Thoor Ballylee rises again

In these trying times it is a pleasure to report some good news.

The recent spell of dry weather has enabled Thoor Ballylee once more to stand proud of the waters. Here is Yeats’s tower yesterday morning in spring sunshine.

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We have come a long way.

At their height, floodwaters reached nearly to the top of the windows.

Earlier in the month, what Yeats called ‘the road by my door’ was a river.

cof_vivid

And the bridge was invisible from view.

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Even on St Patrick’s Day there was still waters surrounding the tower:

Thoor low flood

Now the flood waters have finally begun to pass, the job can begin of recovery and cleaning. As soon as social distancing guidelines allow.

In the meantime, stay well and stay safe. Remember poetry and art in these times: Thoor Ballylee will still be here for visits when we get back to normal. If you wish to help with our clean up and recovery effort, join us or donate: go to our Donate page.

In case you missed it, a reminder of why Thoor Ballylee is so important to Ireland and to all admirers of WB Yeats and his family: Roy Foster in the Irish Times on Thoor Ballylee.

Thoor Ballylee year in review

The last year represents one of our most successful years ever here at Yeats’s Tower. The opening of the Studio at Thoor Ballylee represented 2019’s biggest achievement, and one that will keep giving for many years to come. With generous support, we completed in double-quick time the conversion of the Yeats family’s old garage into a new vibrant space for workshops, events, education, art, and community, further enriching this place full of poetry and creativity.

By October 2019, when the curtain came down on our fifth season open at Thoor Ballylee, an estimated 4, 580 visitors had come and experienced the magic of Yeats’s tower. With your help we hope 2020 can be even better! Your continuing support is much appreciated.

The season at Thoor Ballylee opened on Easter Saturday in late April, with spring springing and with tea and Easter Bunny cake kindly provided by our generous and longest serving volunteer, Tonii. This was just the warm up for our regular readings and celebrations for Yeats’s birthday party, held every year (with cake!) on or around 13 June.

‘Sailing to Byzantium’

Launching the Studio at Thoor Ballylee was our first major event of the season.  Guest of honour and speaker of a fine welcoming address was the inimitable Sabina Higgins. Spoken poetry came from poet Mary O Malloy, and was followed by a  fluid rendition of ‘The Salley Gardens’ by soprano, Helen Hancock. Doing the honours of the official opening in cutting the ribbon was our very own esteemed author and educator Sr Mary de Lourdes Fahy.

The exhibition, assembled from materials from our own and NUI Galway’s archives, featured women artists like Elizabeth Rivers and especially the work of Elizabeth and Lily Yeats, in arts and crafts, printing and embroidery, after whom the studio is dedicated. Pride of place went to exquisite embroidered banners designed and made by the Yeats family and female workforce at Dun Emer workshop, rarely seen outside their home St Brendan’s Cathedral Loughrea, woven under the direction of Lily Yeats and featuring saints designed by Jack B. Yeats and his wife Mary Cottenham Yeats. Presiding over the studio space and presenting an expert weaving demonstration was Kathy Mooney. Later in the year the Studio at Thoor Ballylee was the venue for a day of spinning and weaving, now becoming a very popular annual event.

Elizabeth Rivers, from Stranger in Aran, Cuala Press (1946)

So already the Studio at Thoor Ballylee has been put to good use. Local artist, Cindy Lund, came to reside in there  for a week, creating some amazing original work, attracting other artists, giving local children an opportunity to draw in Yeats’s garage, while generating great interest in Thoor.

The studio was also the venue for weekly evening classes with Jackie Quelly, a lecture on Maud Gonne’s Men, by Anthony J. Jordan, an embroidery workshop with Sandra from Sacra King Irish Fibre Crafters and an exhibition and various artistic activities by the wonderful Kinvara Sanctuary group. Later as part of the Yeats Lady Gregory Autumn gathering Marina Carr came to give an expert playwrighting workshop here.

Marion Cox in conversation with Marina Carr

We are indeed indebted to Denis Creaven, from the Institute of Education, who has faithfully, year after year, given his two day mid-term lectures to Leaving Cert students, free gratis, with all proceeds going to Thoor Ballylee.

The mill by the river, on a sunny summer’s day in June, was the setting for a joint recital by Coole Music and an incredible youth orchestra from Norway, conducted by Katherina Baker. Two weeks later we were treated to an afternoon of medieval music by the junior members of Coole Music, fittingly attired in medieval costumes, performing in our medieval tower house.

To mark Heritage week, field archaeologist Dr Christy Cunniffe gave a talk and presentation on vernacular houses. Anna O Donnell gave an fascinating demonstration on the story of butter and butter making while soprano Helen Hancock delighted us with an evening of opera and the story of song. On Culture Night two rare performances occurred at Thoor of Yeats’s and Augusta Gregory’s The Pot of Broth  by a pioneering local theatre group. This was followed by Anna O Donnell‘s own broth tasting, and with Lelia Doolan’s insights into the family life of the Yeatses, audiences went away fully satisfied.

In September we were, once again, honoured to host The Lady Gregory and Yeats Autumn Gathering, and the studio and tower was the host for important sessions on women’s writing and creativity. As noted, internationally renowned playwright Marina Carr with Head of Drama at Trinity College, Dublin, Melissa Sihra, conducted a workshop for playwrights in the studio. Film producer Lelia Doolan gave an enlightening lecture on the actress and artistic director Ria Mooney and the Abbey Theatre, while the local Wild Swan Theatre group brought the weekend to a close with their premiere production of a new play, Lady Gregory’s Ingredients.

World renowned storyteller, Martin Shaw (Cista Mystica) chose Thoor Ballylee as the Irish venue for his sold-out story telling workshop and evening performance. This event attracted participants from as far afield as Germany and New Zealand, and proved a most successful event in terms of enjoyment and publicity. A film made by Grant Thompson around the event with Martin Shaw at Thoor Ballylee discussing Yeats  was featured on social media and widely viewed.

Thoor Ballylee ended the year as it began as a hub for the arts and for community: the many musical events in the series included expert local group The Burren Bandits while Máirtín O Connor, Garry O Brien and singer Mary McPartlan brought another busy season to a close.

Thoor Ballylee would like to give thanks for the generosity of our amazing 2019 volunteers: Rosemary, Rose, Tonii, Karen, Liam, Gus, Pat O Looney, Pat Farrell.For their never-ending help, our Tús members: Khrystof , Dominic, Joe, and Frank (CE scheme).  To JJ and family members for manning the car park, controlling the traffic, lighting our way in the dark and helping where needed. And to our never-failing staff  Eoghan MacDonagh and the dedicated Nichola.

All this hard work, dedication, and passion for W.B. Yeats, for Thoor Ballylee, and for the arts and Galway culture, was fittingly rewarded in when we were awarded the prestigious Cathaoirleach’s (Mayor’s) Award for Arts and Culture 2019.

Marion Cox, Rena McAllen, Colm Farrell, Anna O Donnell, Lelia Doolan of the Yeats Thoor Ballylee Society

All this, and we couldn’t have done it all without you!  Despite our recent success in winning a competitive Government of Ireland grant to help open the studio, we rely entirely on volunteers and private donations to keep going, and making sure Yeats’s legacy is preserved and open for worldwide visitors and new generations. Please come and visit us in the new season, and if you can become a friend or donate to our fund!

Grand Season Closing Concert

Come and celebrate our 2019 season with a grand Yeatsian evening of poetry, music, song, and stories.

And enjoy of course the warm hospitality of our Thoor hosts, and the chance to ascend the tower one last time in 2019.

Grand Season Closing Concert at Thoor Ballylee

Máirtín O’Connor and Garry O’Briain
with
Mary McPartlan

A grand Yeatsian evening of music, song, & stories featuring box, guitar, and singing

Saturday 19th October 8pm
Tickets 15 euro
Call 0858620935 or email
yeatsthoorballyleesociety@gmail.com

 

Culture Night at Thoor: The Pot of Broth

The Pot of Broth

A short play by W. B. Yeats and Augusta Gregory is our featured event for Culture Night at Thoor Ballylee.

The Pot of Broth was premiered in Dublin in 1902 at the Irish National Theatre even before it became the Abbey Theatre. Yeats called it a ‘little farce’, but it pioneered the use of local dialect speech foreshadowing the later comedies of Gregory and J.M. Synge – and some of the comic relief of Yeats’s tragedies. This taut and tightly-worked piece is directed by Anthony Hall and presented by a local theatre group in its first ever performance at Thoor Ballylee, alongside a short talk about the early Abbey Theatre and some real pots of delicious home-cooked broth for the audience.

Drop in for Culture Night Friday 20th September for any of two performances at 7.15pm and 8.15pm – stay and enjoy our exhibitions, climb the tower in the setting sun, and consume our hospitable home-made broth!

 

Sanctuary Event at Thoor Ballylee

Writers and artists invite public to discover for themselves at interactive exhibit at Thoor Ballylee

A collective of eight poets, writers and visual artists from County Galwaypresent their original works on the theme of sanctuary at a one-day exhibit on Sunday, September 15th, 2019 from noon at the Studio at Thoor Ballylee, outside Gort. The event, The Roots of Your Refuge, will be free and open to the public, and offered rain or shine. Light refreshments will be served.

Conceived by poet, educator, and psychotherapist Aoife Reilly, the exhibition is the culmination of a five-month exploration of what sanctuary means in the natural and modern worlds. It consists of readings of poetry and prose, interactive exhibits, writing exercises, guided meditations, and artworks displayed in the Studio and surrounding woods. Each element was created specifically for this event.

Works will be arranged along a trail, with contributions from each artist and writer presented over the course of the afternoon. Visitors are invited to enjoy the part indoor, part outdoor event in this peaceful wooded setting where they can take in words and images, contribute their own, and tap into what sanctuary means to them.

“This has been a rare opportunity to delve deeply into the age-old need for sanctuary, and set our imaginations free in a beloved natural environment,” said artist Aisling O’Leary, one of the project’s contributors. “For many people, sanctuary is an internal place, but one we arrive at most easily by tapping into nature.”

The grounds and medieval tower house at Thoor Ballylee were a place of sanctuary and inspiration for the poet W.B. Yeats, Nobel laureate for Literature, who spent summers there with his family before and during the Irish Civil War. The curated site attracts visitors from around the world for its serenity and rich history, offering them a place to explore what poet Reilly calls “the sanctity of green/ when you’re shaken to the bone.”

Thoor Ballylee opens!

Thoor Ballylee opens to all visitors from Saturday 20th April 2019. Yeats’s famous tower is open all summer for visits, cultural events, crafts workshops, and more!

Come and visit the fourteenth-century Hiberno-Norman tower featured in so many of W.B. Yeats’s best poems.

The Winding Stair and other Poems (1929)

Climb the winding stair (and mind our precious bats and nesting jackdaws!).

Discover more about the life and work of W.B. Yeats in world-class exhibitions.

Join in our numerous cultural events, performances, and workshops!

Jeremie Cyr-Cooke (Ghost of Cuchulain) and Orlaith Ni Chearra (Fand/Woman of the Sidhe) work on choreography for Yeats’s The Only Jealous of Emer

Treat yourself to tea and cake by our roaring fire, and browse in our giftshop.

Or just soak in the atmosphere of the Norman tower and beautiful surrounds.

Our first special event of 2019 is the launch of our new studio space, The Studio @ Thoor Ballylee. Open as a working space for artists and audiences, and featuring workshops, educational events, exhibitions, symposiums, and discussion groups, it forms a vibrant cultural hub in the west of Ireland that matches the commitment of the Yeats sisters to art and education. Funded by generous donors and the Department of Culture, the studio opens in honour of Lily & Elizabeth Yeats, artists and pioneer embroiders, printers, and educators.

Our grand opening at 3pm Sunday 28th April features local artists and speakers and a wonderful exhibition of the Yeats sisters’ Cuala Industries material.

For more details see our visitors page. Our latest 2019 calendar of events is available here. As a non-profit community organization, Thoor Ballylee is run by volunteers. To find out how you can help us in our mission to keep open Yeats’s tower for new generations click here.

See you soon!

Macbeth & Poetry: Leaving Certificate lectures

Leaving Certificate 2019 

Macbeth & Poetry Lectures

at Thoor Ballylee

12 noon Tues 23 & Wed 24 April 2019

Booking: yeatsthoorballylee@gmail.com — 086 8552124

€30 or €50 for both days, with a tour of the Yeats tower and coffee included.

Would you like help preparing for your English Literature exams? More information and ideas about plays and poetry? Have a wider interest in theatre and verse? There is no better time than St George’s Day (also Shakespeare’s birthday) to come to Yeats’s tower at Thoor Ballylee to hear more.

Ralph Richardson as Macbeth (RSC 1952)

Denis Creaven, English teacher at The Institute of Education, Dublin, prepares lectures and notes focused on Leaving Certificate examination requirements. Complimentary handouts of the lectures will be distributed.

Macbeth Preparation Day 1

Tuesday 23rd April 2019

Deals with topics in Macbeth including the roles of the main characters.

Poetry Preparation Day 2

Wednesday 24th April 2019

Concerning the poetry of Seamus Heaney, WB Yeats, Brendan Kennelly, DH Lawrence, Sylvia Plath. (Notes on Gerard Manley Hopkins will also be distributed).

WB Yeats himself had endless arguments with his father about the merits of various Shakespeare plays, and founded the Abbey Theatre in honour of Shakespeare’s Globe theatre in London. As he wrote in 1906,  “every national dramatic movement or theatre in countries like Bohemia and Hungary, as in Elizabethan England, has arisen out of a study of the common people, and out of an imaginative re-creation of national history or legend.” From Scottish history Shakespeare plucked the story of Macbeth, and produced some of the finest and strangest scenes in theatrical history.

Life’s but a walking shadow, a poor player
That struts and frets his hour upon the stage,
And then is heard no more. It is a tale
Told by an idiot, full of sound and fury,
Signifying nothing.

Come and hear more, and enjoy and inclusive tea and tour around the storied building of Thoor Ballylee. Proudly supported by the Institute of Education, Dublin.

Highlights of 2018

The curtain has come down on another successful season at Thoor Ballylee.
Around 4,400 appreciative visitors came to Thoor Ballylee during from April to October 2018.

Many also came to our programme of special events.

The Songbirds with their wonderful harmony and lyrics proved to be a popular public closing event, performing to a full house. This year the season was extended to facilitate the Architecture at the Edge festival 2018. Many first-time visitors from the locality and afar, took advantage of our open house day to visit the home of W.B. Yeats, and even began with an hour of Architectural Yoga conducted by Sarah from the Gallery Café. With his eastern and esoteric interests W.B.Y. might well have approved.

Other successful events held during the year include two Talks for Leaving Certificate students courtesy of Denis Creavan, and a riveting production of The Only Jealousy of Emer by Galway based DancePlayers, including members of NUI Galway’s Drama department.

As a special treat for W.B.Y’s birthday we enjoyed a Sunday afternoon of medieval music in the medieval tower, with the talented & delightful Coole Music troupe, dressed in medieval costume. We even had a birthday cake. A second celebration of the birthday featured wine and amazing food, provided by the very talented Anna and featured poetry reading by the mill. Thanks again to Anna O Donnell and to Brendan Murphy, for their demonstration of Lady Gregory’s brack cake and stories from the Abbey. This was our nod to Heritage Week.

For Culture Night, the composer and sound artist Francis Heery brought poetry to Thoor Ballylee and an immersive sound installation in his presentation of A Vision.  Supported by the Arts Council, this, one of the main events in County Galway, was unquestionably a memorable night, quite out of the ordinary for lots of reasons. Francis even proposed to his fiancée on the battlements just before the show & she said ‘yes’. It all happens at Thoor Ballylee! Indeed two local wedding parties chose Thoor Ballylee and its beautiful, tranquil, surrounds for their wedding photographs. We were joined also by the Professor Roy Foster, distinguished historian and biographer of W.B. Yeats, prior to his lecture on Thoor Ballylee for the Galway International Arts Festival first thought talks.

The Galway Film Fleadh came on tour in a special event to Thoor Ballylee. Three films from the archives of the Irish Film Institute about Yeats and Lady Gregory, Coole Park and one of Gregory’s plays from the Abbey Theatre were screened in our spectacular audiovisual room in July.

Lovers of the art of spinning and weaving enjoyed an afternoon trying their hands at the spinning wheel, thanks to the Irish Spinners and Weavers Guild from Clare and Galway. Our appreciation goes also to Coole Music Junior Quartet who entertained spinners and visitors alike. Kate and Ruth our local intrepid Headford Bat Rangers put together an interpretive piece on Thoor Ballylee and the Lesser Horseshoe bats which nest in the tower. We had any number of visitor groups throughout the summer from locals like Gort ICA to the Yeats International Summer School, and many individual and family visitors from all around the world. The final day of the Yeats and Lady Gregory Autumn Gathering brought September to a close with a lecture and a film about the life and loves of Lady Gregory. That was also the day that W.B.Y.’s candlesticks, handsome brass altar pieces came home to Thoor Ballylee, proudly standing by the hearth after ninety years away. Our heartfelt thanks go to our wonderful benefactors.

None of this would be possible without a great number of helpers, volunteers, artists, gardeners, skilled craftspeople, and a host of supporters from here and abroad. Our esteem and appreciation goes to our dedicated staff, led by the wonderful Rena McAllen: Nichola, Frank, Gary, and Krzysztof. And to our knowledgeable, enthusiastic, and most generous volunteers: Phil, Pat O L., Rose, Tonii, Karen, Pat F., Rosemary, Anna C. Dominic. A special thank you also to intern Gerry who generously offered to cover every Saturday up until now. Thanks to JJ for manning the car park and lighting our way in the dark during events.

This is the fantastic team that has kept the home of W. B. Yeats open to the public for all six months of the summer, for seven days a week during the height of the season and for eight hours (and more) a day.

Our visitor book records the appreciation, delight, and gratitude of the thousands of people who came and experienced the atmosphere and spirit of Thoor Ballylee. They enjoyed discussing the Yeats family over a cup of tea with staff, viewed our exhibitions and AV presentation, climbed the winding stair, lingered in the many original rooms, admired the spectacular 360 degree view, read poetry, sang, played music, or took selfies on the battlements (and not one fell off).

Thanks in particular to Failte Ireland for continued help with maintenance and repairs. Work has already begun on the conversion of the garage into a studio for artists in residence so we look forward to exciting times at Thoor Ballylee.

Most of all our thanks and appreciation to our wonderful friends and benefactors, whose generosity and financial support enables us to keep the spirit of Yeats and his extraordinarily talented family alive.

Go fada buan sibh.

Galway Film Fleadh comes to Thoor Ballylee

This year, the celebrated Galway Film Fleadh takes to the road with a programme of films from the IFI Irish Film Archive, celebrating the life and legacy of WB Yeats’s great friend and co-founder of Ireland’s national theatre, Lady Augusta Gregory.

Entitled ‘Local Films for Local People’, a special screening of these films is presented at Thoor Ballylee, at 3pm Thursday 12th July.

The range of Lady Gregory’s talents was considerable: co-founder of the Abbey Theatre, translator, folklorist, theatre producer and Yeats’s collaborator.  She was also an important, resolutely experimental dramatist in her own right.

And, although at times she tried to dissuade him from living there, it was she who found the tower at Thoor Ballylee for Yeats and his new wife, George, where he and his family spent many summers. Close by is Coole Park where, under Lady Gregory’s steadfast and welcoming spirit, poets, playwrights, painters and artists from every background – Yeats, Shaw, Synge, Hyde, O’Casey – created a renaissance of Irish literary, artistic, and political thinking and action.

This exclusive programme of short films includes Coole Park and Ballyee and Cradle of Genius, films about Gregory and Yeats’s connection to the local landscape and the cultural revival they inspired. It also includes a rare screening of a movie adaptation of Gregory’s one-act play The Workhouse Ward with the Abbey Theatre players. Featuring a pair of down-at-heel men arguing in a hospital ward, the comedy anticipates Beckett’s Waiting for Godot in exploring the strange co-dependencies of Irish masculine culture.

The screening is a wonderful chance to see these rare films in a site-specific setting. The programme is introduced by Sunniva O’Flynn, Head of Irish Film Programming, IFI, and by Lelia Doolan, Yeats Thoor Ballylee board member and former Artistic Director of the Abbey Theatre. There will be time afterwards for discussion and tea.

Galway Film Fleadh Screening

Local Films for Local People

Thoor Ballylee, 3pm Thursday 12th July

COOLE PARK AND BALLYLEE
This short documentary celebrates the cultural heritage of Coole Park and Thoor Ballylee and the serene landscape which inspired its visitors.

Producer: Queen’s University Belfast

1976 / 20 mins / Colour

THE WORKHOUSE WARD
This film recently acquired by the IFI Irish Film Archive is an adaptation of Lady Gregory’s one-act comedy which centers on two bickering paupers confined to adjacent hospital beds until the arrival of the Widow Donohue (Eileen Crowe).

Director: Ria Mooney

1950/ 25 mins/ Black and White

CRADLE OF GENIUS
This Academy Award-nominated film, written by Frank O’Connor and produced by Tom Hayes, presents a history of the Abbey Theatre and a record of Irish theatre culture in the late 1950s as fondly remembered by leading lights Siobhán McKenna, Maureen Delaney, Harry Brogan, Eithne Dunne, Barry Fitzgerald and Seán O’Casey.

Director: Paul Rotha

1959/ 42 mins/Black and White

Followed by questions, discussion, and tea.

 

The Only Jealousy of Emer: tickets selling fast!

This new production of WB Yeats’s play of The Only Jealousy of Emer is a world premiere: the first ever fully staged theatre production of Yeats’s play taking place in his own tower. Fresh from a highly acclaimed run at the Galway Theatre Festival this production has been entirely re-imagined for this historic space. As a site-specific movement piece in a resonant venue numbers are limited so get in fast!

DancePlayers presents

The Only Jealousy of Emer

By WB Yeats

8pm Sat 26 and Sun 27 May 2018

Thoor Ballylee, Yeats’s Tower, Gort, Galway

Tickets: €14/12 Concession

Booking:  Places are limited. Booking required by phone 091 631 436 (weekdays 10am to 2pm, weekends 11am to 5pm) or by email to yeatsthoorballyleesociety@gmail.com

The performance begins outdoors so we highly recommend outdoor shoes and appropriate comfortable clothing. Seating is available but only for some scenes.

The great hero Cuchulain is on his deathbed. His body was washed up by the shore after a long and senseless fight with the sea. There are three women around him: his wife, Emer, his lover, Eithne Inguba, and Fand, an evil creature of the Sidhe. His fate is in their hands. Yeats’s poetic dance-drama focuses exclusively on the feelings and motivations of the female characters, and portrays the emotional turmoil that Emer has to suffer when she has to face her own jealousy to save her husband’s life.

DancePlayers is a new ensemble founded in Galway in 2018. It is a group of professional theatre makers and musicians who produce collaborative pieces for physical theatre.

This production aims at exploiting the qualities of the dance play to the full to show the availability of Yeats’s play texts for contemporary audiences within and outside Ireland. It thus features original masks, costumes, live music, dance, design, as well as newly imagined acting, speaking, and movement. Because of the unique arrangements of the venue, the audience move with the performers during the show and seating is only available for certain important scenes. The performance begins outdoors so we highly recommend outdoor shoes and appropriate comfortable clothing.

Funded by The Galway City Council, NUI Galway, The Embassy of Hungary in Dublin and the Yeats Thoor Ballylee Society.

Running time: 50 mins without interval.

As featured in the London Times, Galway Bay FM, and many other media outlets – this production promises to be theatre event of the season!

Jeremie Cyr-Cooke (Ghost of Cuchulain) and Orlaith Ni Chearra (Fand/Woman of the Sidhe) work on choreography

 

 

 

 

 

The Only Jealousy of Emer: Yeats play at Thoor Ballylee

Yeats’s tower this spring hosts the theatre event of the season, as WB Yeats’s play The Only Jealousy of Emer receives its Thoor Ballylee premiere in a spectacular production by Galway-based theatre group DancePlayers.

Fresh from a highly-acclaimed run at Galway Theatre Festival, this new production, featuring resonant music, dance, acting, and design is re-imagined especially for  Yeats’s tower. As a moving site-specific piece in a historic venue numbers are limited so get in fast!

DancePlayers presents

The Only Jealousy of Emer

By WB Yeats

8pm Sat 26 and Sun 27 May 2018

Thoor Ballylee, Yeats’s Tower, Gort, Galway

Tickets: €14/12 Concession

Booking:  Places are limited. Booking required by phone 091 631 436 (weekdays 10am to 2pm, weekends 11am to 5pm) or by email to yeatsthoorballyleesociety@gmail.com

The performance begins outdoors so we highly recommend outdoor shoes and appropriate comfortable clothing. Seating is available but only for some scenes.

The great hero Cuchulain is on his deathbed. His body was washed up by the shore after a long and senseless fight with the sea. There are three women around him: his wife, Emer, his lover, Eithne Inguba, and Fand, an evil creature of the Sidhe. His fate is in their hands. Yeats’s poetic dance-drama focuses exclusively on the feelings and motivations of the female characters, and portrays the emotional turmoil that Emer has to suffer when she has to face her own jealousy to save her husband’s life.

The Only Jealousy of Emer is a one-act dance piece by W.B. Yeats. Written in 1918, it is one of the earliest plays by an Irish writer for physical theatre, with dance, masks and music. Inspired by the Japanese Noh theatre tradition, Yeats wrote this piece for an empty stage, where movement, gesture, posture, masks, spatial relations and dance all contribute to act of storytelling. Physicality speaks it its own language in these plays, so the performers’ task is to elevate this form of expression to the standard of Yeats’s verse and create a piece of total theatre.

This production is an attempt to prove that Yeats’s Noh-inspired dance plays have every right to be presented in front of a heterogeneous audience, in any part of the world, even 100 years after their composition. The notion that these pieces are only accessible for scholars and those “select few” that have an interest in oriental theatre, poetry or Irish mythology is widespread, and is rooted in the absence of professional Yeats productions on the world’s stages. This production aims at exploiting the qualities of the dance play to the full to show the availability of Yeats’s play texts for contemporary audiences within and outside Ireland. It thus features original masks, costumes, live music, dance, design, as well as newly imagined acting, speaking, and movement.

The show is a world premiere: the first ever fully staged theatre production of Yeats’s play The Only Jealousy of Emer taking place in his own tower. Fresh from a highly acclaimed run at the Galway Theatre Festival this production has been entirely re-imagined for this historic space.

Cast and crew after rehearsals at Thoor Ballylee

Because of the unique arrangements of the venue, the audience move with the performers during the show and seating is only available for certain important scenes. The performance begins outdoors so we highly recommend outdoor shoes and appropriate comfortable clothing.

Running time: 50 mins without interval.

DancePlayers is a new ensemble founded in Galway in 2018. It is a group of professional theatre makers and musicians who produce collaborative pieces for physical theatre.

Funded by The Galway City Council, NUI Galway, The Embassy of Hungary in Dublin and the Yeats Thoor Ballylee Society.