The Only Jealousy of Emer: Yeats play at Thoor Ballylee

Yeats’s tower this spring hosts the theatre event of the season, as WB Yeats’s play The Only Jealousy of Emer receives its Thoor Ballylee premiere in a spectacular production by Galway-based theatre group DancePlayers.

Fresh from a highly-acclaimed run at Galway Theatre Festival, this new production, featuring resonant music, dance, acting, and design is re-imagined especially for  Yeats’s tower. As a moving site-specific piece in a historic venue numbers are limited so get in fast!

DancePlayers presents

The Only Jealousy of Emer

By WB Yeats

8pm Sat 26 and Sun 27 May 2018

Thoor Ballylee, Yeats’s Tower, Gort, Galway

Tickets: €14/12 Concession

Booking:  Places are limited. Booking required by phone 091 631 436 (weekdays 10am to 2pm, weekends 11am to 5pm) or by email to yeatsthoorballyleesociety@gmail.com

The performance begins outdoors so we highly recommend outdoor shoes and appropriate comfortable clothing. Seating is available but only for some scenes.

The great hero Cuchulain is on his deathbed. His body was washed up by the shore after a long and senseless fight with the sea. There are three women around him: his wife, Emer, his lover, Eithne Inguba, and Fand, an evil creature of the Sidhe. His fate is in their hands. Yeats’s poetic dance-drama focuses exclusively on the feelings and motivations of the female characters, and portrays the emotional turmoil that Emer has to suffer when she has to face her own jealousy to save her husband’s life.

The Only Jealousy of Emer is a one-act dance piece by W.B. Yeats. Written in 1918, it is one of the earliest plays by an Irish writer for physical theatre, with dance, masks and music. Inspired by the Japanese Noh theatre tradition, Yeats wrote this piece for an empty stage, where movement, gesture, posture, masks, spatial relations and dance all contribute to act of storytelling. Physicality speaks it its own language in these plays, so the performers’ task is to elevate this form of expression to the standard of Yeats’s verse and create a piece of total theatre.

This production is an attempt to prove that Yeats’s Noh-inspired dance plays have every right to be presented in front of a heterogeneous audience, in any part of the world, even 100 years after their composition. The notion that these pieces are only accessible for scholars and those “select few” that have an interest in oriental theatre, poetry or Irish mythology is widespread, and is rooted in the absence of professional Yeats productions on the world’s stages. This production aims at exploiting the qualities of the dance play to the full to show the availability of Yeats’s play texts for contemporary audiences within and outside Ireland. It thus features original masks, costumes, live music, dance, design, as well as newly imagined acting, speaking, and movement.

The show is a world premiere: the first ever fully staged theatre production of Yeats’s play The Only Jealousy of Emer taking place in his own tower. Fresh from a highly acclaimed run at the Galway Theatre Festival this production has been entirely re-imagined for this historic space.

Cast and crew after rehearsals at Thoor Ballylee

Because of the unique arrangements of the venue, the audience move with the performers during the show and seating is only available for certain important scenes. The performance begins outdoors so we highly recommend outdoor shoes and appropriate comfortable clothing.

Running time: 50 mins without interval.

DancePlayers is a new ensemble founded in Galway in 2018. It is a group of professional theatre makers and musicians who produce collaborative pieces for physical theatre.

Funded by The Galway City Council, NUI Galway, The Embassy of Hungary in Dublin and the Yeats Thoor Ballylee Society.

Yeats & the West Closing Event @ The Model: Pearse, MacNeill, the Revival & the Rising

Romanticism & Realism: 

Pearse, MacNeill, the Revival & the Rising

Public Talk 

with

Mary Harris, NUI Galway

6pm Thursday 12 May

The Model Theatre, Sligo

followed by

Exhibition closing wine reception

All welcome!

May 1935 Rose Tree

This talk observes how a cultural revolution became a real revolution. It also examines  personalities and politics that more than any others shaped Irish history. Patrick Pearse and Eoin MacNeill were collaborators in the Gaelic League, writers, thinkers and educators working together on An Claidheamh Soluis; fatally, they disagreed over the preparation and timing for armed rebellion. Pearse’s plays drew upon ancient myth to openly demand revolution; MacNeill’s historical studies produced Phases of Irish History and Celtic Ireland. Was it simply romanticism vs realism? Looking back on the Easter Rising and the foundation of the Free State, W.B. Yeats suggested that ‘the modern literature of Ireland, and indeed all that stir of thought which prepared for the Anglo-Irish war, began when Parnell fell from power in 1891. A disillusioned and embittered Ireland turned from parliamentary politics; an event was conceived; and the race began, as I think, to be troubled by that event’s long gestation’. Looking back from one hundred years on, this talk considers the period’s complex interconnections of culture, literature and history, and asks how that ‘stir of thought’ at once created and limited the gestation and flowering of the decisive events of 1916.

Mary Harris pic

Dr Mary Harris is Senior Lecturer in History at the National University of Ireland, Galway. She was born in Cork and is a graduate of UCC, proceeding to Cambridge for her PhD which led to her monograph The Catholic Church and the Foundation of the Northern Irish State (Cork University Press, 1993).

Mary has worked as a secondary school teacher in Cork and Grenada, West Indies.  From 1992-6 she taught Irish Studies at the University of North London.  Since 1996 she has been in the discipline of History at the National University of Ireland, Galway.  Her teaching and research focus is on modern Irish history, and she has published widely in this area. She is currently working on a book on Eoin MacNeill.

Mary is co-ordinator of NUI Galway’s programme commemorating the 1916 Rising and is a member of the Irish government’s expert advisory group on commemoration.

Dr Mary Harris appears in conversation with the curator of Yeats & the West, and Lecturer in English at NUI Galway, Dr Adrian Paterson. The talk is followed by a wine reception for the exhibition closing at the Model, honouring NUI Galway alumni, who include the illustrious collector and donor to the Model Nora Niland.

Donal Tinney – Chairperson of The Model, Dr Adrian Paterson – NUI Galway and curator of the exhibition and Senator Susan O'Keeffe, at the NUI Galway Launch of Yeats & the West Exhibition at The Model, Sligo. Photo: James Connolly 24MAR16

Donal Tinney – Chairperson of The Model, Dr Adrian Paterson – NUI Galway and curator of the exhibition and Senator Susan O’Keeffe, at the NUI Galway Launch of Yeats & the West Exhibition at The Model, Sligo.
Photo: James Connolly
24MAR16

Yeats and the West logo

Yeats & the West Exhibition Tours & Talks

Curators Tours 1pm. Public Talks 6pm.

Free entry

 The Model, Sligo

Tours Thursday at 1pm

Tours of the exhibition from the curators take place every Thursday at 1pm.  Find out what makes art and poetry so close, and observe the connection of books, and music, drama, and discover never before seen rare books and fine art from the collections of NUI Galway and The Model. Come and get an inside view of the crafts and cultures that made a western revolution.

Emer McGarry, Acting Director, The Model, Cllr. Thomas Healy, Dr Jim Browne , President of NUI Galway, Martin Enright, President of Yeats Society, Sligo, Dr Adrian Paterson, NUI Galway, and curator of the exhibition, Senator Susan O'Keeffe, Ciaran Hayes, Sligo County Manager, Barry Houlihan, NUIG, Donal Tinney, Chairperson of The Model, and John Cox, NUIG, at the NUI Galway Launch of Yeats & the West Exhibition at The Model, Sligo. Photo: James Connolly 24MAR16

Emer McGarry, Acting Director, The Model, Cllr. Thomas Healy, Dr Jim Browne , President of NUI Galway, Martin Enright, President of Yeats Society, Sligo, Dr Adrian Paterson, NUI Galway, and curator of the exhibition, Senator Susan O’Keeffe, Ciaran Hayes, Sligo County Manager, Barry Houlihan, NUIG, Donal Tinney, Chairperson of The Model, and John Cox, NUIG, at the NUI Galway Launch of Yeats & the West Exhibition at The Model, Sligo.
Photo: James Connolly
24MAR16

Talks Thursdays at 6pm

This series of talks on Yeats’s connection to the west and beyond takes us inside the makings of a western cultural revolution. Talks from experts in the field range from exploring the pioneering art and craftwork of the Yeats family to W.B.Yeats’s own life and loves, considering his some of his most controversial and sexy poems; they reveal the extraordinary plays of his brother, the artist Jack B. Yeats, and alongside the Model Gallery’s newly unveiled Broadside collection, showcase his design and print work; and they weigh the wider forces that turned a cultural revolution into a real one.

Speakers include the curators of the exhibition Dr Adrian Paterson and Barry Houlihan (NUI Galway), Professor Adrian Frazier (NUI Galway), Professor Margaret Mills Harper (University of Limerick and outgoing Director of the Yeats International Summer School), Dr Hilary Pyle (former Yeats Curator at National Gallery of Ireland), Dr Ian Walsh (NUI Galway), Dr Mary Harris (NUI Galway).

Yeats and the West logo

All talks take place every Thursday at 6pm in the Model Theatre.

7 April – ‘Lake Isles, River Eyots: making Innisfree with the Yeats family’

Adrian Paterson, English, NUI Galway

14 April – ‘A Disturbing Influence: Maud Gonne in the life of W.B. Yeats’

Adrian Frazier, English, NUI Galway

21 April – ‘Jack B. Yeats’s A Broadside: a sheaf of ballads or a battery of guns?’

Hilary Pyle, former Yeats Curator at the National Gallery of Ireland

28 April – ‘W.B. Yeats and the Problem of Crazy Jane’

Margaret Mills Harper, University of Limerick, & outgoing Director of the Yeats International Summer School

5 May – ‘A Vaudeville of Frustration: The Theatre of Jack B. Yeats’.

Ian Walsh, Centre for Drama Theatre and Performance, NUI Galway

12 May – ‘Romanticism and Realism: Pearse, MacNeill, the Revival and the Rising’

Mary Harris, History, NUI Galway

For schools events Thursdays  enquire schoolvisits@nuigalway.ie

The Model opening hours

Tues-Sat: 10am – 5.30pm

Thurs: 10am – 8pm

Sun: 12 – 5pm

Mon: Closed

Yeats and the West logo

Talk at Yeats & the West: The Theatre of Jack B. Yeats

A Vaudeville of Frustration: The Theatre of Jack B. Yeats

Public Talk

with

Dr Ian Walsh, NUI Galway

6pm Thursday 5 May

The Model Theatre, Sligo

La La Noo (2)

Alongside The Model’s Niland collection, and the exhibitions Yeats & the West and A Broadside this talk uncovers the rarely-read and even more rarely-performed plays of Jack B. Yeats, Ireland’s greatest painter. Beginning with children’s miniature theatre productions, voiced and written by the artist and for which he drew and designed stage, set, and characters with piratical cast, Jack B. Yeats always aimed athwart at conventional theatre. He developed an idiosyncratic theatrical voice that was both distinctive, and distinctively modernist, not quite like anything ever seen or heard in or out of the theatre. Despite Jack Yeats’s earlier close association with J.M.Synge, plays that were not accepted by his brother’s Abbey Theatre found a further life alongside his brother’s at Mary O’Malley’s Lyric Theatre Belfast. From Harlequin’s Positions and In Sand to The Green Wave and La La Noo, Jack Yeats’s drama engages directly with his artistic practice, often referencing his paintings and broadsides, and directly influenced Beckett’s absurdist dramaturgy.

Lyric Yeats brothers copy

Ian Walsh is Lecturer in Drama, Theatre, and Performance at NUI Galway. His monograph Experimental Irish Theatre After W.B Yeats was published in 2012 by Palgrave Macmillan. In 2015 his collection The Theatre of Enda Walsh co-edited with Mary Caulfield was released, the first critical collection on the plays and films of Enda Walsh. He has published widely on Irish theatre and has given invited talks across Ireland, Germany and the United States. Ian is also preparing a monograph on Popular Irish Theatre. Professional directing credits include Purple Path to the Poppy Field ( Hora Prima, 2006) and The Magic Flute (2011), Orfeo Ed Eurydice (2010), Riders to the Sea and The Wandering Scholar (2009) all for DLR Glasthule Opera.

WP_20160324_15_26_38_Pro

Ian Walsh appears in conversation with the curator of Yeats & the West, and Archivist in the James Hardiman Library at NUI Galway, Barry Houlihan.

Dr Adrian Paterson, NUI Galway, and curator of the exhibition, Donal Tinney, Chairperson of The Model, John Cox, NUIG, and Barry Houlihan, NUIG, at the NUI Galway Launch of Yeats & the West Exhibition at The Model, Sligo. Photo: James Connolly 24MAR16

Dr Adrian Paterson, NUI Galway, and curator of the exhibition, Donal Tinney, Chairperson of The Model, John Cox, NUIG, and Barry Houlihan, NUIG, at the NUI Galway Launch of Yeats & the West Exhibition at The Model, Sligo.
Photo: James Connolly
24MAR16

Yeats and the West logo

Yeats & the West Exhibition Tours & Talks

Curators Tours 1pm. Public Talks 6pm.

Free entry

 The Model, Sligo

Tours Thursday at 1pm

Tours of the exhibition from the curators take place every Thursday at 1pm.  Find out what makes art and poetry so close, and observe the connection of books, and music, drama, and discover never before seen rare books and fine art from the collections of NUI Galway and The Model. Come and get an inside view of the crafts and cultures that made a western revolution.

Emer McGarry, Acting Director, The Model, Cllr. Thomas Healy, Dr Jim Browne , President of NUI Galway, Martin Enright, President of Yeats Society, Sligo, Dr Adrian Paterson, NUI Galway, and curator of the exhibition, Senator Susan O'Keeffe, Ciaran Hayes, Sligo County Manager, Barry Houlihan, NUIG, Donal Tinney, Chairperson of The Model, and John Cox, NUIG, at the NUI Galway Launch of Yeats & the West Exhibition at The Model, Sligo. Photo: James Connolly 24MAR16

Emer McGarry, Acting Director, The Model, Cllr. Thomas Healy, Dr Jim Browne , President of NUI Galway, Martin Enright, President of Yeats Society, Sligo, Dr Adrian Paterson, NUI Galway, and curator of the exhibition, Senator Susan O’Keeffe, Ciaran Hayes, Sligo County Manager, Barry Houlihan, NUIG, Donal Tinney, Chairperson of The Model, and John Cox, NUIG, at the NUI Galway Launch of Yeats & the West Exhibition at The Model, Sligo.
Photo: James Connolly
24MAR16

Talks Thursdays at 6pm

This series of talks on Yeats’s connection to the west and beyond takes us inside the makings of a western cultural revolution. Talks from experts in the field range from exploring the pioneering art and craftwork of the Yeats family to W.B.Yeats’s own life and loves, considering his some of his most controversial and sexy poems; they reveal the extraordinary plays of his brother, the artist Jack B. Yeats, and alongside the Model Gallery’s newly unveiled Broadside collection, showcase his design and print work; and they weigh the wider forces that turned a cultural revolution into a real one.

Speakers include the curators of the exhibition Dr Adrian Paterson and Barry Houlihan (NUI Galway), Professor Adrian Frazier (NUI Galway), Professor Margaret Mills Harper (University of Limerick and outgoing Director of the Yeats International Summer School), Dr Hilary Pyle (former Yeats Curator at National Gallery of Ireland), Dr Ian Walsh (NUI Galway), Dr Mary Harris (NUI Galway).

Yeats and the West logo

All talks take place every Thursday at 6pm in the Model Theatre.

7 April – ‘Lake Isles, River Eyots: making Innisfree with the Yeats family’

Adrian Paterson, English, NUI Galway

14 April – ‘A Disturbing Influence: Maud Gonne in the life of W.B. Yeats’

Adrian Frazier, English, NUI Galway

21 April – ‘Jack B. Yeats’s A Broadside: a sheaf of ballads or a battery of guns?’

Hilary Pyle, former Yeats Curator at the National Gallery of Ireland

28 April – ‘W.B. Yeats and the Problem of Crazy Jane’

Margaret Mills Harper, University of Limerick, & outgoing Director of the Yeats International Summer School

5 May – ‘A Vaudeville of Frustration: The Theatre of Jack B. Yeats’.

Ian Walsh, Centre for Drama Theatre and Performance, NUI Galway

12 May – ‘Romanticism and Realism: Pearse, MacNeill, the Revival and the Rising’

Mary Harris, History, NUI Galway

For schools events Thursdays  enquire schoolvisits@nuigalway.ie

The Model opening hours

Tues-Sat: 10am – 5.30pm

Thurs: 10am – 8pm

Sun: 12 – 5pm

Mon: Closed

Yeats and the West logo