaking at the NUI Galway Launch of Yeats & the West Exhibition at The Model, Sligo. Photo: James Connolly 24MAR16

Dr Adrian Paterson – NUI Galway and curator of the exhibition, speaking at the NUI Galway Launch of Yeats & the West Exhibition at The Model, Sligo.
Photo: James Connolly
24MAR16

Yeats and the West logo

Yeats & the West Exhibition Tours & Talks

Curators Tours 1pm. Public Talks 6pm.

Free entry

 The Model, Sligo

Tours Thursday at 1pm

Tours of the exhibition from the curators take place every Thursday at 1pm.  Find out what makes art and poetry so close, and observe the connection of books, and music, drama, and discover never before seen rare books and fine art from the collections of NUI Galway and The Model. Come and get an inside view of the crafts and cultures that made a western revolution.

Dr Adrian Paterson, NUI Galway, and curator of the exhibition, Donal Tinney, Chairperson of The Model, John Cox, NUIG, and Barry Houlihan, NUIG, at the NUI Galway Launch of Yeats & the West Exhibition at The Model, Sligo. Photo: James Connolly 24MAR16

Dr Adrian Paterson, NUI Galway, and curator of the exhibition, Donal Tinney, Chairperson of The Model, John Cox, NUIG, and Barry Houlihan, NUIG, at the NUI Galway Launch of Yeats & the West Exhibition at The Model, Sligo.
Photo: James Connolly
24MAR16

Talks Thursdays at 6pm

This series of talks on Yeats’s connection to the west and beyond takes us inside the makings of a western cultural revolution. Talks from experts in the field range from exploring the pioneering art and craftwork of the Yeats family to W.B.Yeats’s own life and loves, considering his some of his most controversial and sexy poems; they reveal the extraordinary plays of his brother, the artist Jack B. Yeats, and alongside the Model Gallery’s newly unveiled Broadside collection, showcase his design and print work; and they weigh the wider forces that turned a cultural revolution into a real one.

Speakers include the curators of the exhibition Dr Adrian Paterson and Barry Houlihan (NUI Galway), Professor Adrian Frazier (NUI Galway), Professor Margaret Mills Harper (University of Limerick and outgoing Director of the Yeats International Summer School), Dr Hilary Pyle (former Yeats Curator at National Gallery of Ireland), Dr Ian Walsh (NUI Galway), Dr Mary Harris (NUI Galway).

Yeats and the West logo

All talks take place every Thursday at 6pm in the Model Theatre.

7 April – ‘Lake Isles, River Eyots: making Innisfree with the Yeats family’

Adrian Paterson, English, NUI Galway

14 April – ‘A Disturbing Influence: Maud Gonne in the life of W.B. Yeats’

Adrian Frazier, English, NUI Galway

21 April – ‘Jack B. Yeats’s A Broadside: a sheaf of ballads or a battery of guns?’

Hilary Pyle, former Yeats Curator at the National Gallery of Ireland

28 April – ‘W.B. Yeats and the Problem of Crazy Jane’

Margaret Mills Harper, University of Limerick, & outgoing Director of the Yeats International Summer School

5 May – ‘A Vaudeville of Frustration: The Theatre of Jack B. Yeats’.

Ian Walsh, Centre for Drama Theatre and Performance, NUI Galway

12 May – ‘Romanticism and Realism: Pearse, MacNeill, the Revival and the Rising’

Mary Harris, History, NUI Galway

For schools events Thursdays  enquire schoolvisits@nuigalway.ie

The Model opening hours

Tues-Sat: 10am – 5.30pm

Thurs: 10am – 8pm

Sun: 12 – 5pm

Mon: Closed

Yeats and the West logo

Yeats & the West: Maud Gonne’s Disturbing Influence

A Disturbing Influence: Maud Gonne in the life of W.B. Yeats

Public Talk for Yeats & the West

 Adrian Frazier, NUI Galway

6pm Thurs 14th April

The Model, Sligo

Free entry

This talk is an incendiary look at an incendiary relationship: that of Maud Gonne and W.B. Yeats. Using never before unearthed material it takes us inside a troubled and troubling connection made from politics, personality, poetry, magic, deceit, and love.

Maud_Gonne_cph.3b21750

A native of St Louis, Missouri, Professor Adrian Frazier (NUI Galway) pursued his fascination with Irish literature and theatre to Ireland’s west, and now lives in Galway. He is the author of Behind the Scenes: Yeats, Horniman, and the Struggle for the Abbey Theatre (Berkeley: University of California 1990), an acclaimed biography of the cultural milieu of Irish novelist and memoirist George Moore, George Moore, 1852-1933 (New Haven: Yale UP 2000), and Hollywood Irish: John Ford, Abbey Actors, and the Irish Revival in Hollywoood (Dublin: Lilliput Press 2011). His most recent book is an illustrated pen portrait of the life and work of sculptor John Behan entitled John Behan: The Bull from Sherriff Street (Dublin: Lilliput Press, 2015). His next book is The Adulterous Muse: Maud Gonne, W.B. Yeats and Lucien Millevoye, a joint biography of Yeats, Gonne, and her lover, the French political activist and father of her children, recasting completely our view of the personalities and politics of this tangled and incendiary love triangle.

Adrian Frazier: 'Galway has a great reputation for creativity globally. Theatre people stay here, actors stay here, it’s easy to put on plays; bookshops are very active in hosting readings.' PHOTO: JOE O'SHAUGHNESSY.

Adrian Frazier: ‘Galway has a great reputation for creativity globally. Theatre people stay here, actors stay here, it’s easy to put on plays; bookshops are very active in hosting readings.’ PHOTO: JOE O’SHAUGHNESSY.

 

Yeats and the West logo

Yeats & the West Exhibition Tours & Talks

Curators Tours 1pm. Public Talks 6pm.

Free entry

 The Model, Sligo

Tours Thursday at 1pm

Tours of the exhibition from the curators take place every Thursday at 1pm.  Find out what makes art and poetry so close, and observe the connection of books, and music, drama, and discover never before seen rare books and fine art from the collections of NUI Galway and The Model. Come and get an inside view of the crafts and cultures that made a western revolution.

WP_20160324_16_53_29_Pro

Talks Thursdays at 6pm

This series of talks on Yeats’s connection to the west and beyond takes us inside the makings of a western cultural revolution. Talks from experts in the field range from exploring the pioneering art and craftwork of the Yeats family to W.B.Yeats’s own life and loves, considering his some of his most controversial and sexy poems; they reveal the extraordinary plays of his brother, the artist Jack B. Yeats, and alongside the Model Gallery’s newly unveiled Broadside collection, showcase his design and print work; and they weigh the wider forces that turned a cultural revolution into a real one.

Speakers include the curators of the exhibition Dr Adrian Paterson and Barry Houlihan (NUI Galway), Professor Adrian Frazier (NUI Galway), Professor Margaret Mills Harper (University of Limerick and outgoing Director of the Yeats International Summer School), Dr Hilary Pyle (former Yeats Curator at National Gallery of Ireland), Dr Ian Walsh (NUI Galway), Dr Mary Harris (NUI Galway).

Yeats & the West talks at The Model, Sligo

Lake Isles, River Eyots: Making Innisfree with the Yeats Family
Public Talk 

 Adrian Paterson, NUI Galway

6pm Thursday 7 April

The Model Theatre, Sligo

23 Saint Patrick

This talk looks at Yeats’s most famous poem and asks where it comes from, and where it goes to.  It examines the new kinds of crafts and making from the Yeats family, in west London as well as the west of Ireland.

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Curator of the exhibition Yeats & the West, Dr Adrian Paterson is a Lecturer in English at NUI Galway. He appears in conversation with the co-curator Barry Houlihan.

Dr Adrian Paterson – NUI Galway and curator of the exhibition, speaking at the NUI Galway Launch of Yeats & the West Exhibition at The Model, Sligo. Photo: James Connolly 24MAR16

Dr Adrian Paterson – NUI Galway and curator of the exhibition, speaking at the NUI Galway Launch of Yeats & the West Exhibition at The Model, Sligo.
Photo: James Connolly
24MAR16

Yeats and the West logo

Yeats & the West Exhibition Tours & Talks

Curators Tours 1pm. Public Talks 6pm.

Free entry

 The Model, Sligo

Tours Thursday at 1pm

Tours of the exhibition from the curators take place every Thursday at 1pm.  Find out what makes art and poetry so close, and observe the connection of books, and music, drama, and discover never before seen rare books and fine art from the collections of NUI Galway and The Model. Come and get an inside view of the crafts and cultures that made a western revolution.

WP_20160324_16_56_11_Pro

Talks Thursdays at 6pm

This series of talks on Yeats’s connection to the west and beyond takes us inside the makings of a western cultural revolution. Talks from experts in the field range from exploring the pioneering art and craftwork of the Yeats family to W.B.Yeats’s own life and loves, considering his some of his most controversial and sexy poems; they reveal the extraordinary plays of his brother, the artist Jack B. Yeats, and alongside the Model Gallery’s newly unveiled Broadside collection, showcase his design and print work; and they weigh the wider forces that turned a cultural revolution into a real one.

Speakers include the curators of the exhibition Dr Adrian Paterson and Barry Houlihan (NUI Galway), Professor Adrian Frazier (NUI Galway), Professor Margaret Mills Harper (University of Limerick and outgoing Director of the Yeats International Summer School), Dr Hilary Pyle (former Yeats Curator at National Gallery of Ireland), Dr Ian Walsh (NUI Galway), Dr Mary Harris (NUI Galway).

Yeats and the West logo

All talks take place every Thursday at 6pm in the Model Theatre.

7 April – ‘Lake Isles, River Eyots: making Innisfree with the Yeats family’

Adrian Paterson, English, NUI Galway

14 April – ‘A Disturbing Influence: Maud Gonne in the life of W.B. Yeats’

Adrian Frazier, English, NUI Galway

21 April – ‘Jack B. Yeats’s A Broadside: a sheaf of ballads or a battery of guns?’

Hilary Pyle, former Yeats Curator at the National Gallery of Ireland

28 April – ‘W.B. Yeats and the Problem of Crazy Jane’

Margaret Mills Harper, University of Limerick, & outgoing Director of the Yeats International Summer School

Meg Harper

5 May – ‘A Vaudeville of Frustration: The Theatre of Jack B. Yeats’.

Ian Walsh, Centre for Drama Theatre and Performance, NUI Galway

12 May – ‘Romanticism and Realism: Pearse, MacNeill, the Revival and the Rising’

Mary Harris, History, NUI Galway

For schools events Thursdays  enquire schoolvisits@nuigalway.ie

The Model opening hours

Tues – Sat: 10am – 5.30pm

Thurs: 10am – 8pm

Sun: 12 – 5pm

Mon: Closed

Yeats and the West logo

Which is your favourite W.B.Yeats poem?

Would you rather arise and go now, slouch towards Bethlehem, or seek to tell the dancer from the dance? Is it the terrible beauty of Easter, 1916, the foul rag-and-bone shop of the heart in The Circus Animals’ Desertion or the world more full of weeping from The Stolen Child that is closest to your heart?

This year marks the 150th anniversary of the birth of WB Yeats, one of the 20th century’s greatest poets, with worldwide celebrations. Nationalist, romantic, spiritualist; beacon of the Celtic Twilight, chronicler of everyday life and angry old man; Yeats went through many phases, and left many exemplary poems. In a 1999 poll to find Ireland’s 100 favourite poems of all time, he takes seven places in the top 10 (Heaney and Kavanagh hardly get a look-in), and dominates the list as a whole.

But which of his poems is your favourite? The Guardian is running an open thread. Let them know your choice!

Y Sligo1

Yeats International Summer School 2015 programme

One of the highlights of the Yeats2015 programme will be an extra special summer school. The 56th Annual Yeats International Summer School is set to run from 26th July to 7th August, 2015, in Sligo, Ireland.

With patron Catriona Yeats, director Meg Harper (University of Limerick), and associate director Matthew Campbell (University of York), the annual festivities in Sligo will celebrate the poet’s sesquicentennial in style. A roundtable of former Summer School directors, including Helen Vendler, Denis Donoghue, James Pethica, and Elizabeth Butler Cullingford, will be foremost in this summer’s special events.

The line-up of speakers is equally impressive and it includes David Lloyd, John Paul Riquelme, Vincent Sherry, Joseph Valente, Catherine Paul, Frank Shovlin, Frank Lentricchia, Denis Donoghue, Eamonn Hughes, Marjorie Howes, Hannah Sullivan, Warwick Gould, Ann Fogarty, and Alexandra Poulain.

Attending the summer school is a rewarding experience involving morning lectures, afternoon seminars, and enriching cultural events in the evenings.

For more information, see the website of the hosts, Yeats Society Sligo.

Yeats Society

Yeats2015

Yeats 2015

In 2015 Ireland celebrates the 150th anniversary of the birth of the Nobel Prize-winning poet, William Butler Yeats. As part of Ireland’s decade of commemorations, a worldwide series of creative and cultural events takes place throughout the year to mark this occasion, honouring and exploring his rich life, work, and legacy. The programme was launched in Dublin in December by Senator Susan O’Keefe and the Minister for Arts, Heritage and the Gaeltacht Heather Humphries. The launch also featured a reading by Olwen Fouere of ‘Sailing to Byzantium’, and was attended by members of the Yeats Thoor Ballylee SocietyAn RTE report of the event can be viewed here.

Yeats 2015 presents a local, national, and international series of exhibitions, performances, educational events, festivals, concerts, readings, talks, and screenings. Cultural events centred on Sligo, Galway, Dublin, London, and in counties across Ireland, are echoed in a diverse international programme. Through the prism of one of Ireland’s greatest artists, Yeats 2015 marks a moment to celebrate and promote creativity in Ireland and elsewhere, and to reconsider the role of culture, community, and the arts in the contemporary world. Full details of how to get involved in this exciting cultural programme are released in January 2015. The re-opening of Thoor Ballylee is at the heart of these commemorations. Galway is at the heart of these celebrations and a full programme of Galway Yeats2015 events is available here.

 

The Poet

W. B. Yeats is Ireland’s greatest poet, and considered by many the finest poet of the twentieth century. Seamus Heaney noted that as well as a great poet he was both the founder and inheritor of traditions: with a lifelong interest in the occult and in Irish mythology, an openness to European art and eastern philosophy, and with a sceptical, questioning intellect, he brought a revolutionary new voice into Irish literature. A maker of extraordinary love poems and an architect of modernism, Yeats is unusual among poets in that much of his best work came after the age of fifty. The way he put words together changed utterly: from an early lush lyricism, he developed a spare, hard, late style, and many of his most powerful lines have entered the language. Such an uncompromising attitude to creative excellence was a part of his inheritance. He was born into an extraordinarily talented artistic family: his father John Butler Yeats was a renowned portraitist, his sisters were innovative craftworkers and printers, and his brother Jack Yeats became Ireland’s most celebrated painter. His unrequited love for the beautiful Maud Gonne affected the course of his life, while his collaboration with his wife George altered the texture of his poetry. More than a poet, Yeats was a dramatist, a critic, a journalist, a politician, and a founder of theatres, print houses, dance companies, and artistic societies. With its diverse programme of events, Yeats 2015 celebrates this rich cultural harvest.

 

The Places

W. B. Yeats’s profound connection with landscape and architecture served as inspiration for many of his greatest works. Ireland is the setting for nearly all his poems and plays, whether the city’s ‘grey eighteenth-century houses’ or the stones and trees of the west. Born in Dublin, Yeats went to school in Dublin and London, and spent much of his young life with his family in Sligo, which he thought of as his spiritual home. In later life he lived in Dublin, London, and put down deep roots in County Galway, spending summers at Coole Park and restoring a Hiberno-Norman tower, Thoor Ballylee, as his family home. As well as travelling extensively in France, Spain, Italy, and the United States, Yeats was deeply affected by eastern art and philosophy, especially that of Japan and India. Yeats 2015 celebrates the strong connection he had will all the places that inspired him.Galway is therefore at the heart of these celebrations, with a full programme of exciting artistic and cultural events taking place throughout the county. It is intended also that the re-opening of Thoor Ballylee will be a central part of these celebrations.

 

The Legacy

Yeats was the first Irishman to be awarded the Nobel Prize, in 1923. He accepted on behalf of his work for the Abbey Theatre, Ireland’s national theatre which he co-founded with Lady Augusta Gregory. Such artistic generosity was not unusual. Yeats was a cultural revolutionary who become a remarkable cultural entrepreneur. A spearhead of what became known as the Irish Literary Revival, he spurred a revival of interest in Irish mythology and in Irish literature, and was for a time deeply involved in the nationalist movement. His work explored the complexities of the formation of the new state and helped give expression to a new Irish identity. Passionate about artistic freedoms and minority rights, he made speeches against censorship and supporting the long-established right to divorce when appointed a Senator of the Irish Free State in 1922. Yeats also chaired the commission for coinage, which produced renowned designs of Irish animals on currency in use until 2001. His increasing identification with a Protestant tradition and his brief flirtation with authoritarian politics remains controversial. But most of all he promoted new art, championing writers as diverse as James Joyce, Frank O’Connor, and J. M. Synge, working with an astonishing variety of artists, actors, musicians, theatre designers, printmakers,  producers, and dancers. From his founding of the ground-breaking Cuala Press to his pioneering work as a radio broadcaster, his legacy is just as varied. His belief in art’s power – that words could change the world – makes his example still powerfully resonant today.

 

Yeats Thoor Ballylee Society members with a copy of Yeats's The Tower (1928) at the Yeats2015 launch with Senator Susan O'Keeffe and Minister Heather Humphries

Yeats Thoor Ballylee Society members with Yeats’s The Tower (1928) at the Yeats2015 launch with Senator Susan O’Keeffe and Minister Heather Humphries