Would you like to explore the natural beauty of WB Yeats’ home at Thoor Ballylee in County Galway? Hear his folk and fairy tales, make magic wands and fairy doors? Come and share his love for nature and the legends of the past?
Then join us for our Wild Child celebration this Heritage Week on Wednesday 18 August!.
The event is designed to connect children to the wild wonder of the place, and ignite the magic of the realm that Yeats so loved. There are fairy tales and fables from Yeats as well as poetry and song. We are also preparing a fairy walk with fairy volunteers imparting exciting titbits of woodland lore to children and adults.
This is a free event, but due to Covid 19 restrictions registration for workshops is necessary.
Workshops will be held at the following times:
Wild Child Workshops
Wednesday 18 August 2021
11am, 1pm, 3pm
Suitable for children under 12 years of age, and all those young at heart.
Please note due to public health guidelines the interior of Thoor Ballylee remains closed for visitors. However our grounds and walks are open to all year round.
Any questions regarding the Wild Child event, please email Anna on aodonnell111@gmail.com.
Everyone is invited to join the Yeats Thoor Ballylee Society for our annual birthday celebrations! This live picnic will be held at a socially-distanced event in the grounds of Thoor Ballylee at 3pm Sunday June 13. All attendees are invited to read their favourite Yeats poem and say why it matters to them.
Sunday marks the poet WB Yeats’ 156th birthday, but this year the committee would like especially to honour the artists Lily Yeats (her 155th birthday) and Elizabeth Yeats (her 153rd birthday) after whom the Studio at Thoor is named.
Poetry, song, hampers, cakes, the sound of laughter and running water – all the joy of a birthday picnic – what’s not to like! Especially if you’d like to read, prospective participants should contact aodonnell111@gmail.com
Lily (Susan Mary) Yeats (1866-1949): Landscape at Night
Lily Yeats’s work as an embroiderer is increasingly highly regarded, and not before time. This fine example of her needlework earlier this year exceeded the estimate in auction, going for over nearly €7500.
with conductor David Brophy (Choir of Ages, High Hopes) and the Coole Park Band
All these pieces explore the heavens: Liniakea is Hawaiian for immense heaven (our Milky Way), Lente ‘imagines a fragment of Sibelius’s 7th Symphony in a black hole’, and Mozart’s 41st Symphony (1788) is named after Jupiter and his thunderbolts.
Due to COVID-19 and government health restrictions this year’s programme of events were streamlined, and indeed streamed and recorded for remote audiences, as well as available live to select invited guests. For more on the gathering’s annual events visit:
Join Garry Hynes, James Pethica, Joseph Hassett, Ronnie O’Gorman for discussion of Lady Gregory and Yeats: with music from Maighread Ní Dhomhnaill and a special concert Coole Celebrations featuring world premieres with James Brophy and the Coole Park Band!
Due to COVID-19 and government health restrictions this year’s programme of events is streamlined, and indeed streamed for remote audiences, as well as available live to select invited guests.
An outdoor concert at Coole Park honouring the celestial spirits of Wolfgang Amadeus Mozart and Augusta, Lady Gregory with world premieres of newly commissioned pieces
with conductor James Brophy (Choir of Ages, High Hopes) and the Coole Park Band
All these pieces explore the heavens: Liniakea is Hawaiian for immense heaven (our Milky Way), Lente ‘imagines a fragment of Sibelius’s 7th Symphony in a black hole’, and Mozart’s 41st Symphony (1788) is named after Jupiter and his thunderbolts.
Presented by the Autumn Gathering and Coole Culture.
Every year a Poet’s Picnic is held in celebration of the birthday of WB Yeats. This year is no different. On afternoon of Saturday 13 June 2020 from 2 pm, the poet’s tower in Galway hosts a video event of poetry, music, and memories. This is the first in a series of events held all summer long at Thoor Ballylee, as the tower opens virtually and for outdoor visitors in compliance with COVID-19 restrictions.
We are delighted to say the waters have long gone, our volunteers and staff have removed all sand bags, tidied away all flotsam, and the gardens are thriving: these are all recent photographs! Though due to current restrictions we have not been yet allowed inside, the grounds are spectacular for visitors. And this weekend Thoor Ballylee blooms again to celebrate the 155th birthday of WB Yeats.
First, a reminder of our story.
WB Yeats bought the old Norman tower at Ballylee for a song in 1916, and had it renovated by local builder Michael Rafferty under the direction of architect William A. Scott, with whom Yeats had a lively relationship, describing him on one occasion as a ‘drunken genius’. With its attached thatched cottage it became a comfortable summer home for his wife George and their two children, Michael and Anne, and the Yeats family returned year after year.
Living there inspired Yeats to write some of his best poetry. Fruits of this work were published in two volumes considered by critics among his best: The Tower (1928) and The Winding Stair (1933). They contain such poems as ‘The Tower’, ‘Meditations in Time of Civil War’, ‘Coole Park 1929’, ‘Blood and the Moon’, and many others, some featured in this weekend’s birthday celebrations.
The Winding Stair (1933) cover by Thomas Sturge Moore
The tower, which Yeats named Thoor Ballylee, fell into disrepair after the poet’s death in 1939. It was given by the children of the poet to Board Failte, who opened it as a tourist information office, while offering tours showing its extraordinary literary heritage.
Built by the de Burgo family in the 14th century as a Hiberno-Norman stronghold, the tower stands beside the Streamstown River and is subject to sporadic winter flooding. It truly is a livestream: the floods have been severe in recent years, so in 2009 the tower was shut by Failte Ireland who decided that it was no longer economically viable. It remained closed until a group of volunteers, with the grand-sounding name of Yeats Thoor Ballylee Society, appealed to Failte Ireland to let them re-open the Tower as a visitor centre once again. This was granted, and after restoration and repair work the tower was opened with music and song in June 2015, the 150th anniversary of Yeats’s birth. Exhibitions, tours, and all kinds of cultural events have attracted thousands of visitors. His birthday has been celebrated there ever since.
This summer, these events are set to continue. Yeats Thoor Ballylee Society continues to adhere to all the COVID-19 guidelines from the Government of Ireland. While this does not currently allow for visitors inside the tower, the Society continues to host special events with social distancing in place in the grounds, by the mill wheel, by the river, and online.
In addition to the Poet’s Picnic taking place this Saturday 13 June 2020, there are ambitious plans in the coming year to hold the type of events the tower has become famous for: poetry readings, plays, musical get-togethers, talks of historical, natural, and literary interest, including virtual multimedia tours, talks, and readings from WB Yeats’s inspirational home, and from our new studio space dedicated to art and cultural workshops which opened just last year.
This summer the magic of the tower can thus be experienced in a number of ways. The grounds remain open to visitors practising social distancing, while the tower hosts small gatherings for invited attendees, and an exciting series of events broadcast to the world by video or audio link.
To donate to this voluntary group, our webpage yeatsthoorballylee.org has updates, and see also the Yeats Thoor Ballylee Society facebook page. Visitors this summer still be able to enjoy the charm of Ballylee, and perhaps agree that it is the perfect place for a poet to rest and write.
Yesterday we heard the sad news of the death of Mary McPartlan. Leitrim-born McPartlan was a singer, actor, director, promotor and well-known cultural activist for music and the arts in Galway and nationally. She was also a force of nature: despite spending significant energy over a number of years battling with cancer, she always came back stronger, full of new ideas and collaborations; and still singing.
Throughout a varied career, Mary McPartlan worked with Druid theatre, TG4, and RTÉ, as well as helping to found Galway theatre company Skehana, the Galway singers club Riabhóg, the Galway Youth Theatre and Glór, the national Irish music centre in Ennis. With TG4 she founded the thriving Gradam Ceoil National Traditional Music Awards and produced and presented the music show FLOSC.
Working at the National University of Ireland Galway she set up Arts in Action sparking new art projects and bringing together artists, musicians, actors, writers and performers from around the world. Even in these restricted times the series continues to find an audience online.
Her first love though was music. She founded folk duo Calypso in the 1970s, and more recently she received a Fulbright award for her work collecting and editing folksong from Ireland and Scotland to America and beyond. Her debut album The Holland Handkerchief(2004) was heralded as folk album of the year by MOJO Magazine, follow-up Petticoat Loose (2008) featured more of her award-winning solo singing, and she continued to record and tour.
As a longstanding friend of Thoor Ballylee she took a leading role in the last concert held here in October 2019.
“It is with deep sadness that Sabina and I have heard of the death of a dear friend, Mary McPartlan, musical director, broadcaster, and one of Ireland’s great folk singers.
She leaves a legacy of achievement for the arts that will endure. […]
Her invocation of place, history and feeling was unique. Sabina and I were among the many who were privileged to call her our friend, and we will all miss her so much.
For myself, I will always hold wonderful memories of being on tour with her and of her singing her tribute to Victor Jara at those five gigs we did together in 2011 in Leitrim, Donegal, Wicklow and Kerry; the wonderful company she was; and later I often admired how brave she was, indomitable, transcending loss and adversity with a nobility of heart and a powerful reach of humanity that was of course always there in her singing and in her life.”
Mary McParlan is featured in many fine performances and live recordings, too many to name here. Her solo version of ‘Lord Gregory’ (also known as ‘The Lass of Aughrim’) from The Holland Handkerchief expresses the strange grief that so inspired James Joyce’s story ‘The Dead’, where a rendition of the song ‘in the old Irish tonality’, ‘made plaintive by distance’ reminds Gretta Conroy of her Galway youth and precipitates the story’s climax.
Mary McPartlan is survived by her husband, Paddy, and daughters Mairéad and Meabh. All at Thoor Ballylee remember well her courage, vivacity and spirit, which continues wherever music is played in Galway.
The year is 1916. A young man arrives to the hills of County Clare by night. He is on the run, looking for refuge after his part in the Eastern Rising in Dublin. After some time trying to find his way on the mountain side, two strange figures emerge from the dark, and offer him guidance. It soon turns out that they are not ordinary people, but the ghosts of that infamous twelfth century couple, Dermot and Dervorgilla, who have been held responsible for the first invasion of Ireland by foreign armies. They need the young man’s help.
Thankfully, with this dramatic staging, DancePlayers returns to Galway with another astonishing production of a rarely seen Yeats play. Their highly acclaimed performance of The Only Jealousy of Emer was a highpoint in Thoor Ballylee’s 2018 season and the Galway Theatre Festival. With original music, movement, and staging, this new imagining of Yeats’s play about violence and historypromises to be even better. Set in the Burren, as the ghosts circle Corcomroe Abbey, Co. Clare, near Thoor Ballylee, The Dreaming of the Bones is in this production coming home to the west.
The Dreaming of the Bones is a one-act dance piece by W. B. Yeats. Written in 1918, it is one of the earliest plays by an Irish writer for physical theatre, with dance, masks and music. With its topical subject and completion only two years after the Rising, it was deemed too problematic for the public stage for more than a decade, hence no attempt was made to produce it until its belated premiere in the Abbey Theatre in 1931. Since then, it has become one of Yeats’s most frequently played dance dramas both in Ireland and abroad. Inspired by the Japanese Noh theatre tradition, Yeats wrote this piece for an empty stage, where movement, gesture, masks, spatial relations and dance all contribute to act of storytelling.
After their acclaimed debut at the Galway Theatre Festival with The Only Jealousy of Emer in 2018, DancePlayers Company returns with a new staging of The Dreaming of the Bones in an attempt to exhibit the qualities of dance plays to the full, thus showing the availability of Yeats’s play texts for contemporary audiences. The play will be staged with movement and live music, composed exclusively for the performance.
Time:8pm on Thursday 7th, Friday 8th and Saturday 9th November 2019, 1pm on Sunday 10th with open Question and Answer session from the director and performers.
Directed by Melinda Szuts
Music Akos Lustyik
Choreography Jeremie Cyr-Cooke
Lighting design Sarah Timmins
Stage manager Aisling Fitzsimons
Masks and design Yvette Picque
Gergely Kuklis violin
Nicola Geddes cello
Gilles Dupouy harp
Cast: Aimee Banks, Kashi Cepeda, Jeremie Cyr-Cooke, Conor Gormley, John Rice, Una Valaine
Melinda Szuts is a Galway-based director and researcher at the O’Donoghue Centre for Drama, Theatre and Performance at NUIG. Melinda has been involved in many theatre productions both in Ireland and her home country, Hungary in previous years. Her theatre credits include many Yeats productions, both as actor and as director.
DancePlayers is an ensemble newly founded in Galway in 2018. It is a group of professional theatre makers and musicians who produce collaborative pieces for physical theatre. Their production of Yeats’s The Only Jealousy of Emer had a successful series of performances at Galway Theatre Festival and in Yeats’s tower, Thoor Ballylee in Gort, Co. Galway
A short play by W. B. Yeats and Augusta Gregory is our featured event for Culture Night at Thoor Ballylee.
The Pot of Broth was premiered in Dublin in 1902 at the Irish National Theatre even before it became the Abbey Theatre. Yeats called it a ‘little farce’, but it pioneered the use of local dialect speech foreshadowing the later comedies of Gregory and J.M. Synge – and some of the comic relief of Yeats’s tragedies. This taut and tightly-worked piece is directed by Anthony Hall and presented by a local theatre group in its first ever performance at Thoor Ballylee, alongside a short talk about the early Abbey Theatre and some real pots of delicious home-cooked broth for the audience.
Drop in for Culture Night Friday 20th September for any of two performances at 7.15pm and 8.15pm – stay and enjoy our exhibitions, climb the tower in the setting sun, and consume our hospitable home-made broth!
Sanctuary Event at Thoor Ballylee
Writers and artists invite public to discover for themselves at interactive exhibit at Thoor Ballylee
A collective of eight poets, writers and visual artists from County Galwaypresent their original works on the theme of sanctuary at a one-day exhibit on Sunday, September 15th, 2019 from noon at the Studio at Thoor Ballylee, outside Gort. The event, The Roots of Your Refuge, will be free and open to the public, and offered rain or shine. Light refreshments will be served.
Conceived by poet, educator, and psychotherapist Aoife Reilly, the exhibition is the culmination of a five-month exploration of what sanctuary means in the natural and modern worlds. It consists of readings of poetry and prose, interactive exhibits, writing exercises, guided meditations, and artworks displayed in the Studio and surrounding woods. Each element was created specifically for this event.
Works will be arranged along a trail, with contributions from each artist and writer presented over the course of the afternoon. Visitors are invited to enjoy the part indoor, part outdoor event in this peaceful wooded setting where they can take in words and images, contribute their own, and tap into what sanctuary means to them.
“This has been a rare opportunity to delve deeply into the age-old need for sanctuary, and set our imaginations free in a beloved natural environment,” said artist Aisling O’Leary, one of the project’s contributors. “For many people, sanctuary is an internal place, but one we arrive at most easily by tapping into nature.”
The grounds and medieval tower house at Thoor Ballylee were a place of sanctuary and inspiration for the poet W.B. Yeats, Nobel laureate for Literature, who spent summers there with his family before and during the Irish Civil War. The curated site attracts visitors from around the world for its serenity and rich history, offering them a place to explore what poet Reilly calls “the sanctity of green/ when you’re shaken to the bone.”
