Talk at Yeats & the West: Yeats & the Problem of Crazy Jane

Yeats & the Problem of Crazy Jane

Public Talk

with

Professor Margaret Mills Harper

6pm Thursday 28 April

The Model Theatre, Sligo

Fergus Bourke: Hawthorn Tree, Connemara

Fergus Bourke: Hawthorn Tree, Connemara

This talk considers Yeats’s late 1930s flowering in poetry that is randy, raucous, rampaging, but possessing also a rare subtlety and rhythmic feeling.  The talk opens up discussion of poetics, censorship, balladry, sexuality, the fascinating western figures of Cracked Mary and Crazy Jane, what you can get up to beneath trees, and even a type of herbal substance named ‘Warlock’.  Professor Harper’s scholarship is both engaging and profound, and this is a talk not to be missed.

Margaret Mills Harper is Glucksman Professor of Contemporary Writing in English at the University of Limerick. She is the author of The Aristocracy of Art: Joyce and Wolfe (1990), and Wisdom of Two: The Spiritual and Literary Collaboration of George and W. B. Yeats ( 2006). She has co-edited two of the four volumes of Yeats’s “Vision” Papers (1992 and 2001) and both the 1925 and 1937 versions of Yeats’s A Vision (2008, 2015).

Meg Harper

Crazy Jane and the Bishop
Bring me to the blasted oak
That I, midnight upon the stroke,
(All find safety in the tomb.)
May call down curses on his head
Because of my dear Jack that’s dead.
Coxcomb was the least he said:
The solid man and the coxcomb.

Nor was he Bishop when his ban
Banished Jack the Journeyman,
(All find safety in the tomb.)
Nor so much as parish priest,
Yet he, an old book in his fist,
Cried that we lived like beast and beast:
The solid man and the coxcomb.

The Bishop has a skin, God knows,
Wrinkled like the foot of a goose,
(All find safety in the tomb.)
Nor can he hide in holy black
The heron’s hunch upon his back,
But a birch-tree stood my Jack:
The solid man and the coxcomb.

Jack had my virginity,
And bids me to the oak, for he
(All find safety in the tomb.)
Wanders out into the night
And there is shelter under it,
But should that other come, I spit:
The solid man and the coxcomb.

from Words for Music Perhaps (1931)

Professor Margaret Mills Harper appears in conversation with the curator of Yeats & the West, and Lecturer in English at NUI Galway, Dr Adrian Paterson.

Dr Adrian Paterson – NUI Galway and curator of the exhibition, speaking at the NUI Galway Launch of Yeats & the West Exhibition at The Model, Sligo. Photo: James Connolly 24MAR16

Dr Adrian Paterson – NUI Galway and curator of the exhibition, speaking at the NUI Galway Launch of Yeats & the West Exhibition at The Model, Sligo.
Photo: James Connolly
24MAR16

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Yeats & the West Exhibition Tours & Talks

Curators Tours 1pm. Public Talks 6pm.

Free entry

 The Model, Sligo

Tours Thursday at 1pm

Tours of the exhibition from the curators take place every Thursday at 1pm.  Find out what makes art and poetry so close, and observe the connection of books, and music, drama, and discover never before seen rare books and fine art from the collections of NUI Galway and The Model. Come and get an inside view of the crafts and cultures that made a western revolution.

Dr Adrian Paterson, NUI Galway, and curator of the exhibition, Donal Tinney, Chairperson of The Model, John Cox, NUIG, and Barry Houlihan, NUIG, at the NUI Galway Launch of Yeats & the West Exhibition at The Model, Sligo. Photo: James Connolly 24MAR16

Dr Adrian Paterson, NUI Galway, and curator of the exhibition, Donal Tinney, Chairperson of The Model, John Cox, NUIG, and Barry Houlihan, NUIG, at the NUI Galway Launch of Yeats & the West Exhibition at The Model, Sligo.
Photo: James Connolly
24MAR16

Talks Thursdays at 6pm

This series of talks on Yeats’s connection to the west and beyond takes us inside the makings of a western cultural revolution. Talks from experts in the field range from exploring the pioneering art and craftwork of the Yeats family to W.B.Yeats’s own life and loves, considering his some of his most controversial and sexy poems; they reveal the extraordinary plays of his brother, the artist Jack B. Yeats, and alongside the Model Gallery’s newly unveiled Broadside collection, showcase his design and print work; and they weigh the wider forces that turned a cultural revolution into a real one.

Speakers include the curators of the exhibition Dr Adrian Paterson and Barry Houlihan (NUI Galway), Professor Adrian Frazier (NUI Galway), Professor Margaret Mills Harper (University of Limerick and outgoing Director of the Yeats International Summer School), Dr Hilary Pyle (former Yeats Curator at National Gallery of Ireland), Dr Ian Walsh (NUI Galway), Dr Mary Harris (NUI Galway).

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All talks take place every Thursday at 6pm in the Model Theatre.

7 April – ‘Lake Isles, River Eyots: making Innisfree with the Yeats family’

Adrian Paterson, English, NUI Galway

14 April – ‘A Disturbing Influence: Maud Gonne in the life of W.B. Yeats’

Adrian Frazier, English, NUI Galway

21 April – ‘Jack B. Yeats’s A Broadside: a sheaf of ballads or a battery of guns?’

Hilary Pyle, former Yeats Curator at the National Gallery of Ireland

28 April – ‘W.B. Yeats and the Problem of Crazy Jane’

Margaret Mills Harper, University of Limerick, & outgoing Director of the Yeats International Summer School

5 May – ‘A Vaudeville of Frustration: The Theatre of Jack B. Yeats’.

Ian Walsh, Centre for Drama Theatre and Performance, NUI Galway

12 May – ‘Romanticism and Realism: Pearse, MacNeill, the Revival and the Rising’

Mary Harris, History, NUI Galway

For schools events Thursdays  enquire schoolvisits@nuigalway.ie

The Model opening hours

Tues-Sat: 10am – 5.30pm

Thurs: 10am – 8pm

Sun: 12 – 5pm

Mon: Closed

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Yeats & the West: new NUI Galway exhibition

Wall Vinyl 1 B (1)

William Butler Yeats, poet, playwright, politician, and Nobel prize-winner for literature always looked west. As part of Ireland ’s decade of commemorations and the worldwide Yeats2015 series of cultural events marking his 150th birthday, NUI Galway’s Moore Institute and Hardiman Library presents Yeats & the West, a collaborative exhibition exploring Yeats’s life, work, and legacy, and his deep connections to the west. Yeats & the West considers what the west meant to him, and what that means for us. For fuller information, visit the website. 

4plays dancers

For Yeats the west was the wellspring of songs, stories, folklore, artwork, drama, crafts; the foundation of the Irish imagination. It was also the landscape of his poetry and plays. Significant events of his life took place there; collaborations that formed his work were forged there. Yeats & the West tells this remarkable story.

8 Saint Colman

This interactive exhibition features original watercolour sketches and oils by W.B.Yeats’s brother, the celebrated artist Jack Yeats, priceless Cuala Press volumes and broadsides, a wealth of visual material from artists and photographers from Fergus Bourke to Nicolas Fève, and rarely seen images and manuscripts from archive collections in NUI Galway and around the world. Through rare books, original documents, and artworks, and using modern touchscreens, recorded sound, and exclusive film, visitors take a tour of Yeats’s commitment to history, tradition, and new art, all under western eyes. Talks and special events feature throughout the exhibition’s spectacular run from June to December 2015.

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June – December 2015

Hardiman Research Building

NUI Galway

Free admission

Open 9-5 Mon – Sat. (9-5 Mon-Fri until 20 July)

Yeats & the West tells the story of the places and people that made a western cultural revolution.

Wall Vinyl 2

On display is W.B.Yeats’s attention to life, love, and landscape in Galway, Sligo, and beyond. Yeats & the West details the many artistic collaborations that centred on Coole Park, Galway between artists of the western world. It follows the foundation of the Abbey Theatre in Galway, and Yeats’s work with J.M.Synge, George Moore and Edward Martyn, using exclusive materials from the Lady Gregory Collection, the Abbey Digital Archive, and the Lyric Theatre Belfast. It explores his obsession with local poet Antoine Ó Raifteiri, and highlights the gifted artists of Yeats’s own family, whose pioneering work is showcased in exquisite handprinted books and in embroidery from Loughrea cathedral.

Panel 2 C

Yeats’s restoration of Thoor Ballylee, Galway, is seen alongside the construction of his own poetry, and the effects of revolution and civil war on his work and the west is put starkly on view with manuscripts from the National Library of Ireland, and rare books and photographs. Collaborations with his artist brother Jack Yeats are illustrated with newly exhibited sketches and exquisite colour prints. Yeats & the West even tracks his furthest forays west, following him and the Abbey players as they cross the Atlantic and bring back with them a renewed idea of the breadth of the western world.

Panel 7C

Through images, words, film, and sound, with interactive touchscreens, panels, and rich display cases, using valuable material from the university’s collections and from around the world, Yeats & the West tells anew an old story: a story of going west to find those places, real and imaginative, that change our sense of where and who we are.

The exhibition runs from June to December 2015 in the Hardiman Building, NUI Galway with special events throughout.

With special thanks to the Moore Institute, Hardiman Library, NUI Galway’s President’s Office, Galway City Museum, the National Library of Ireland, Loughrea Cathedral, the Yeats Thoor Ballylee Society, and Yeats2015.

Window visualisation