In The Deep Heart’s Core

Sunday 9th August 2015 sees a benefit concert for the permanent restoration of Thoor Ballylee. Featuring music, poetry and the spoken word, all inspired and drawn from the works of W.B. Yeats, the concert takes place in Yeats’s iconic tower. Listen as Joseph Sobol, with vocals by Kathy Cowan, performs a ‘mystic cabaret’ described by the Chicago Sun-Times as ‘rapturous’ and ‘irresistible’. Come along to see the tower resound with musical echoes, and support Yeats Thoor Ballylee Society in its ongoing efforts to restore and reopen the tower permanently.

Yeats Deep Heart's Core cabaret

 

Thoor Ballylee in 1965

Fifty years ago, in 1965, on the one hundredth anniversary of the birth of W.B.Yeats, the Kiltartan Society hosted a seminar on the work of W.B. Yeats.

Kiltartan Society

Speakers at this anniversary event included Yeats scholar T.R.Henn, Mary Hanley, and Tadgh Kelly, with the support of Yeats biographer A. Norman Jeffares and future George Yeats biographer Ann Saddlemyer. There were tours with the craftsmen who had originally worked on the tour, and further events in Irish about local poet Antoine O Rafteiri (Anthony Raftery), and musical performances featuring the poet’s daughter-in-law the Irish harpist Grainne Yeats. Seeing the calendar of events the chair of the Yeats Thoor Ballylee Society Senator Fidelma Healy Eames commented: ‘a beautiful leaflet and programme that is a stark reminder of the genius, imagination and depth of intent of our predecessors of 50 years ago’. She went on to suggest that the work and commitment of local people and international communities then and now concerning the tower is ‘inspirational’ and an inheritance for the present Yeats Thoor Ballylee Society to live up to. For more information on how you can help this ongoing work visit here.

Kiltartan Society2

 

.

Yeats’s Bones

‘Yeats’s soul is in Thoor Ballylee’ suggests scholar

The cemetary in Roquebrune, France, where Yeats was buried after his death in 1939

The cemetary in Roquebrune, France, where Yeats was buried after his death in 1939

Recent documents released to the Irish Times appear to indicate that the bones buried under a limestone headstone in Drumcliff churchyard, Sligo, are not those of W.B.Yeats. Or at least, not only his – with the war intervening after he was buried in Roquebrune churchyard early in 1939, the exhumation of what was by then a crowded and muddled cemetery in 1948 seems to have been of a reconstituted skeleton from several remains. New information also suggests this might have been done with the knowledge of his family.

Yeats's grave at Drumcliff, Sligo

Yeats’s grave at Drumcliff, Sligo

Yeats himself had asked that “in a year’s time when the newspapers have forgotten me, dig me up and plant me in Sligo”. But the revelations appear to confirm a long-held suspicion by scholars and some of the poet’s friends, such as Louis MacNeice, that it was not as easy as this, and the grand repatriation and state burial of 1948 might have been of the wrong body. It should be said that the family point to comments made in 1988 denying all such reports.

Corcomroe Abbey, Co. Clare, the setting for Yeats's The Dreaming of the Bones

Corcomroe Abbey, Co. Clare, the setting for Yeats’s play The Dreaming of the Bones (1919)

With the poet’s late verse believing ‘I must lie down where all the ladders start/ In the foul rag-and-bone shop of the heart’ all this might seem strangely fitting. Seeking the spirit of a man who professed to believe in reincarnation will always be difficult. His interest in the preservation and restoration of old buildings (as evidenced by Thoor Ballylee) means his shade rather balefully even haunts our ghost estates. Yeats wove a phantasmagoria about places, stories, and people that make them almost seem immortal. Of course, no single place, whether in Sligo, Galway, Dublin, London, or anywhere in the world can lay claim to all of Yeats’s inheritance. All the same, “I feel Yeats’s soul is in Thoor Ballylee,” says the US lawyer, Yeats scholar and benefactor Joseph Hassett, referring to the poet’s former home in Co Galway. “It’s less important where the body is.” Thoor Ballylee is certainly written about more than any other place in Yeats’s poems and at least two books of his poetry are grounded there.

Thoor Ballylee, Galway, in Yeats's ownership from 1917 until his death

Thoor Ballylee, Galway, in Yeats’s ownership from 1917 until his death

Perhaps this is a reminder that, beyond reading his poems, a wonderful introduction to his essence is to visit those places important to him: which include Drumcliff, Coole Park, Merrion Square and Riverside in Dublin, Woburn Place and Bedford Park in London, Roquebrune, Ravenna, and Rapallo on the Mediterranean, places like Istanbul (Byzantium) and Tokyo (Edo) where he never set foot, as well as, pre-eminently, Thoor Ballylee, Co. Galway. In none of these places will we find his bones, but he is alive in them all. The tower is open daily all summer until September. For more information about how you can help keep it open, click here.

Mosaic from Ravenna, one of many that inspired W.B. Yeats

Mosaic from Ravenna, one of many that inspired W.B. Yeats

 

Artist’s view of Thoor

Artist Róisín Curé visited the tower for Yeats2015 and the Yeats 150th birthday celebrations and what emerged were some beautiful images and a fine essay, extracts of which are featured here.

Thoor_tower_lores

‘After a few more twists and turns, the tower of Thoor Ballylee appeared through the trees, rising to our right on the edge of the road. Streamstown River, barely more than a stream in the dry summer weather, runs at the foot of the tower. Soft afternoon sunlight filtered through the trees all around the tower and the thatched cottage built on the far side of the tower. Later, I overheard someone say that the river in flood could rise to the roof level of the thatch, but it was hard to picture on the summer day of our visit. What I could picture, however, was John Wayne and Maureen O’Hara wading through the river in John Ford’s The Quiet Man, for a scene which was filmed here at Thoor Ballylee…’

For more please visit here.

Yeats & the West opens!

Prof. Daniel Carey, Ronnie O’Gorman, Sen. Fidelma Healy Eames, Sen. Susan O’Keeffe, and Dr. Adrian Paterson, at the launch of the ‘Yeats & the West: an exhibition of western worlds’ at Hardiman Research Building, NUI Galway, 13 July 2015.

Prof. Daniel Carey, Ronnie O’Gorman and Sen. Fidelma Healy Eames of the Yeats Thoor Ballylee Society, Sen. Susan O’Keeffe, and Dr. Adrian Paterson, at the launch of the ‘Yeats & the West: an exhibition of western worlds’ at Hardiman Research Building, NUI Galway, 13 July 2015.

Monday 13th June saw the official opening of Yeats and the West: an exhibition of western worlds. Coinciding with the launch of the Galway International Arts festival, the exhibition was opened in style with the help of some very special guests, including the poet Moya Cannon. Yeats and the West logo The exhibition featuring a number of talks and events runs through December 2015 and is free to the public. Members of the Yeats Thoor Ballylee Society joined the celebrations, which included speeches from NUI Galway President Dr Jim Browne, Professor Daniel Carey, the curators Barry Houlihan and Adrian Paterson, Senator Susan O’Keeffe, Librarian John Cox, and the special guest Moya Cannon.

Senator Susan O'Keeffe with curator Adrian Paterson

Senator Susan O’Keeffe with curator Adrian Paterson

The exhibition featuring a number of talks and events runs through December 2015 and is free to the public. It highlights the work of Jack B. Yeats, the Yeats sisters, and Lady Gregory in a western context.  Further details here, including particular tributes to the importance of landscape, place, and architecture in Yeats’s work and in the contemporary activity of the Yeats Thoor Ballylee Society. 1978 10th anniversary

Dermot Bolger on Thoor Ballylee

The following is an extract from writer Dermot Bolger’s piece on Thoor Ballylee for the Irish Independent. The full text is available here.

Writer  in Residence, Dermot Bolger    in the Library at Farmleigh in the Phoenix Park.Pix Ronan Lang/Feature File

Writer in Residence, Dermot Bolger in the Library at Farmleigh in the Phoenix Park.Pix Ronan Lang/Feature File

Two months ago, I found myself passing through Gort in Co Galway, on my way home from doing a reading in a school.

It’s an area I’m rarely in, and after stumbling across signpost after signpost that all led me down a maze of tiny roads, I fulfilled a life’s ambition by finally finding my way to Thoor Ballylee.

This is the tall, fortified, 16th Century tower house into which William Butler Yeats moved his young wife Georgie soon after their marriage, not long after the Easter Rising. He used this ancient tower as a retreat from the world during the next decade, which saw him simultaneously experience horror and joy.

The public horror he witnessed occurred with the advent of the Irish Civil War. He observed the caustic bitterness of this divisive conflict and chronicled its pulse of “great hatred, little room” from the perspective of this restored tower.

Despite the oak doors and high walls of Thoor Ballylee, Yeats knew that his young family was not safe here. As a poet who had engaged for decades in the task of trying to imaginatively shape the type of independent Ireland that might come into being, he was determined to play a role in this new Ireland by taking the dangerous decision to become an outspoken member of the first Free State Senate.

Read on…!

bashnja-Jetsa