Bloomsday & Birthday updates

Happy Bloomsday, and happy birthday to WB Yeats, who earlier this week was 153 years young!

The message might be slightly late, but not nearly as late as the new ship from Irish Ferries, the WB Yeats, still immersed in deep revisions at a shipyard in Germany.

This is a rich time of cultural activity in the west of Ireland and Thoor Ballylee. Contemporary Irish writing here is evidently in rude health. Mayo novelist Mike McCormack, currently director of NUI Galway’s BA with Creative Writing in the Department of English, has won the prestigious 2018 International Dublin Literary Award for Solar Bones. This is just the latest recognition for his fifth novel  which has won a series of awards and plaudits since its publication by Tramp Press.

Mike McCormack with the 2018 International Dublin Literary Award

Probably Mayo’s finest ever writer the novelist and memoirist George Moore was also celebrated this week. The Ninth International George Moore Conference, George Moore: Transnational And Cosmopolitan Networks On The Page And Canvas, hosted by Dr Mark Corcoran and Dr Muireann O’Cinneide took place in the Moore Institute at NUI Galway over the last two days with the generous aid of the School of Humanities’s Research Support Scheme.

George Moore by John Butler Yeats

This coincides with the release of the biopic of George Moore’s friend Hugh Lane, nephew of Lady Augusta Gregory and Ireland’s greatest art dealer, whose exhibitions of Irish art and collections of old master and impressionist enrich the country to this day. Citizen Lane, directed by Thaddeus OSullivan and starring Tom Vaughan-Lawlor and Gemma-Leah Devereux is on general release, with a screening at Galway’s brand-new Palas Cinema on Sunday 17 June at 6pm. WB Yeats, Augusta Gregory, and George Moore all make an appearance on screen in this docudrama, which is also graced by expert talking heads Caitriona Crowe and Roy Foster.

In the coming weeks film comes directly to Thoor Ballylee. On Thursday 12 July at 3pm the Galway Film Fleadh holds a special screening of short films at Thoor Ballylee. It promises to be a special atmosphere and a unique experience to watch period short films associated with Augusta Gregory and the cultural revival she initiated in a old stone cottage attached to a fourteenth-century stone tower.

Thoor Ballylee itself is celebrated in this summer’s Galway International Arts Festival. The acclaimed biographer of WB Yeats for Oxford University Press, Professor Roy Foster, speaks on Sunday 22 July at 1pm about Yeats’s tower at the Aula Maxima in NUI Galway. Ezra Pound was notably sceptical about what he called ‘Ballyphallus, Yeats’s phallic symbol on the bogs’. Nevertheless Foster explores the central importance of the tower to Yeats’s life and work, and in a talk entitled ‘When All Is Ruin Once Again’ affirms Thoor Ballylee as his favourite dwelling.

Thanks to our volunteers, friends, and supporters, Yeats’s tower is far from in ruins. Thoor Ballylee recently hosted a special performance by Coole Music in honour of Yeats’s birthday, and a spectacular production of Yeats’s play The Only Jealousy of Emer by Galway theatre group DancePlayers.

Eithne Inguba (Orla Turbridy) comforts the hero Cuchulain (Oisin Porter) as his wife Emer (Catherine Denning) and musicians look on

The tower is also open throughout the summer for visits from all comers. Our exhibitions are open and a warm welcome is promised. Do come and join us!

The Only Jealousy of Emer: tickets selling fast!

This new production of WB Yeats’s play of The Only Jealousy of Emer is a world premiere: the first ever fully staged theatre production of Yeats’s play taking place in his own tower. Fresh from a highly acclaimed run at the Galway Theatre Festival this production has been entirely re-imagined for this historic space. As a site-specific movement piece in a resonant venue numbers are limited so get in fast!

DancePlayers presents

The Only Jealousy of Emer

By WB Yeats

8pm Sat 26 and Sun 27 May 2018

Thoor Ballylee, Yeats’s Tower, Gort, Galway

Tickets: €14/12 Concession

Booking:  Places are limited. Booking required by phone 091 631 436 (weekdays 10am to 2pm, weekends 11am to 5pm) or by email to yeatsthoorballyleesociety@gmail.com

The performance begins outdoors so we highly recommend outdoor shoes and appropriate comfortable clothing. Seating is available but only for some scenes.

The great hero Cuchulain is on his deathbed. His body was washed up by the shore after a long and senseless fight with the sea. There are three women around him: his wife, Emer, his lover, Eithne Inguba, and Fand, an evil creature of the Sidhe. His fate is in their hands. Yeats’s poetic dance-drama focuses exclusively on the feelings and motivations of the female characters, and portrays the emotional turmoil that Emer has to suffer when she has to face her own jealousy to save her husband’s life.

DancePlayers is a new ensemble founded in Galway in 2018. It is a group of professional theatre makers and musicians who produce collaborative pieces for physical theatre.

This production aims at exploiting the qualities of the dance play to the full to show the availability of Yeats’s play texts for contemporary audiences within and outside Ireland. It thus features original masks, costumes, live music, dance, design, as well as newly imagined acting, speaking, and movement. Because of the unique arrangements of the venue, the audience move with the performers during the show and seating is only available for certain important scenes. The performance begins outdoors so we highly recommend outdoor shoes and appropriate comfortable clothing.

Funded by The Galway City Council, NUI Galway, The Embassy of Hungary in Dublin and the Yeats Thoor Ballylee Society.

Running time: 50 mins without interval.

As featured in the London Times, Galway Bay FM, and many other media outlets – this production promises to be theatre event of the season!

Jeremie Cyr-Cooke (Ghost of Cuchulain) and Orlaith Ni Chearra (Fand/Woman of the Sidhe) work on choreography

 

 

 

 

 

The Only Jealousy of Emer: Yeats play at Thoor Ballylee

Yeats’s tower this spring hosts the theatre event of the season, as WB Yeats’s play The Only Jealousy of Emer receives its Thoor Ballylee premiere in a spectacular production by Galway-based theatre group DancePlayers.

Fresh from a highly-acclaimed run at Galway Theatre Festival, this new production, featuring resonant music, dance, acting, and design is re-imagined especially for  Yeats’s tower. As a moving site-specific piece in a historic venue numbers are limited so get in fast!

DancePlayers presents

The Only Jealousy of Emer

By WB Yeats

8pm Sat 26 and Sun 27 May 2018

Thoor Ballylee, Yeats’s Tower, Gort, Galway

Tickets: €14/12 Concession

Booking:  Places are limited. Booking required by phone 091 631 436 (weekdays 10am to 2pm, weekends 11am to 5pm) or by email to yeatsthoorballyleesociety@gmail.com

The performance begins outdoors so we highly recommend outdoor shoes and appropriate comfortable clothing. Seating is available but only for some scenes.

The great hero Cuchulain is on his deathbed. His body was washed up by the shore after a long and senseless fight with the sea. There are three women around him: his wife, Emer, his lover, Eithne Inguba, and Fand, an evil creature of the Sidhe. His fate is in their hands. Yeats’s poetic dance-drama focuses exclusively on the feelings and motivations of the female characters, and portrays the emotional turmoil that Emer has to suffer when she has to face her own jealousy to save her husband’s life.

The Only Jealousy of Emer is a one-act dance piece by W.B. Yeats. Written in 1918, it is one of the earliest plays by an Irish writer for physical theatre, with dance, masks and music. Inspired by the Japanese Noh theatre tradition, Yeats wrote this piece for an empty stage, where movement, gesture, posture, masks, spatial relations and dance all contribute to act of storytelling. Physicality speaks it its own language in these plays, so the performers’ task is to elevate this form of expression to the standard of Yeats’s verse and create a piece of total theatre.

This production is an attempt to prove that Yeats’s Noh-inspired dance plays have every right to be presented in front of a heterogeneous audience, in any part of the world, even 100 years after their composition. The notion that these pieces are only accessible for scholars and those “select few” that have an interest in oriental theatre, poetry or Irish mythology is widespread, and is rooted in the absence of professional Yeats productions on the world’s stages. This production aims at exploiting the qualities of the dance play to the full to show the availability of Yeats’s play texts for contemporary audiences within and outside Ireland. It thus features original masks, costumes, live music, dance, design, as well as newly imagined acting, speaking, and movement.

The show is a world premiere: the first ever fully staged theatre production of Yeats’s play The Only Jealousy of Emer taking place in his own tower. Fresh from a highly acclaimed run at the Galway Theatre Festival this production has been entirely re-imagined for this historic space.

Cast and crew after rehearsals at Thoor Ballylee

Because of the unique arrangements of the venue, the audience move with the performers during the show and seating is only available for certain important scenes. The performance begins outdoors so we highly recommend outdoor shoes and appropriate comfortable clothing.

Running time: 50 mins without interval.

DancePlayers is a new ensemble founded in Galway in 2018. It is a group of professional theatre makers and musicians who produce collaborative pieces for physical theatre.

Funded by The Galway City Council, NUI Galway, The Embassy of Hungary in Dublin and the Yeats Thoor Ballylee Society.

Jennifer Johnston & Rita Ann Higgins at Thoor!

Join us for an exciting Saturday afternoon in which two of Ireland’s best-loved writers come to Thoor Ballylee to give us the benefit their words, wit, and wisdom.

Grand Dames at Thoor

Jennifer Johnston

& Rita Ann Higgins

with readings and discussion

3pm Saturday 9th September 2017

Tickets on the door €10 (concessions available)

These two storied writers give an afternoon’s entertainment talking over and reading from their work, and thinking about history, politics, and culture in Ireland and beyond.

Irish novelist and playwright Jennifer Johnston is the author of almost thirty books and plays, including The Old Jest (1979), recipient of the Whitbread Book Award, The Invisible Worm (1991), The Gingerbread Woman (2000), and recently Fathers and Son (2012), A Sixpenny Song (2013), and The Christmas Tree: A Play in Two Acts (2015). Her novels range in theme from depictions of the decline of Ascendancy Ireland and the events of the First World War and the Troubles to evocations of personal and familial sorrow in what Penelope Lively calls her ‘hallmark style … economic and staccato’. She also joined other Irish novelists like Roddy Doyle and Anne Enright as a key contributor to Dermot Bolger’s group of linked stories Finbar’s Hotel (1997). Born in Dublin, she is a member of Aosdana and in 2012 received the Irish Book Awards Lifetime Achievement Award.

Rita Ann Higgins is a poet and playwright born in Ballybrit, Galway, and the recipient of numerous prizes and fellowships for her work. Her poetry collections include Goddess on the Mervue Bus (1986) and Higher Purchase (1996) (both Salmon Poetry), An Awful Racket (2001), Ireland Is Changing Mother (2013), and most recently Tongulish (2016) (all Bloodaxe), as well as a recent excoriating and energizing poem about Galway’s City of Culture bid. She has been writer in residence at NUI Galway, received several Arts Council bursaries, and been visiting Professor and Honorary Fellow in institutions around the world from Texas to Hong Kong. A member of Aosdana, she is especially known for the empathetic undercurrent running through her verse and plays, her evocation of voices, and the power of her public readings, all drawn from her close connection to Galway city and county.

 

 

 

Yeats in Bloom!

Thoor Ballylee wishes Happy Birthday to William Butler Yeats!

Thoor Ballylee celebrates W.B. Yeats’s one hundred and fifty second birthday this weekend with the performance of Joe Hassett’s Two Stars, a play for voices featuring WB and James Joyce in conversation, directed by Ian Walsh and starring Fionnuala Flanagan as Molly Bloom and students from NUI Galway.

Two Stars

An Imaginary Conversation between WB Yeats and James Joyce

by Joe Hassett

2pm Saturday 12 June 2017

Music and refreshments

Admission Free

TWO STARS
An Imaginary Conversation between WB Yeats and James Joyce
Joyce             Cathal Ryan
Yeats.             Shane McCormick
Narrator         Fiona Buckley
Nora/Molly.    Fionnula Flanagan
Directed by Ian Walsh
Musical accompaniment and performance       Úna Ní Fhlannagáin
The Yeats Thoor Ballylee Society welcomes this collaboration with NUI Galway’s Centre for Drama, Theatre and Performance.

From the Playwright Joe Hassett:

The 20 year- old Joyce famously told the 37 year-old Yeats: “you are too old for me to help you.” Despite the younger man’s  arrogance, Yeats recognized that Joyce had a contribution to make to  Irish literature and  generously helped him to do so. In one of fate’s twists, the relationship resulted in Joyce’s helping his elder. As Yeats defended the candor of Joyce’s writing on sexual matters, his own poetry took on a more erotic tone. The differing views of Yeats and Joyce on the proper subject of literature, particularly the role of the sordid in the creation of the beautiful, are as vibrant today as they were when these two stars in the Irish constellation struggled to launch their pioneering work.
The idea of presenting the two  stars in conversation arose from Ambassador Anne Anderson’s idea of recognizing Yeats’s 150th birthday  on June 13, 2015  as part of the Washington Embassy’s June 16th Bloomsday celebration. I put the play for voices together, and cultural officer Claire Fitzgibbon oversaw the production.
I’m delighted that the Yeats Thoor Ballylee Society is bringing the conversation home to the place where Yeats first read and admired the  ground-breaking prose of Ulysses and commented that, “I am making a setting for my old age, a place to influence lawless youth with its severity  and antiquity.  If I had had this tower of mine when Joyce began to write I daresay I might have been of use to him, and got him to meet those who might have helped him.” 

Hamlet in my mind’s eye

A reminder that Yeats Thoor Ballylee Society is delighted to present Hamlet, not in performance but a talk aimed at Leaving Certificate students.

Denis Creaven, English teacher at the Institute of Education, Dublin, will lecture on several topics on Hamlet and the main characters of the play.

The lecture is designed to be especially helpful for Leaving Certificate examination requirements. Complimentary handouts will be distributed. We are pleased to say all proceeds go to Thoor Ballylee for its continued maintenance.

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Like the ghost of Hamlet’s father, Yeats had a habit of prowling his castle. In ‘The Tower’ (1926) he writes ‘I pace the battlements and stare / On the foundation of a house’. Yeats also drew on Shakespeare’s Hamlet for his Noh drama At The Hawk’s Well (1916). As Cuchulain climbs to the holy well, the musician remembers Hamlet’s claim to see things beyond most of us (like his dead father) ‘in my mind’s eye’:

I call to the eye of the mind

A well long choked up and dry

And boughs long stripped by the wind,

And I call to the mind’s eye

Pallor of an ivory face,

Its lofty dissolute air,

A man climbing up to a place

The salt sea wind has swept bare.

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Leaving Certificate 2017 Hamlet Preparation

12-2pm, Wednesday 22 February 2017

Sullivan’s Hotel, Gort, Co Galway

For booking contact yeatsthoorballylee@gmail.com or ring Nichola on 086 855 2124

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Lady Gregory Yeats Autumn Gathering

Lady Gregory Yeats Autumn Gathering

This weekend sees the Lady Gregory Yeats Autumn Gathering, taking place in south Galway at the Lady Gregory Hotel Gort, Coole Park, and Thoor Ballylee from Friday 30th September to Sunday October 2nd 2016.

In this anniversary year,  speakers from near and far will be thinking about 1916 and its local connections, and the imaginative landscape of writers like Gregory, Yeats, and Joyce. As well as memories and revivals it also features theatre: with a tour of the NUI Galway theatre archives on Friday, and on Sunday a play performed at Thoor Ballylee by The Curlew Theatre Company called History!: Reading the Easter Rising.

Below follows a summary programme. Further details and how to register can be found at the Autumn Gathering Website.

W.B.Yeats Rose: Scarlet Floribunda. A new variety of Irish rose bred for the 150th anniversary of W.B. Yeats. Botanical Artist: Holly Sommerville

W.B.Yeats Rose: Scarlet Floribunda. A new variety of Irish rose bred for the 150th anniversary of W.B. Yeats. Botanical Artist: Holly Sommerville

Lady Gregory Yeats Autumn Gathering

Yeats and Lady Gregory’s prominent role in theatrical, poetic, and cultural life in the period is often acknowledged but their particular connections with and responses to 1916 deserve examination. This 22nd Gathering explores the collaborations, creations, and disagreements present in 1916, exploring how the aesthetic conceptions of drama and poetry not only affected the Rising but shaped a response to it.

Within Coole Park’s historic walled garden, sits the famous ‘autograph tree’ where world-renowned authors such as Yeats, George Bernard Shaw, Sean O’Casey, John Millington Synge and George Moore, carved their initials, marking Coole Park as the centre of the Irish Literary Revival in the 20th century. Taking place in Coole Park and Thoor Ballylee, Yeats’ 15th century castle-home, the Autumn Gathering will highlight the impact of 1916 to both the literary giants of the time and local people of Gort and South Galway.

Friday 30 September 2016

 

13.00

 

 

 

 

19.00

 

 

 

 

 

19.30

 

 

 

 

 

 

Tour of the Abbey Theatre Archive NUIG

Depart Gort at 13.00 to arrive at National University of Ireland Galway at 14.00

Tour includes display of items from the Abbey Theatre.

 

Registration for Twenty-Second

Lady Gregory/Yeats Autumn Gathering.

Reception & Formal Opening:

Welcome by Director, Ronnie O’Gorman.

Formal opening by Greg White, great grandson of Francis FitzAdelm Persse, brother of Lady Gregory, and cutting of the Gort Barm Brack.

Dedication of Gort Library’s Coole Collection to the memory of Sheila O’Donnellan, co-founder of the Autumn Gathering

Opening Address by Ray Burke, Chief News Editor at RTE and Author of ‘Joyce County’

featuring a new book which explores James Joyce’s ties with Galway

 

Entertainment by Sonic Strings youth orchestra from Coole Music

 

 

Coach leaves from The Lady Gregory Hotel, Gort

 

 

 

 

The Lady Gregory Hotel, Gort

 

 

 

 

 

 

 

 

 

 

 

 

 

Saturday 01 October 2016

  

 

09.30

 

 

10.00

 

 

11.15

11.45

 

 

 

13.00

 

14.15

 

 

 

15.30

 

16.00

 

 

 

 

 

 

 

19.30

Coach departs Lady Gregory Hotel for Coole Park.

Lecture Sessions chaired by Colin Smythe renowned publisher & literary agent

W.B. Yeats, Lady Augusta Gregory and 1916

Dr Adrian Paterson, Director of Graduate Research-English, School of Humanities
National University of Ireland, Galway

 

Tea/Coffee Break

 The first time I saw a whole salmon cooked’:    Encounters with the wealthy in Gort and the GPO

Lucy McDiarmid, Marie Frazee-Baldassarre Professor of English at Montclair State University, N.J.

 

Lunch 

 

Easter Week through Abbey Eyes

Cecily O’Neill, Author and International Authority on Drama Education and Theatre.

Forum: Discussion with the Speakers

 

View the Coole Collection dedicated to the memory of Sheila O’Donnellan at Gort Library, Old Church of Ireland, Queen St., Gort.

or

Stroll through the woods

(accompanied by NPWS Tour Guide)

or

View the exhibition and documentary about Lady Gregory and Coole

 

 

Candlelit Dinner & Entertainment.

 

 

 

Coole Park

Visitor Centre

 

 

 

 Coole Park

Visitor Centre

 

 

 

 

 

 

 

 

 

 

 

 

 

Coach leaves from The Lady Gregory Hotel at 19.15

 

 

Sunday 2 October 2016

 

 

10.00

10.30

 

11.30

 

12.00

 

 

14.00

 

 

 

Coach departs Lady Gregory Hotel for Thoor Ballylee.

 

How have we remembered 1916?”

Catriona Crowe, National Archivist of Ireland.

Tea/Coffee.

 

History!: Reading the Easter Rising – Play  

Performed by The Curlew Theatre Company.

 

View the Coole Collection dedicated to the memory of Sheila O’Donnellan at Gort Library, Old Church of Ireland, Queen St., Gort

(open until 17.00 – afternoon tea)

 

Farewell to our Friends!

 

Thoor Ballylee

 

 

 

 

 

 

 

 

 

Organising Committee:                                         Booking Info:

Ronnie O’Gorman (Director)                                 Marion Cox

Marion Cox (Organiser)                                         1 Kiltiernan East

Eileen O’Connor (Hon. Member)                          Kilcolgan

Lois Tobin (Founding Member)                            Co. Galway

Tel: 086-8053917                                              e-mail: monaleen@msn.com

Website: www.autumngathering.com

Lady Augusta Gregory, 27 September 1916

Lady Augusta Gregory, 27 September 1916

 

Yeats’s Women

Yeats’s Women performed by  Dublin trio, Glynis Casson, fellow actor Daniel Costello and renowned Irish Harpist Claire Roche, brought the poetry of Yeats into another dimension last Friday night at Thoor Ballylee.

Yeats Women July 8th 2016

This performance brought to life the fascinating story of Yeats’s women. Featuring original letters, poems, stories, and song, it uncovers in a dramatic interweaving of life and art the artistic collaborations and personal crises which the poet W.B.Yeats experienced together with an extraordinary cast of striking and hugely talented women: his sisters, his lovers, and his remarkable wife George, presiding spirit of Thoor Ballylee.  George Yeats herself would design and paint much of the interior, creating ‘a beautiful house’, and found she could drop a line from the tower window to fish.

Yeats Music 1

The castle walls resounded to the sound of the magnificent Irish harp as  the group delighted a captive audience with tales of W.B’s life, family, friendships, loves lost and won, through music, poetry, drama and song. While sipping wine or juice during  the interval, members of the audience climbed the winding stair, browsed through the exhibitions, strolled in the garden or sat on the ancient bridge. Following a standing ovation  at the end of the show, the cast mingled with the audience, and very positive feedback about the performance and hospitality was shared over tea and brack .
As well as locals in attendance at the sold-out event, the audience also consisted of people from Galway City, Headford, Loughrea, Dublin, and further afield from Germany, New York, Australia, and China. The performance raised a generous sum of money for Yeats Thoor Ballylee Society and its continuing efforts to restore and refurbish Yeats’s historic tower. 

Part of the new Thoor Ballylee Yeats exhibition is devoted to the women of Yeats’s life, in a room called Yeats and the Muses, arranged by Joseph Hassett. So it is fitting that a celebration of the life and talents of these extraordinary women should come to Yeats’s tower.

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Yeats’s Women: performance on Friday 8th July

Yeats’s Women

a dramatic performance in story and song

with

Glynis Casson

Daniel Costello

& harpist Clare Roche

8pm Friday 8th July 2016

Thoor Ballylee

Tickets available to book or on the door

Yeats Women July 8th 2016

This performance brings to life the fascinating story of Yeats’s women. Featuring original letters, poems, stories, and song, it uncovers in a dramatic interweaving of life and art the artistic collaborations and personal crises which the poet W.B.Yeats experienced together with an extraordinary cast of striking and hugely talented women: his sisters, his lovers, and his remarkable wife George, presiding spirit of Thoor Ballylee.  George Yeats herself would design and paint much of the interior, creating ‘a beautiful house’, and found she could drop a line from the tower window to fish.

Part of the new Thoor Ballylee Yeats exhibition is devoted to the women of Yeats’s life, in a room called Yeats and the Muses, arranged by Joseph Hassett. So it is fitting that a celebration of the life and talents of these extraordinary women should come to Yeats’s tower.

Yeats’s Women: The Performers

Glynis Casson

Glynis comes from the well known Casson theatrical family and has played many leading roles over the years in Gilbert and Sullivan productions, in Gigi, My Fair Lady and Me and My Girl in the Gaiety Theatre Dublin. She has toured her one woman show Oscar and the Sphinx in Ireland, London and Egypt. The Harp That Once and Dauntless and Daring with Harpist Cormac de Barra in Ireland and the Continent, Seven Ages with Daniel Costello, and the comedy show Ladies Who Lunch with Irene Gaffney in venues around Ireland.

Other stage work includes: Lady Bracknell in The Importance of Being Earnest, The House of Bernarda Alba, Very Heaven, and Harold Pinter’s Party Time.  

TV & Film Credits include: Kathleen in RTE’s Fair City, The Clinic and TG4’s Maru crime series. Imelda in winning Irish film 32A, Mauyra in The Riders to The Sea, Pensioner in the short award winning film Bollybrack in which she did Indian dancing for the first time in Moore Street!   www.glyniscasson.com

Yeats Music 1

Daniel Costello, Glynis Casson, & Claire Roche from a recent perfomance in Birr Castle

Daniel Costello

Daniel has recently played Polonius in Hamlet at The New Theatre.

Other stage work includes: Nicolas in Pinter’s One For The Road, Friar Laurence in Shakespeare’s Romeo and Juliet, Solange in Genet’s The Maids, Duke of Ferrara in De Vega’s Justice Without Revenge, Antonio in Shakespeare’s The Merchant of Venice, Jimmy Jack in Friel’s Translations, Sir Peter Teazle in Sheridan’s The School for Scandal, Carl in Rebecca Gilman’s The Glory of Living, and Clov in Beckett’s Endgame.

TV & Film credits include: Bachelor’s Walk, The Clinic, & Fair CityAlbert Nobbs, Situations Vacant, Breakfast on Pluto and The Magdalene Sisters.

Claire Roche

Claire studied harp and voice with Maírín Feiritear in Sion Hill Convent Dublin, who encouraged her to compose her own songs, and at the age of 13 set ‘To A Child Dancing In The Wind’ to the music of harp. Poet Brendan Kennelly inspired Claire ‘to set some more’ when she was studying Anglo-Irish Literature in Trinity College Dublin, so in all she arranged eight of Yeats’ poems for the Harp. Michael Yeats kindly gave this permission before the copyright had run out on his Father’s work. Claire has had very successful tours of singing with her harp accompaniment in America, Australia and Ireland. www.claireroche.com

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Yeats’s Women

Yeats’s Women

a dramatic performance in story and song

with

Glynis Casson

Daniel Costello

& harpist Clare Roche

8pm Friday 8th July 2016

Thoor Ballylee

Tickets available to book or on the door

Yeats Women July 8th 2016

This performance brings to life the fascinating story of Yeats’s women. Featuring original letters, poems, stories, and song, it uncovers in a dramatic interweaving of life and art the artistic collaborations and personal crises which the poet W.B.Yeats experienced together with an extraordinary cast of striking and hugely talented women: his sisters, his lovers, and his remarkable wife George, presiding spirit of Thoor Ballylee.  

Glynis Casson

Glynis comes from the well known Casson theatrical family and has played many leading roles over the years in Gilbert and Sullivan productions, in Gigi, My Fair Lady and Me and My Girl in the Gaiety Theatre Dublin. She has toured her one woman show Oscar and the Sphinx in Ireland, London and Egypt. The Harp That Once and Dauntless and Daring with Harpist Cormac de Barra in Ireland and the Continent, Seven Ages with Daniel Costello, and the comedy show Ladies Who Lunch with Irene Gaffney in venues around Ireland.

Other stage work includes: Lady Bracknell in The Importance of Being Earnest, The House of Bernarda Alba, Very Heaven, and Harold Pinter’s Party Time.  

TV & Film Credits include: Kathleen in RTE’s Fair City, The Clinic and TG4’s Maru crime series. Imelda in winning Irish film 32A, Mauyra in The Riders to The Sea, Pensioner in the short award winning film Bollybrack in which she did Indian dancing for the first time in Moore Street!   www.glyniscasson.com

Daniel Costello

Daniel has recently played Polonius in Hamlet at The New Theatre.

Other stage work includes: Nicolas in Pinter’s One For The Road, Friar Laurence in Shakespeare’s Romeo and Juliet, Solange in Genet’s The Maids, Duke of Ferrara in De Vega’s Justice Without Revenge, Antonio in Shakespeare’s The Merchant of Venice, Jimmy Jack in Friel’s Translations, Sir Peter Teazle in Sheridan’s The School for Scandal, Carl in Rebecca Gilman’s The Glory of Living, and Clov in Beckett’s Endgame.

TV & Film credits include: Bachelor’s Walk, The Clinic, & Fair CityAlbert Nobbs, Situations Vacant, Breakfast on Pluto and The Magdalene Sisters.

Claire Roche

Claire studied harp and voice with Maírín Feiritear in Sion Hill Convent Dublin, who encouraged her to compose her own songs, and at the age of 13 set ‘To A Child Dancing In The Wind’ to the music of harp. Poet Brendan Kennelly inspired Claire ‘to set some more’ when she was studying Anglo-Irish Literature in Trinity College Dublin, so in all she arranged eight of Yeats’ poems for the Harp. Michael Yeats kindly gave this permission before the copyright had run out on his Father’s work. Claire has had very successful tours of singing with her harp accompaniment in America, Australia and Ireland. www.claireroche.com

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