Invitation to Studio opening

The Studio at Thoor Ballylee

A new space for making and thinking

You are warmly invited to the opening of The Studio at Thoor Ballylee.

 Sunday 28th April 2019 at 3pm

Studio opened by Sister Mary deLourdes Fahy, local historian.

Special Guest Mrs Sabina Higgins.

Featuring Kathy Mooney, weaver; Áine Ní Shioradáin, harpist, Mary O’Malley, poet.

With an exhibition of artwork and craft by Lily and Elizabeth Yeats, with work by Jack B. Yeats, John Butler Yeats, and W.B. Yeats.

Elizabeth Rivers, from Stranger in Aran, Cuala Press (1946)

The new studio, intended as a meeting and workplace for today’s artists and craftworkers, honours Lily and Elizabeth Yeats, their creation of the Dun Emer Guild and Cuala Industries.

We gratefully acknowledge the support of the Department of Heritage, Culture, and the Gaeltacht and the generosity of our private donors.

Please join us as a new studio space opens at the Galway home of the poet W.B. Yeats!

Designed for workshops, exhibitions, craft sessions, youth groups, special events, talks, and discussion forums, it combines work space for artists with educational and workshop facilities. The Studio at Thoor Ballylee forms a cultural hub in the west of Ireland that matches the commitment of Lily and Elizabeth Yeats to art and education.

Thoor Ballylee is now open for the 2019 season 10am-2pm weekdays, 11am-5pm weekends. See our events page for more, including Leaving Cert lectures Tuesday 23rd and Wednesday 24th April.

Stonemason Jetro Sheen of Sheen Stone Works, Gort putting finishing touches to the new slate sign for the Studio. Design probably by Elizabeth Yeats, adapted from the Cuala Press. 

 

The Studio at Thoor Ballylee

The studio is inspired by two extraordinary examples: the work and legacy of the Yeats sisters. As a designer and embroiderer Lily Yeats (born Susan Mary Yeats) studied with May Morris, before setting up as an independent artist and maker of textiles with apprentices of her own. Her sister, artist and educator Elizabeth Yeats (known to the family as Lolly), pioneered the arts in the classroom, creating new watercolour brushwork techniques as a teaching method for children, and coaching young artists from Louis Le Brocquy to Anne Yeats. She became a hand-press printer and maker of books, publishing fine editions of art and literary works including by her brothers the poet W.B. Yeats and the artist Jack B. Yeats. Together the Yeats sisters were the founders of the Dun Emer workshop and then Cuala Industries, a groundbreaking nationalist and feminist collective producing art and providing skills, training, and apprenticeships across a range of applied artistic fields. Determined to revive, improve, and expand the reach of all the arts in Ireland, the example of the Yeats sisters stands behind the vision of the studio, with its emphasis on making of all kinds.

Originally an outbuilding converted to a garage by the Yeats family, the studio faces the Hiberno-Norman tower of Thoor Ballylee made famous by the poetry of W.B. Yeats, who lived and worked there with his wife George Yeats, also an artist and researcher of great ability, and their young family. Its transformation into a studio was made possible by generous private sponsorship and matching competitive funding from the Government of Ireland’s Department of Culture, Heritage, and the Gaeltacht.

To find out more – or see how you can help – see our website donate page  or contact yeatsthoorballyleesociety@gmail.

 

 

The Studio at Thoor Ballylee opens

Today thanks to the sterling work of our volunteers and helpers, Thoor Ballylee is now open for the 2019 season 10am-2pm weekdays, 11am-5pm weekends. There are an exciting line up of events planned throughout the year. We kick off in grand style with the launch of our new studio space.

The Studio at Thoor Ballylee

A new space for making and thinking

On Sunday 28th April 2019 at 3pm a new studio space opens at the Galway home of the poet W.B. Yeats. Designed for workshops, exhibitions, craft sessions, youth groups, special events, talks, and discussion forums, it combines work space for artists with educational and workshop facilities. The Studio at Thoor Ballylee forms a cultural hub in the west of Ireland that matches the commitment of Lily and Elizabeth Yeats to art and education.

The studio is inspired by two extraordinary examples: the work and legacy of the Yeats sisters. As a designer and embroiderer Lily Yeats (born Susan Mary Yeats) studied with May Morris, before setting up as an independent artist and maker of textiles with apprentices of her own. Her sister, artist and educator Elizabeth Yeats (known to the family as Lolly), pioneered the arts in the classroom, creating new watercolour brushwork techniques as a teaching method for children, and coaching young artists from Louis Le Brocquy to Anne Yeats. She became a hand-press printer and maker of books, publishing fine editions of art and literary works including by her brothers the poet W.B. Yeats and the artist Jack B. Yeats. Together the Yeats sisters were the founders of the Dun Emer workshop and then Cuala Industries, a groundbreaking nationalist and feminist collective producing art and providing skills, training, and apprenticeships across a range of applied artistic fields. Determined to revive, improve, and expand the reach of all the arts in Ireland, the example of the Yeats sisters stands behind the vision of the studio, with its emphasis on making of all kinds.

Saint Colman, design by Jack B. Yeats, embroidery by Lily Yeats and the Dun Emer workshop (1903) (image courtesy of St Brendan’s Cathedral Loughrea)

Originally an outbuilding converted to a garage by the Yeats family, the studio faces the Hiberno-Norman tower of Thoor Ballylee made famous by the poetry of W.B. Yeats, who lived and worked there with his wife George Yeats, also an artist and researcher of great ability, and their young family. Its transformation into a studio was made possible by generous private sponsorship and matching competitive funding from the Government of Ireland’s Department of Culture, Heritage, and the Gaeltacht.

With a variety of configurations and uses the studio is designed to host artists, workshops, and young people. A series of craft workshops is planned throughout the year featuring textiles, printmaking, spinning, poetry, drama, storytelling, and more.

Dr Catherine Morris and Dr Barry Houlihan with Cuala Industries handpainted banner (NUI Galway)

The 2019 opening by local historian Sister Mary De Lourdes Fahy at 3pm Sunday 28th April features as special guest Mrs Sabina Higgins, with poet Mary O’Malley, weaver Kathy Mooney and harpist Áine Ní Shioradáin, plus other important artists and visitors. The studio hosts a special exhibition featuring work by Lily, Elizabeth, Jack and W.B. Yeats and the Cuala Industries workshop.

from Elizabeth Rivers, Stranger in Aran (Cuala Press, 1946)

To find out more – or see how you can help – see our website donate page  or contact yeatsthoorballyleesociety@gmail.

John Butler Yeats, Musician

 

 

 

Thoor Ballylee opens!

Thoor Ballylee opens to all visitors from Saturday 20th April 2019. Yeats’s famous tower is open all summer for visits, cultural events, crafts workshops, and more!

Come and visit the fourteenth-century Hiberno-Norman tower featured in so many of W.B. Yeats’s best poems.

The Winding Stair and other Poems (1929)

Climb the winding stair (and mind our precious bats and nesting jackdaws!).

Discover more about the life and work of W.B. Yeats in world-class exhibitions.

Join in our numerous cultural events, performances, and workshops!

Jeremie Cyr-Cooke (Ghost of Cuchulain) and Orlaith Ni Chearra (Fand/Woman of the Sidhe) work on choreography for Yeats’s The Only Jealous of Emer

Treat yourself to tea and cake by our roaring fire, and browse in our giftshop.

Or just soak in the atmosphere of the Norman tower and beautiful surrounds.

Our first special event of 2019 is the launch of our new studio space, The Studio @ Thoor Ballylee. Open as a working space for artists and audiences, and featuring workshops, educational events, exhibitions, symposiums, and discussion groups, it forms a vibrant cultural hub in the west of Ireland that matches the commitment of the Yeats sisters to art and education. Funded by generous donors and the Department of Culture, the studio opens in honour of Lily & Elizabeth Yeats, artists and pioneer embroiders, printers, and educators.

Our grand opening at 3pm Sunday 28th April features local artists and speakers and a wonderful exhibition of the Yeats sisters’ Cuala Industries material.

For more details see our visitors page. Our latest 2019 calendar of events is available here. As a non-profit community organization, Thoor Ballylee is run by volunteers. To find out how you can help us in our mission to keep open Yeats’s tower for new generations click here.

See you soon!

In Memory of W.B. Yeats

It is eighty years, a lifetime and no time at all, since W.B. Yeats died and was laid to rest at Roquebrune in the south of France. Far from home, friends and energies surrounded him, and he left life still busy working and thinking: “I know for certain my time will not be long. I have put away everything that can be put away that I may speak what I have to speak, & I find my expression is a part of study […]. It seems to me that I have found what I wanted. When I try to put all into a phrase I say, ‘Man can embody truth but he cannot know it’. I must embody it in the completion of my life.”

France, Var, Roquebrune sur Argens, snow in winter on the cliffs of the Rocher de Roquebrune

When his death was announced, the wires hummed with tributes from around the world. Most interesting perhaps were responses from his younger contemporaries, Louis MacNeice and W.H. Auden. They had differed politically from Yeats in the ‘low dishonest decade’ of the 1930s, and yet both were moved to respond handsomely. Louis MacNeice would write a one of the earliest and finest books of criticism about the poet, published in 1941, and W.H. Auden wrote several essays and a poem among the finest in the language.

Thoor Ballylee, Galway, March 2018 (from Connacht Tribune)

Auden’s poem is sombre, strangely moral, and reflective, as he works out a strong sense of difference amidst his admiration (in its final version below, the poem was revised to leave out any need for forgiveness: ‘Time […] pardons him for writing well’). It records the effect of the poet’s death on the world, but the world’s impress on all he left behind, including those last to know about his passing, his poems. Yeats had been seeking warm weather for his health, but through Auden’s eyes it was marked indelibly by a symbolically cold winter: ‘What instruments we have agree / The day of his death was a dark cold day.’ With the current cold snap across these islands and in North America it is hard not to recall the words of this probing, bracing tribute, first published later in 1939 as the flames of World War Two were rising.

Chicago and Lake Minnesota, January 2019

In Memory of W.B. Yeats

I
He disappeared in the dead of winter:
The brooks were frozen, the airports almost deserted,
And snow disfigured the public statues;
The mercury sank in the mouth of the dying day.
What instruments we have agree
The day of his death was a dark cold day.

Far from his illness
The wolves ran on through the evergreen forests,
The peasant river was untempted by the fashionable quays;
By mourning tongues
The death of the poet was kept from his poems.

But for him it was his last afternoon as himself,
An afternoon of nurses and rumours;
The provinces of his body revolted,
The squares of his mind were empty,
Silence invaded the suburbs,
The current of his feeling failed; he became his admirers.

Now he is scattered among a hundred cities
And wholly given over to unfamiliar affections,
To find his happiness in another kind of wood
And be punished under a foreign code of conscience.

The words of a dead man
Are modified in the guts of the living.
But in the importance and noise of to-morrow
When the brokers are roaring like beasts on the floor of the
Bourse,
And the poor have the sufferings to which they are fairly
accustomed,
And each in the cell of himself is almost convinced of his
freedom,
A few thousand will think of this day
As one thinks of a day when one did something slightly unusual.

What instruments we have agree
The day of his death was a dark cold day.

II
You were silly like us; your gift survived it all:
The parish of rich women, physical decay,
Yourself. Mad Ireland hurt you into poetry.
Now Ireland has her madness and her weather still,
For poetry makes nothing happen: it survives
In the valley of its making where executives
Would never want to tamper, flows on south
From ranches of isolation and the busy griefs,
Raw towns that we believe and die in; it survives,
A way of happening, a mouth.

III
Earth, receive an honoured guest:
William Yeats is laid to rest.
Let the Irish vessel lie
Emptied of its poetry.

In the nightmare of the dark
All the dogs of Europe bark,
And the living nations wait,
Each sequestered in its hate;

Intellectual disgrace
Stares from every human face,
And the seas of pity lie
Locked and frozen in each eye.

Follow, poet, follow right
To the bottom of the night,
With your unconstraining voice
Still persuade us to rejoice;

With the farming of a verse
Make a vineyard of the curse,
Sing of human unsuccess
In a rapture of distress;

In the deserts of the heart
Let the healing fountain start,
In the prison of his days
Teach the free man how to praise.

From Another Time by W. H. Auden, published by Random House. Copyright © 1940 W. H. Auden, renewed by the Estate of W. H. Auden.

 

Ben Bulben, Sligo, January 2018

Happy New Year 2019!

Season’s Greetings and a Happy New Year for 2019!

With our Season’s Greetings, Yeats Thoor Ballylee Society has great pleasure in sending you news of everything you have helped to support during the past year at Yeats’s tower in County Galway.

We hope you are as pleased as we are with all the varied cultural events associated with the tower, and welcome your continued support for an equally ambitious programme of performances, tours, talks, and exhibitions in 2019. These are exciting times at Thoor Ballylee: work is in progress converting the old garage over the road into a magnificent new artist’s studio and residence.

So we welcome your support! If you would like to donate, become a Friend of Thoor Ballylee (or renew your Friend of Thoor Ballylee subscription), we gladly invite you to visit our website donation page

Many thanks and all the best for the Festive Season.

 

 

Songbirds

The final event of 2018 at Thoor Ballylee is a concert of music by The Songbirds.

The Songbirds

7.30pm Saturday 6th October

Thoor Ballylee EU12/10 entry

Tickets available on 091 631436 or email yeatsthoorballylee@gmail.com

It’s the last chance to hear music at Thoor this year: come along and visit the tower in an atmosphere of celebration!

The Songbirds feature musicians from around the globe: John Cooper from the Red Dirt Rangers California, Maria Burns from the Burns Sisters Band, Ithaca New York, and Kate Purcell from down the road in County Clare. With classic singers and expert musicians this concert promising to be a fine send-off to a wonderful 2018 season.

 

 

Galway Film Fleadh comes to Thoor Ballylee

This year, the celebrated Galway Film Fleadh takes to the road with a programme of films from the IFI Irish Film Archive, celebrating the life and legacy of WB Yeats’s great friend and co-founder of Ireland’s national theatre, Lady Augusta Gregory.

Entitled ‘Local Films for Local People’, a special screening of these films is presented at Thoor Ballylee, at 3pm Thursday 12th July.

The range of Lady Gregory’s talents was considerable: co-founder of the Abbey Theatre, translator, folklorist, theatre producer and Yeats’s collaborator.  She was also an important, resolutely experimental dramatist in her own right.

And, although at times she tried to dissuade him from living there, it was she who found the tower at Thoor Ballylee for Yeats and his new wife, George, where he and his family spent many summers. Close by is Coole Park where, under Lady Gregory’s steadfast and welcoming spirit, poets, playwrights, painters and artists from every background – Yeats, Shaw, Synge, Hyde, O’Casey – created a renaissance of Irish literary, artistic, and political thinking and action.

This exclusive programme of short films includes Coole Park and Ballyee and Cradle of Genius, films about Gregory and Yeats’s connection to the local landscape and the cultural revival they inspired. It also includes a rare screening of a movie adaptation of Gregory’s one-act play The Workhouse Ward with the Abbey Theatre players. Featuring a pair of down-at-heel men arguing in a hospital ward, the comedy anticipates Beckett’s Waiting for Godot in exploring the strange co-dependencies of Irish masculine culture.

The screening is a wonderful chance to see these rare films in a site-specific setting. The programme is introduced by Sunniva O’Flynn, Head of Irish Film Programming, IFI, and by Lelia Doolan, Yeats Thoor Ballylee board member and former Artistic Director of the Abbey Theatre. There will be time afterwards for discussion and tea.

Galway Film Fleadh Screening

Local Films for Local People

Thoor Ballylee, 3pm Thursday 12th July

COOLE PARK AND BALLYLEE
This short documentary celebrates the cultural heritage of Coole Park and Thoor Ballylee and the serene landscape which inspired its visitors.

Producer: Queen’s University Belfast

1976 / 20 mins / Colour

THE WORKHOUSE WARD
This film recently acquired by the IFI Irish Film Archive is an adaptation of Lady Gregory’s one-act comedy which centers on two bickering paupers confined to adjacent hospital beds until the arrival of the Widow Donohue (Eileen Crowe).

Director: Ria Mooney

1950/ 25 mins/ Black and White

CRADLE OF GENIUS
This Academy Award-nominated film, written by Frank O’Connor and produced by Tom Hayes, presents a history of the Abbey Theatre and a record of Irish theatre culture in the late 1950s as fondly remembered by leading lights Siobhán McKenna, Maureen Delaney, Harry Brogan, Eithne Dunne, Barry Fitzgerald and Seán O’Casey.

Director: Paul Rotha

1959/ 42 mins/Black and White

Followed by questions, discussion, and tea.

 

The Only Jealousy of Emer: tickets selling fast!

This new production of WB Yeats’s play of The Only Jealousy of Emer is a world premiere: the first ever fully staged theatre production of Yeats’s play taking place in his own tower. Fresh from a highly acclaimed run at the Galway Theatre Festival this production has been entirely re-imagined for this historic space. As a site-specific movement piece in a resonant venue numbers are limited so get in fast!

DancePlayers presents

The Only Jealousy of Emer

By WB Yeats

8pm Sat 26 and Sun 27 May 2018

Thoor Ballylee, Yeats’s Tower, Gort, Galway

Tickets: €14/12 Concession

Booking:  Places are limited. Booking required by phone 091 631 436 (weekdays 10am to 2pm, weekends 11am to 5pm) or by email to yeatsthoorballyleesociety@gmail.com

The performance begins outdoors so we highly recommend outdoor shoes and appropriate comfortable clothing. Seating is available but only for some scenes.

The great hero Cuchulain is on his deathbed. His body was washed up by the shore after a long and senseless fight with the sea. There are three women around him: his wife, Emer, his lover, Eithne Inguba, and Fand, an evil creature of the Sidhe. His fate is in their hands. Yeats’s poetic dance-drama focuses exclusively on the feelings and motivations of the female characters, and portrays the emotional turmoil that Emer has to suffer when she has to face her own jealousy to save her husband’s life.

DancePlayers is a new ensemble founded in Galway in 2018. It is a group of professional theatre makers and musicians who produce collaborative pieces for physical theatre.

This production aims at exploiting the qualities of the dance play to the full to show the availability of Yeats’s play texts for contemporary audiences within and outside Ireland. It thus features original masks, costumes, live music, dance, design, as well as newly imagined acting, speaking, and movement. Because of the unique arrangements of the venue, the audience move with the performers during the show and seating is only available for certain important scenes. The performance begins outdoors so we highly recommend outdoor shoes and appropriate comfortable clothing.

Funded by The Galway City Council, NUI Galway, The Embassy of Hungary in Dublin and the Yeats Thoor Ballylee Society.

Running time: 50 mins without interval.

As featured in the London Times, Galway Bay FM, and many other media outlets – this production promises to be theatre event of the season!

Jeremie Cyr-Cooke (Ghost of Cuchulain) and Orlaith Ni Chearra (Fand/Woman of the Sidhe) work on choreography

 

 

 

 

 

The Only Jealousy of Emer: Yeats play at Thoor Ballylee

Yeats’s tower this spring hosts the theatre event of the season, as WB Yeats’s play The Only Jealousy of Emer receives its Thoor Ballylee premiere in a spectacular production by Galway-based theatre group DancePlayers.

Fresh from a highly-acclaimed run at Galway Theatre Festival, this new production, featuring resonant music, dance, acting, and design is re-imagined especially for  Yeats’s tower. As a moving site-specific piece in a historic venue numbers are limited so get in fast!

DancePlayers presents

The Only Jealousy of Emer

By WB Yeats

8pm Sat 26 and Sun 27 May 2018

Thoor Ballylee, Yeats’s Tower, Gort, Galway

Tickets: €14/12 Concession

Booking:  Places are limited. Booking required by phone 091 631 436 (weekdays 10am to 2pm, weekends 11am to 5pm) or by email to yeatsthoorballyleesociety@gmail.com

The performance begins outdoors so we highly recommend outdoor shoes and appropriate comfortable clothing. Seating is available but only for some scenes.

The great hero Cuchulain is on his deathbed. His body was washed up by the shore after a long and senseless fight with the sea. There are three women around him: his wife, Emer, his lover, Eithne Inguba, and Fand, an evil creature of the Sidhe. His fate is in their hands. Yeats’s poetic dance-drama focuses exclusively on the feelings and motivations of the female characters, and portrays the emotional turmoil that Emer has to suffer when she has to face her own jealousy to save her husband’s life.

The Only Jealousy of Emer is a one-act dance piece by W.B. Yeats. Written in 1918, it is one of the earliest plays by an Irish writer for physical theatre, with dance, masks and music. Inspired by the Japanese Noh theatre tradition, Yeats wrote this piece for an empty stage, where movement, gesture, posture, masks, spatial relations and dance all contribute to act of storytelling. Physicality speaks it its own language in these plays, so the performers’ task is to elevate this form of expression to the standard of Yeats’s verse and create a piece of total theatre.

This production is an attempt to prove that Yeats’s Noh-inspired dance plays have every right to be presented in front of a heterogeneous audience, in any part of the world, even 100 years after their composition. The notion that these pieces are only accessible for scholars and those “select few” that have an interest in oriental theatre, poetry or Irish mythology is widespread, and is rooted in the absence of professional Yeats productions on the world’s stages. This production aims at exploiting the qualities of the dance play to the full to show the availability of Yeats’s play texts for contemporary audiences within and outside Ireland. It thus features original masks, costumes, live music, dance, design, as well as newly imagined acting, speaking, and movement.

The show is a world premiere: the first ever fully staged theatre production of Yeats’s play The Only Jealousy of Emer taking place in his own tower. Fresh from a highly acclaimed run at the Galway Theatre Festival this production has been entirely re-imagined for this historic space.

Cast and crew after rehearsals at Thoor Ballylee

Because of the unique arrangements of the venue, the audience move with the performers during the show and seating is only available for certain important scenes. The performance begins outdoors so we highly recommend outdoor shoes and appropriate comfortable clothing.

Running time: 50 mins without interval.

DancePlayers is a new ensemble founded in Galway in 2018. It is a group of professional theatre makers and musicians who produce collaborative pieces for physical theatre.

Funded by The Galway City Council, NUI Galway, The Embassy of Hungary in Dublin and the Yeats Thoor Ballylee Society.

Thoor Ballylee open

We are delighted to confirm the poet WB Yeats’s Norman tower Thoor Ballylee is open all summer long for visits, tours, and events.

Come and see what 2018 has to offer! Check out our blog and associated pages for more details of special events. Opening hours for this season below.

THOOR BALLYLEE, Co. Galway

Opening Hours

Summer

(June – August)

10am – 6pm daily

&

Spring/Autumn

(May & September)

10am – 5pm Mon-Fri

11am – 5m Sat-Sun

Admission €7 (with concessions available). Groups €5 per person (minimum 10 people).

Cups of tea, tour, and hearty welcome all included.

Upcoming events include a first-ever Thoor Ballylee staging of Yeats’s dance play The Only Jealousy of Emer for two nights only, Saturday 26th and Sunday 27th May, in a site-specific production by DancePlayers hotfoot from the Galway Theatre Festival, a celebration of Yeats’s birthday (and Joyce’s Bloomsday) around Saturday 16th June, and many other cultural events throughout the season.  Check out our blog for further details as they arrive.

Last year the jackdaws made a nest in one of the tower alcoves – an extraordinary construction several feet high of reeds and twigs brought through the tower’s arrow-slit windows in an extraordinary labour of production. This year they have returned, and successfully it seems – here are five new eggs from a recent photograph by our resident snapper Deirdre Holmes. This alcove is off limits, naturally, but all else very much open.